Yet it was undeniable that the artist and Marion had a common taste for hunting out picturesque places in the wood-paths, among the rocks, and on the edges of precipices, and they dragged the rest of the party many a mile through wildernesses of beauty. Sketching was the object of all these expeditions, but it always happened—there seemed a fatality in it that whenever they halted anywhere for a rest or a view, the Lamont girl was sure to take an artistic pose, which the artist couldn't resist, and his whole occupation seemed to be drawing her, with the Catskills for a background. “There,” he would say, “stay just as you are; yes, leaning a little so”—it was wonderful how the lithe figure adapted itself to any background—“and turn your head this way, looking at me.” The artist began to draw, and every time he gave a quick glance upwards from his book, there were the wistful face and those eyes. “Confound it! I beg your pardon-the light. Will you please turn your eyes a little off, that way-so.” There was no reason why the artist should be nervous, the face was perfectly demure; but the fact is that art will have only one mistress. So the drawing limped on from day to day, and the excursions became a matter of course. Sometimes the party drove, extending their explorations miles among the hills, exhilarated by the sparkling air, excited by the succession of lovely changing prospects, bestowing their compassion upon the summer boarders in the smartly painted boarding-houses, and comparing the other big hotels with their own. They couldn't help looking down on the summer boarders, any more than cottagers at other places can help a feeling of superiority to people in hotels. It is a natural desire to make an aristocratic line somewhere. Of course they saw the Kaaterskill Falls, and bought twenty-five cents' worth of water to pour over them, and they came very near seeing the Haines Falls, but were a little too late.
“Have the falls been taken in today?” asked Marion, seriously.
“I'm real sorry, miss,” said the proprietor, “but there's just been a party here and taken the water. But you can go down and look if you want to, and it won't cost you a cent.”
They went down, and saw where the falls ought to be. The artist said it was a sort of dry-plate process, to be developed in the mind afterwards; Mr. King likened it to a dry smoke without lighting the cigar; and the doctor said it certainly had the sanitary advantage of not being damp. The party even penetrated the Platerskill Cove, and were well rewarded by its exceeding beauty, as is every one who goes there. There are sketches of all these lovely places in a certain artist's book, all looking, however, very much alike, and consisting principally of a graceful figure in a great variety of unstudied attitudes.
“Isn't this a nervous sort of a place?” the artist asked his friend, as they sat in his chamber overlooking the world.
“Perhaps it is. I have a fancy that some people are born to enjoy the valley, and some the mountains.”
“I think it makes a person nervous to live on a high place. This feeling of constant elevation tires one; it gives a fellow no such sense of bodily repose as he has in a valley. And the wind, it's constantly nagging, rattling the windows and banging the doors. I can't escape the unrest of it.” The artist was turning the leaves and contemplating the poverty of his sketch-book. “The fact is, I get better subjects on the seashore.”