On another evening they were at the illumination of the Congress Spring Park. The scene seemed the creation of magic. By a skillful arrangement of the colored globes an illusion of vastness was created, and the little enclosure, with its glowing lights, was like the starry heavens for extent. In the mass of white globes and colored lanterns of paper the eye was deceived as to distances. The allies stretched away interminably, the pines seemed enormous, and the green hillsides mountainous. Nor were charming single effects wanting. Down the winding walk from the hill, touched by a distant electric light, the loitering people, in couples and in groups, seemed no more in real life than the supernumeraries in a scene at the opera. Above, in the illuminated foliage, were doubtless a castle and a broad terrace, with a row of statues, and these gay promenaders were ladies and cavaliers in an old-time masquerade. The gilded kiosk on the island in the centre of the miniature lake and the fairy bridge that leads to it were outlined by colored globes; and the lake, itself set about with brilliants, reflected kiosk and bridge and lights, repeating a hundredfold the fantastic scene, while from their island retreat the band sent out through the illumined night strains of sentiment and gayety and sadness. In the intervals of the music there was silence, as if the great throng were too deeply enjoying this feast of the senses to speak. Perhaps a foreigner would have been impressed with the decorous respectability of the assembly; he would have remarked that there were no little tables scattered about the ground, no boys running about with foaming mugs of beer, no noise, no loud talking; and how restful to all the senses!
Mrs. Bartlett Glow had the whim to devote herself to Mrs. Benson, and was repaid by the acquisition of a great deal of information concerning the social and domestic, life in Cyrusville, Ohio, and the maternal ambition for Irene. Stanhope and Irene sat a little apart from the others, and gave themselves up to the witchery of the hour. It would not be easy to reproduce in type all that they said; and what was most important to them, and would be most interesting to the reader, are the things they did not say—the half exclamations, the delightful silences, the tones, the looks that are the sign language of lovers. It was Irene who first broke the spell of this delightful mode of communication, and in a pause of the music said, “Your cousin has been telling me of your relatives in New York, and she told me more of yourself than you ever did.”
“Very likely. Trust your friends for that. I hope she gave me a good character.”
“Oh, she has the greatest admiration for you, and she said the family have the highest expectations of your career. Why didn't you tell me you were the child of such hopes? It half frightened me.”
“It must be appalling. What did she say of my uncle and aunts?”
“Oh, I cannot tell you, except that she raised an image in my mind of an awful vision of ancient family and exclusiveness, the most fastidious, delightful, conventional people, she said, very old family, looked down upon Washington Irving, don't you know, because he wrote. I suppose she wanted to impress me with the value of the prize I've drawn, dear. But I should like you just as well if your connections had not looked down on Irving. Are they so very high and mighty?”
“Oh, dear, no. Much like other people. My aunts are the dearest old ladies, just a little nearsighted, you know, about seeing people that are not—well, of course, they live in a rather small world. My uncle is a bachelor, rather particular, not what you would call a genial old man; been abroad a good deal, and moved mostly in our set; sometimes I think he cares more for his descent than for his position at the bar, which is a very respectable one, by the way. You know what an old bachelor is who never has had anybody to shake him out of his contemplation of his family?”
“Do you think,” said Irene, a little anxiously, letting her hand rest a moment upon Stanhope's, “that they will like poor little me? I believe I am more afraid of the aunts than of the uncle. I don't believe they will be as nice as your cousin.”
“Of course they will like you. Everybody likes you. The aunts are just a little old-fashioned, that is all. Habit has made them draw a social circle with a small radius. Some have one kind of circle, some another. Of course my aunts are sorry for any one who is not descended from the Van Schlovenhovens—the old Van Schlovenhoven had the first brewery of the colony in the time of Peter Stuyvesant. In New York it's a family matter, in Philadelphia it's geographical. There it's a question whether you live within the lines of Chestnut Street and Spruce Street—outside of these in the city you are socially impossible: Mrs. Cortlandt told me that two Philadelphia ladies who had become great friends at a summer resort—one lived within and the other without the charmed lines—went back to town together in the autumn. At the station when they parted, the 'inside' lady said to the other: 'Good-by. It has been such a pleasure to know you! I suppose I shall see you sometimes at Moneymaker's!' Moneymaker's is the Bon Marche of Philadelphia.”