He ran swiftly across the path to remove the inefficient camera from the foreground, and in a moment was seated on a log by the wayside, his quick eye scanning the scene: the close file of the ranges about the horizon, one showing above another, and one more faintly blue than another, for thus the distance was defined; then the amphitheatre of the Cove, the heavy bronze-green slopes of the mountains, all with ripple marks of clear chrome-green ruffling in the wake of the wind; in the middle distance the still depths of the valley below, with shadows all a-slumber and silent, and on the projecting spur the quiet, lonely little house, so slight a suggestion of the presence of man amidst the majestic dominance of nature; here, to the right, across the savage gorge, with its cliffs and with its currents in the deep trough, the nearest slope of the mountain, with the great gaunt bare space showing that face of ill omen, sibylline, sinister, definite indeed,—he wondered how his eyes were holden that he should not have discerned it at once; and in the immediate foreground the equestrian figure of the mountaineer, booted and spurred, the very "moral," as Hite would have called it, of an athlete, with his fine erect pose distinct against the hazy perspective, his expression of confident force, the details of his handsome features revealed by the brim of his wide black hat turned up in front.
"It's a big subject, I know; I can't get it all in. I shall only suggest it. Just keep that pose, will you? Hold the horse still. 'Stand the storm, it won't be long!'" the artist said, smiling with renewed satisfaction as his pencil, not all inapt, went briskly to work on the horizontal lines of the background.
But it was longer than he had thought, so still sat the contemplative mountaineer, so alluring were the details of the landscape. The enthusiasm of the amateur is always a more urgent motive power than the restrained and utilitarian industry of the professional.
Few sworn knights of the crayon would have sat sketching so long in that temperature as he did, with the sun blazing through his straw hat and his blood mustering under his thin skin; but he stopped at a point short of sunstroke, and it was with a tumultuous sense of success that he at last arose, and, with the sketch-book still open, walked across the road and laid it on the pommel of the mountaineer's saddle.
Constant Hite took it up suspiciously and looked at it askance. It is to be doubted if ever before he had seen a picture, unless perchance in the primary reading-book of his callow days at the public school, spasmodically opened at intervals at the "church house" in the Cove. He continued to gravely gaze at the sketch, held sideways and almost reversed, for some moments.
"Bless Gawd! hyar's Whitefoot's muzzle jes' ez nat'ral—an' Me—waal, sir! don't I look proud!" he cried suddenly, with a note of such succulent vanity, so finely flavored a pride, that the stranger could but laugh at the zest of his triumph.
"Do you see the witch-face?" he demanded.
"Hesh! hesh!" cried the mountaineer hilariously. "Don't 'sturb me 'bout yer witch-face. Ef thar ain't the buck,—yes, toler'ble fat,—an' with all his horns! An' look at my boot,—actially the spur on it! An' my hat turned up;" he raised his flattered hand to the brim as if to verify its position.
"You didn't know you were so good looking, hey?" suggested the amused town man.
"My Lord, naw!" declared Hite, laughing at himself, yet laughing delightedly. "I dunno how the gals make out to do without me at all!"