They reached the stage door of the New Theatre, afterwards called the Little Theatre in the Haymarket, which it may be said in passing was not quite on the site of the present Haymarket Theatre. The entrance was small, the passage beyond was dark and they had to grope their way to the stage, which lighted as it was by half a dozen candles or so was gloomy enough. The daylight struggled into the audience part through a few small windows above the gallery. A rehearsal was going on, and a red faced man with a hoarse voice was stamping about and shouting at the performers. When he saw Spiller he stopped and came towards the comedian. Compared with Huddy, Spiller was a great man.

Spiller stated his business and introduced Lavinia. The manager stared at her, shifted his wig, scratched his head and grunted something to the effect that he couldn't afford to pay anybody making a first appearance.

"Look 'ee here, Mr. Spiller. It's my benefit and my company don't expect a penny. D'ye see! I've been used in a rascally fashion by that scoundrel Rich, and I'll have to raise a few guineas afore I can start in the country."

Spiller saw the position and said that the young lady who he was careful to point out was a "gentlewoman" was quite willing to appear on these terms and so the matter was settled.

"She won't have much of a part. We're playing 'The Orphan' and all I can give her is Serina. I've had to make shift with the young 'oman as carries the drum and looks after the wardrobe. It's likely as the young gentlewoman'll do as well as her, a careless, idle slut as don't know how to speak her words decently."

Nor did Mr. Huddy, Lavinia thought. But this was nothing. The owner of a travelling play acting booth was as a rule an illiterate showman.

"When do you rehearse 'The Orphan?'" asked Spiller.

"We're a-doing of it now. It's just over or the young gentlewoman—you haven't told me her name——"

"Fenton—Lavinia Fenton."

"Oh, aye. I was a-going to say that if we hadn't finished Miss Fenton might stay and get some notion of the play. Let her come to-morrow—half-past ten, sharp, mind."