At Great Turnstile she lingered and her eyes wandered down the narrow passage. Great Turnstile led to Lincoln's Inn Fields, and in Portugal Row on the south side of the "Fields" was the Duke's Theatre. Association of ideas was too strong to be resisted. Thinking of the theatre, how could she help also thinking of Gay's encouragement as to herself—of Lancelot Vane and his tragedy?

Another thought was lurking at the back of her mind. She had gone to sleep dwelling upon her promise to meet Vane at Rosamond's Pond. Did she mean to keep that promise? She could not decide. She had given her consent under a sort of compulsion. Was it therefore binding? At any rate if she went to Hampstead the meeting was impossible.

It was this last reflection which made her linger. Reasons for altering her plans chased each other through her brain. The poor fellow would be so disappointed if he did not see her. How long would he wait? How wretched his garret would appear when he returned disconsolate! His despondency might drive him to break his promise to her. Where was the harm in keeping her appointment instead of going to Hampstead? No harm at all save that she would be behaving ungratefully to Hannah. But Hannah would understand. Hannah was never without a sweetheart of a sort.

A sweetheart? That was the important point for Lavinia. Was Lancelot her sweetheart? She wondered. She blushed at the idea. It agitated her. She had not felt agitated when she ran away with Dorrimore—just a pleasant thrill of excitement, a sense of adventure; that was all. Dorrimore had made downright love to her; he had called her all the pet names in fashion. His admiration flattered and amused her, nothing more. Vane hadn't made love—at least it didn't seem to her that he had. But there are so many ways of making love!

"Hampstead's miles away," she mused. "If I go there we shall hardly ever see each other. At all events I ought to tell him where I shall be living. It won't be a surprise. He thinks I'm a fine lady and it's the fashion for fine ladies to go to Hampstead at this time of the year. It might make him jealous though," she added thoughtfully, "if he knows of the lovemaking by moonlight Hannah talked about."

She could decide upon nothing, and rather than loiter in Holborn while trying to solve the problem she entered Great Turnstile passage and presently was in the quietude of Lincoln's Inn Fields. At night she would not have ventured to cross this big open space haunted as it was after dark by footpads and pickpockets, but at that early hour of the morning there was nothing to fear. Only a few people were about and in the enclosure railed off from the roadway by posts was a horse being broken in. The theatre was a link between her and Lancelot Vane and thinking of him she walked towards it.

The Fields were crossed by two roads running diagonally from opposite corners and intersecting each other at the centre. Lavinia took the road which led to the southwestern angle. Close by this angle was the Duke's Theatre.

Lavinia reached the plain unpretending structure which looked at from the outside might be mistaken for a warehouse, and she gazed at its blank front wondering if fate meant to be kind and give her the chance her soul longed for. But in spite of Mr. Gay's encouraging hints it seemed impossible that she would ever sing within its walls.

She turned away sorrowfully and came cheek by jowl with a slenderly built thin-faced man whose eyes twinkled humorously, and with mobile lips that somehow suggested comicality. He stopped and stared; apparently trying to recall some remembrance of her. She recognised him at once. He was Jemmy Spiller the most popular comedian of the day. Everybody who had any acquaintance with Clare Market knew Jem Spiller. So much so that a tavern there was called after him.

"Faith, young madam, I've seen you before," said he. "Where, pray, was it?"