“Oh, I don't know anything about that. Henderson has only one idea—to get the better of everybody, and be the money king of New York. But I should not wonder if he had once a soft spot in his heart. He is better than she is.”

It was still early, lacked half an hour of midnight, and the night was before them. Some one proposed the Conventional. “Yes,” said Carmen; “all come to our box.” The Van Dams would go, Miss Tavish, the Chesneys; the suggestion was a relief to everybody. Only Mr. Henderson pleaded important papers that must have his attention that night. Edith said that she was too tired, but that her desertion must not break up the party.

“Then you will excuse me also,” said Jack, a little shade of disappointment in his face.

“No, no,” said Edith, quickly; “you can drop me on the way. Go, by all means, Jack.”

“Do you really want me to go, dear?” said Jack, aside.

“Why of course; I want you to be happy.”

And Jack recalled the loving look that accompanied these words, later on, as he sat in the Henderson box at the Conventional, between Carmen and Miss Tavish, and saw, through the slight haze of smoke, beyond the orchestra, the praiseworthy efforts of the Montana Kicker, who had just returned with the imprimatur of Paris, to relieve the ennui of the modern world.

The complex affair we call the world requires a great variety of people to keep it going. At one o'clock in the morning Carmen and our friend Mr. Delancy and Miss Tavish were doing their part. Edith lay awake listening for Jack's return. And in an alley off Rivington Street a young girl, pretty once, unknown to fortune but not to fame, was about to render the last service she could to the world by leaving it.

The impartial historian scarcely knows how to distribute his pathos. By the electric light (and that is the modern light) gayety is almost as pathetic as suffering. Before the Montana girl hit upon the happy device that gave her notoriety, her feet, whose every twinkle now was worth a gold eagle, had trod a thorny path. There was a fortune now in the whirl of her illusory robes, but any day—such are the whims of fashion—she might be wandering again, sick at heart, about the great city, knocking at the side doors of variety shows for any engagement that would give her a pittance of a few dollars a week. How long had Carmen waited on the social outskirts; and now she had come into her kingdom, was she anything but a tinsel queen? Even Henderson, the great Henderson, did the friends of his youth respect him? had he public esteem? Carmen used to cut out the newspaper paragraphs that extolled Henderson's domestic virtue and his generosity to his family, and show them to her lord, with a queer smile on her face. Miss Tavish, in the nervous consciousness of fleeting years, was she not still waiting, dashing here and there like a bird in a net for the sort of freedom, audacious as she was, that seemed denied her? She was still beautiful, everybody said, and she was sought and flattered, because she was always merry and good-natured. Why should Van Dam, speaking of women, say that there were horses that had been set up, and checked up and trained, that held their heads in an aristocratic fashion, moved elegantly, and showed style, long after the spirit had gone out of them? And Jack himself, happily married, with a comfortable income, why was life getting flat to him? What sort of career was it that needed the aid of Carmen and the serpentine dancer? And why not, since it is absolutely necessary that the world should be amused?