Lavinia meanwhile was watching the proceedings with no little interest and with not less nervousness. She had heard the talk and saw quite well that she was about to be put to a severe test. She was to sing something she had never sung before and possibly written in a style with which she was unfamiliar. Gay approached her with a sheet of manuscript which he put into her hand.
"You did very well, child," said he encouragingly. "But I want you to do better. Dr. Pepusch will play the music for these verses on the harpsichord. You must listen closely to the melody and take particular note of the way he plays it. Then you will sing it. Here are the words and the music. Study them while the doctor plays."
Lavinia looked at both in something like dismay. The music being engraved was plainer than Gay's cramped handwriting. She knew she had imitative gifts and that most tunes she heard for the first time she could reproduce exactly. But that was for her own pleasure. She at such times abandoned herself to the power of music. But for the pleasure of others and to know that she was being criticised was a different matter. Already she felt distracted. Could she fix her attention on the music and think of nothing else?
There was no time for reflection. Dr. Pepusch had gone into the house and the thin but sweet tones of a harpsichord were floating through the open window. He was striking a few preliminary chords and indulging in an extemporised prelude. A pause, and then he commenced Purcell's song.
The plaintive melody with its well balanced phrasing took Lavinia's fancy, and absorbed in the music she forgot her audience. She saw how the words were wedded to the notes and watched where the trills and graces came in. Pepusch played the air right through; waited a minute or so and recommenced.
Lavinia began. She sang like one inspired. Her pure and limpid tones gave fresh charm to the melody. She never had had any difficulty with the trill, so flexible was her voice naturally, and the graces which Purcell had introduced after the fashion of the day were given with perfect ease. As the final cadence died away the little audience loudly applauded. Pepusch came out of the house and wagged his head as he crossed the lawn. His somewhat sour look had vanished. He went up to Lavinia and patted her shoulder.
"Dat vas goot, young laty—ver goot," he growled.
"What did I tell you doctor?" cried Gay exultantly. "Why, she can sing everything set down for Polly—I pray you don't forget it is to be Polly—Peachum. She is Polly Peachum. What do you think, Mr. Pope?"
"Polly Peachum by all means since you will have it so. If an author has a right to anything it is surely the right to name his offspring as he will. He need not even consult his wife—if he have one. But though you call your work an opera Mr. Gay, it is also a play. The songs are not everything—indeed, Mr. Rich would say they're nothing. Can the girl act?"
"She can be taught and I'll swear she'll prove an apt pupil. 'Twill, I fear, be many months before it is staged. Rich has not made up his mind. I hear Mr. Huddy who was dispossessed of the Duke's Theatre contemplates the New Theatre in the Haymarket. I must talk to him. He hasn't yet found his new company. An indifferent lot of strolling players I'm told was his old one. Polly probably won't have a singing part but that's of no great matter just now."