They never knew how to account for it. While the forlorn family were sitting before the smoking fire, as the day waned, the door was suddenly burst open, and Budd Wray strode in impetuously. A brilliant flame shot up the chimney, and the deed which Josiah Tait had that day executed was a cinder among the logs. He went as he came, and the mystery was never explained.
There was, however, "a sayin' goin' 'bout the mounting ez how Josiah an' Melindy jes' 'ticed him, somehow 'nother, ter thar house, an' held him, an' tuk the deed away from him tergether. An' they made him send back the critters an' the corn what he done won away from 'em." This version came to his ears, and was never denied. He was more ashamed of relenting in his vengeance than of the wild legend that he had been worsted in a tussle with Melinda and Josiah.
And since the night of Budd Wray's barren success the playing of Old Sledge has become a lost art at the Settlement.
THE STAR IN THE VALLEY.
He first saw it in the twilight of a clear October evening. As the earliest planet sprang into the sky, an answering gleam shone red amid the glooms in the valley. A star too it seemed. And later, when the myriads of the fairer, whiter lights of a moonless night were all athrob in the great concave vault bending to the hills, there was something very impressive in that solitary star of earth, changeless and motionless beneath the ever-changing skies.
Chevis never tired of looking at it. Somehow it broke the spell that draws all eyes heavenward on starry nights. He often strolled with his cigar at dusk down to the verge of the crag, and sat for hours gazing at it and vaguely speculating about it. That spark seemed to have kindled all the soul and imagination within him, although he knew well enough its prosaic source, for he had once questioned the gawky mountaineer whose services he had secured as guide through the forest solitudes during this hunting expedition.
"That thar spark in the valley?" Hi Bates had replied, removing the pipe from his lips and emitting a cloud of strong tobacco smoke. "'Tain't nuthin' but the light in Jerry Shaw's house, 'bout haffen mile from the foot of the mounting. Ye pass that thar house when ye goes on the Christel road, what leads down the mounting off the Backbone. That's Jerry Shaw's house,—that's what it is. He's a blacksmith, an' he kin shoe a horse toler'ble well when he ain't drunk, ez he mos'ly is."
"Perhaps that is the light from the forge," suggested Chevis.
"That thar forge ain't run more 'n half the day, let 'lone o' nights. I hev never hearn tell on Jerry Shaw a-workin' o' nights,—nor in the daytime nuther, ef he kin git shet of it. No sech no 'count critter 'twixt hyar an' the Settlemint."
So spake Chevis's astronomer. Seeing the star even through the prosaic lens of stern reality did not detract from its poetic aspect. Chevis never failed to watch for it. The first faint glinting in the azure evening sky sent his eyes to that red reflection suddenly aglow in the valley; even when the mists rose above it and hid it from him, he gazed at the spot where it had disappeared, feeling a calm satisfaction to know that it was still shining beneath the cloud-curtain. He encouraged himself in this bit of sentimentality. These unique eventide effects seemed a fitting sequel to the picturesque day, passed in hunting deer, with horn and hounds, through the gorgeous autumnal forest; or perchance in the more exciting sport in some rocky gorge with a bear at bay and the frenzied pack around him; or in the idyllic pleasures of bird-shooting with a thoroughly-trained dog; and coming back in the crimson sunset to a well-appointed tent and a smoking supper of venison or wild turkey,—the trophies of his skill. The vague dreaminess of his cigar and the charm of that bright bit of color in the night-shrouded valley added a sort of romantic zest to these primitive enjoyments, and ministered to that keen susceptibility of impressions which Reginald Chevis considered eminently characteristic of a highly wrought mind and nature.