"Mighty long tramp fur Bobbie, thar,—whyn't ye kerry him?"
The imperturbable calm still held fast on the musician's face. "Bob," he addressed the toddler, "will you uns let daddy kerry ye like a baby?"
He swooped down as if to lift, the child, the violin and bow in his left hand. The hardy youngster backed off precipitately.
"Don't ye dare ter do it!" he virulently admonished his parent, a resentful light in his blue eyes. Then, as Bedell sang a stave in a full rich voice, "Bye-oh, Baby!" Bob vociferated anew, "Don't you begin ter dare do it!" every inch a man though a little one.
"That's the kind of a fambly I hev got," Basil commented easily. "Wife an' boy an' baby all walk over me,—plumb stomp on me! Jes' enough lef of me ter play the fiddle a leetle once in a while."
"Mighty nigh all the while, I be afeared," Kennedy corrected the phrase. "How did yer corn crap turn out?" he asked, as he too fell into line and the procession moved on once more along the narrow path.
"Well enough," said Basil; "we uns hev got a sufficiency." Then, as if afraid of seeming boastful he qualified, "Ye know I hain't got but one muel ter feed, an' the cow thar. My sheep gits thar pastur' on the volunteer grass 'mongst the rocks, an' I hev jes' got a few head ennyhows."
"But why hain't ye got more, Basil? Whyn't ye work more and quit wastin' yer time on that old fool fiddle?"
The limits of patience were reached. The musician fired up. "'Kase," he retorted, "I make enough. I hev got grace enough ter be thankful fur sech ez be vouchsafed ter me. I ain't wantin' no meracle."
Kennedy flushed, following in silence while the musician annotated his triumph by a series of gay little harmonics, and young Hopeful, trudging in the rear, executed a soundless fantasia on the cornstalk fiddle with great brilliancy of technique.