Bigot received more than one manor. Domesday tells us that he held Sandbach also. Over the entrance of Sandbach Town Hall you may see his statuette, placed there to remind you of the days when Cheshire lands passed from the hands of the English to their Norman conquerors.
CHAPTER XI
THE NORMAN ABBEYS AND CHURCHES OF CHESHIRE
Among the friends of Earl Hugh who visited him at his castle at Chester was Anselm the great churchman, who afterwards became Archbishop of Canterbury. Anselm was at the time prior of the Abbey of Bec, which was close to Avranches, the earl's own Norman home. Now if there was one thing on which the Normans justly prided themselves, it was the founding and building of churches, and the heart of Earl Hugh was set on building in his own city of Chester a monastery that should rival in splendour those of his native country. Perhaps, too, the Norman lords thought that by devoting a portion of their wealth to the service of God they could win salvation for their souls and atone for the shortcomings and misdeeds of their stormy lives. So the Cheshire earl sent for his former friend Anselm to come and aid him in his scheme, and the result of his visit was that in 1093 the clergy of S. Werburgh's were turned out of their homes, and the church itself pulled down, and in its place was erected a monastery of Benedictine monks who were brought over from Bee, Anselm's chaplain, Richard, being made the first abbot.
The monks were men who lived a life of prayer, fasting, and study apart from the world. None might ever leave the precincts of the monastery without permission. The Benedictines received their name from Saint Benedict, who lived in the sixth century, and drew up rules for the daily life and conduct of the monks of the Order. They all slept in the same dormitory, and all took their meals together in a common room called a refectory. In the refectory at Chester you may see a lector's pulpit from which portions of the Scriptures were read aloud to the monks as they sat at their meals. They gave all their private possessions to the monastery, and had to obey their superior in all matters. Every hour of the day and night had its allotted duties of work, study, or religious services. High up in the wall in one of the oldest parts of Chester Cathedral is a row of tiny arches, and behind them a narrow passage, along which the monks went from their sleeping-chamber to the early morning services in the abbey church.
To some of the monks was given the work of gardening, agriculture, and even building. The name of Caleyards at Chester still speaks to us of the kitchen-garden which the monks tended. Others made copies of illuminated 'missals' or books of Church services, or wrote histories and the annals of the abbey to which they were attached. The Chronicles of S. Werburgh were kept and added to yearly by the monks of Chester; though the original has been lost, a copy of it, made by a later scribe, has happily been preserved.
The most important part of the monastery was of course the church. The Norman churches were built of stone, and, as they took many years to build, very few of the founders lived to see the completion of their work. Probably only the foundations and portions of the walls of the church of Earl Hugh Lupus were finished during his lifetime. The work of the Norman builders may be recognized by the round-headed arches, doorways and windows which they copied from the Roman buildings. The Roman basilica or hall of justice, in which the earliest Christians were permitted to worship, was taken as a model for Christian churches. The capital of a Norman pillar in Frodsham Church proves that they had studied the architecture of the Romans, for it has the Ionic 'volute' or spiral scroll on each of its four faces. If you look for the round arches in the Cathedral of Chester you will be able to make out the portions which remain of the church built by Earl Hugh and by the abbots who completed his plans after his death.
You will see from the Norman church of S. John's at Chester that the churches were built in the form of a cross with four great semicircular arches to support a central tower. Similar arches on massive circular columns separate the nave from the two aisles. An examination of these columns reveals the fact that the building of the nave was commenced from both ends at once in order to make more rapid progress with the work, for the mouldings of the capitals of the outer columns is the same, but differ from those of the inner ones. Moreover, the masonry of the latter is more finely jointed than that of the earlier end columns. This shows that the Normans improved in the quality of their work as they went on. In the north transept of Chester Cathedral, which is part of the first Norman church, the stones in the lower parts have wider joints and are less carefully fitted than those above them.
The choir and aisles generally ended in a semicircular 'apse'. A semicircle of dark blue stones set in the floor of the north aisle in the Cathedral of Chester marks the apse of an aisle of Earl Hugh's church.
The village churches were of course not built on the same scale of grandeur as the churches of S. John and S. Werburgh. Nearly everywhere the Norman 'lords of the manor' rebuilt the rude and humble churches of wood and stone that had served the needs of the Saxons before them. But little remains in Cheshire of these Norman churches, save here and there a doorway or a window or a capital, that has escaped destruction or the ravages of time. The Norman architects and builders were few in number, and must have employed many Saxon workmen in the task of rebuilding. The latter, as you have already learned, were no mean masons and sculptors, and the carving of the mouldings and capitals of the doorways of the village churches was doubtless in many cases done by them. The 'chevron' or zigzag moulding, and the spirals carved on the face of capitals could easily be cut with an axe, for the Saxons were not yet acquainted with the use of the Norman chisel. At Shotwick and Shocklach you may see doorways, which, from the simplicity of their mouldings, are probably the work of Saxons, performed under the eye of their Norman masters.