Those that like to go over the first records of great men in search of phenomena foreshadowing something unusual in after-life will never be disappointed here. José mastered his alphabet when he was three years old, and before he was five could read in a Spanish version of the Vulgate from which his mother had [[31]]taught him at her knee.[4] In other ways his debt to her was unusual; she turned his mind in his earliest years toward good literature, in which she had a discerning taste, being for her times and environment of rare learning and college bred in Manila.[5] With other accomplishments she knew and loved good poetry, could make it herself, and early taught José to make it. He grew up thus with the advantage of a bilingual background. About him the common speech was Tagalog; his mother made Spanish fairly familiar to his ear.

Once she read to him a moral tale, “The Moth and the Candle,” translating as she went along, and emphasizing the lesson. The moth had been told by its mother to keep away from the flame, and now see what happened. A cocoanut-oil lamp was burning on the table as she read; winged insects were flying about and losing their lives in the blaze. José became much more interested in them than in the salutary warnings of his mother. He said afterward that he was not so much sorry for the insects that lost their lives as fascinated by their fate.

The advice and warnings sounded feebly in my ears [he wrote]. What I thought of most was the death of the heedless moth. But in the depths of my heart I did not blame it. My mother’s care had not quite the result she intended.

Years have passed since then. The child has become a man. He has crossed the most famous rivers of other countries. He has studied beside their broad streams. Steamships have carried him across seas and oceans. He has [[32]]climbed mountains much higher than the Makiling of his native province, up to perpetual snow. He has received from experience bitter lessons, much more bitter than that sweet teaching which his mother gave him. Yet, in spite of all, the man still keeps the heart of a child. He still thinks that light is the most beautiful thing in creation, and that it is worth a man’s sacrificing his life for.[6]

He had the soul of an artist, you may perceive, and the artist’s irresistible yearning for expression. Before he was five years old, and without tutelage or suggestion, he began to draw with pencil and to model in clay and wax. It was form that most took his attention; to model images of birds, butterflies, dogs, and men, to draw faces and to outline designs.[7] For such studies his surroundings could hardly have been better; as soon as his bent was shown father, mother, and uncles gave him every encouragement; this is a race that upon any manifestation of artistic promise looks with a kind of solemn joy. Uncle José Alberto, his mother’s half-brother, had been a school-teacher as well as a student abroad; Uncle Gregorio was a great reader; the atmosphere of the house was friendly to study. After the Philippine manner it was grave, decorous, reserved; for there is not on earth, one may believe, a people by nature more serious-minded. The family was happy to have the benignant friendship of Father Lopez, the parish priest, a fair antithesis of the typical friar of those days and a noble inheritor of the purest spirit of the first missions. Father Lopez [[33]]was beloved of all the children of the parish. They had sound reason for their affection; there was no kinder or more useful man. The friendship he maintained with José seemed more like a page out of Charles Dickens than the barren realities of ordinary child life in the Philippines, and the priest to have stepped from some new and Spanish version of “Christmas Stories.” The boy was to learn by painful experience how different from certain others of the cloth was the gentle old curate of Calamba.

The House at Calamba in which Rizal was born

Years afterward, when he was entering upon man’s estate, he was induced to write what he called the story of his boyhood. It proved to be a juiceless sketch of a few pages covering many years. He was not enough egotist to make a good autobiographer. He begins by saying he was born a few days before the full of the moon. Then he adds:

I had some slight notions of the morning sun and of my parents. That is as much as I can recall of my baby days.

The training I received from my earliest infancy is perhaps what formed my habits, just as a cask keeps the odor of its first contents. I recall clearly my first gloomy nights, passed on the azotea[8] of our house. They seem as yesterday! They were nights filled with the poetry of sadness and seem near now because at present my days are so sad.

On moonlight nights, I took my supper on the azotea. My nurse, who was very fond of me, used to threaten to leave me to a terrible but imaginary being like the bogy of the Europeans if I did not eat.

[[34]]

He had nine sisters and one brother. Of his father he says that he was a model parent.[9] “He gave us the education that was suitable to a family neither rich nor poor. Through careful economy, he had been able to build a stone house.”