She had come to the door, where the girl still stood, but half withdrawn in the shadow. Dundas silently bowed as he passed her, following his aged hostess into the low room, all bedight with the firelight of a huge chimney-place, and comfortable with the realization of a journey's end. The wilderness might stretch its weary miles around, the weird wind wander in the solitudes, the star look coldly on unmoved by aught it beheld, the moon show sad portents, but at the door they all failed, for here waited rest and peace and human companionship and the sense of home.
"Take a cheer, stranger, an' make yerself at home. Powerful glad ter see ye—war 'feard night would overtake ye. Ye fund the water toler'ble high in all the creeks an' sech, I reckon, an' fords shifty an' onsartain. Yes, sir. Fall rains kem on earlier'n common, an' more'n we need. Wisht we could divide it with that thar drought we had in the summer. Craps war cut toler'ble short, sir—toler'ble short."
Mrs. Roxby's spectacles beamed upon him with an expression of the utmost benignity as the firelight played on the lenses, but her eyes peering over them seemed endowed in some sort with independence of outlook. It was as if from behind some bland mask a critical observation was poised for unbiased judgment. He felt in some degree under surveillance. But when a light step heralded an approach he looked up, regardless of the betrayal of interest, and bent a steady gaze upon Millicent as she paused in the doorway.
And as she stood there, distinct in the firelight and outlined against the black background of the night, she seemed some modern half-military ideal of Diana, with her two gaunt hounds beside her, the rest of the pack vaguely glimpsed at her heels outside, the perfect outline and chiselling of her features, her fine, strong, supple figure, the look of steady courage in her eyes, and the soldier's cap on her fair hair. Her face so impressed itself upon his mind that he seemed to have seen her often. It was some resemblance to a picture of a vivandière, doubtless, in a foreign gallery—he could not say when or where; a remnant of a tourist's overcrowded impressions; a half-realized reminiscence, he thought, with an uneasy sense of recognition.
"Hello, Mill'cent! home agin!" Roxby cried, in cheery greeting as he entered at the back door opposite. "What sorter topknot is that ye got on?" he demanded, looking jocosely at her head-gear.
The girl put up her hand with an expression of horror. A deep red flush dyed her cheek as she touched the cap. "I forgot 'twar thar," she murmured, contritely. Then, with a sudden rush of anger as she tore it off: "'Twar granny's fault. She axed me ter put it on, so ez ter see which one I looked most like."
"Stranger," quavered the old woman, with a painful break in her voice, "I los' fower sons in the war, an' Mill'cent hev got the fambly favor."
"Ye mought hev let me know ez I war a-perlitin' round in this hyar men's gear yit," the girl muttered, as she hung the cap on a prong of the deer antlers on which rested the rifle of the master of the house.
Roxby's face had clouded at the mention of the four sons who had gone out from the mountains never to return, leaving to their mother's aching heart only the vague comfort of an elusive resemblance in a girl's face; but as he noted Millicent's pettish manner, and divined her mortification because of her unseemly head-gear in the stranger's presence, he addressed her again in that jocose tone without which he seldom spoke to her.
"Warn't you-uns apologizin' ter me t'other day fur not bein' a nephew 'stiddier a niece? Looked sorter like a nephew ter-night."