The cronies at the blacksmith's shop latterly gathered within the great flaring door, for the frost lay on the dead leaves without, the stars scintillated with chill suggestions, and the wind was abroad on nights like these. On shrill pipes it played; so weird, so wild, so prophetic were its tones that it found only a shrinking in the heart of him whose ear it constrained to listen. The sound of the torrent far below was accelerated to an agitated, tumultuous plaint, all unknown when its pulses were bated by summer languors. The moon was in the turmoil of the clouds, which, routed in some wild combat with the winds, were streaming westward.
And although the rigors of the winter were in abeyance, and the late purple aster called the Christmas-flower bloomed in the sheltered grass at the door, the forge fire, flaring or dully glowing, overhung with its dusky hood, was a friendly thing to see, and in its vague illumination the rude interior of the shanty—the walls, the implements of the trade, the bearded faces grouped about, the shadowy figures seated on whatever might serve, a block of wood, the shoeing-stool, a plough, or perched on the anvil—became visible to Roger Purdee from far down the road as he approached. Even the head of a horse could be seen thrust in at the window, while the brute, hitched outside, beguiled the dreary waiting by watching with a luminous, intelligent eye the gossips within, as if he understood the drawling colloquy. They were suffering some dearth of timely topics, supplying the deficiency with reminiscences more or less stale, and had expected no such sensation as they experienced when a long shadow fell athwart the doorway,—the broad aperture glimmering a silvery gray contrasted with the brown duskiness of the interior and the purple darkness of the distance; the forge fire showed Purdee's tall figure leaning on the doorframe, and lighted up his serious face beneath his great broad-brimmed hat, his intent, earnest eyes, his tangled black beard and locks. He gave no greeting, and silence fell upon them as his searching gaze scanned them one by one.
“Whar's Job Grinnell?” he demanded, abruptly.
There was a shuffling of feet, as if those members most experienced relief from the constraint that silence had imposed upon the party. A vibration from the violin—a sigh as if the instrument had been suddenly moved rather than a touch upon the strings—intimated that the young musician was astir. But it was Spears, the blacksmith, who spoke.
“Kem in, Roger,” he called out, cordially, as he rose, his massive figure and his sleek head showing in the dull red light on the other side of the anvil, his bare arms folded across his chest. “Naw, Job ain't hyar; hain't been hyar for a right smart while.”
There was a suggestion of disappointment in the attitude of the motionless figure at the door. The deeply earnest, pondering face, visible albeit the red light from the forge-fire was so dull, was keenly watched. For the inquiry was fraught with peculiar meaning to those cognizant of the long and bitter feud.
“I ax,” said Purdee, presently, “kase Grinnell sent me a mighty cur'ous word the t'other day.” He lifted his head. “Hev enny o' you-uns hearn him 'low lately ez I claim ennything ez ain't mine?”
There was silence for a moment. Then the forge was suddenly throbbing with the zigzagging of the bow of the violin jauntily dandering along the strings. His keen sensibility apprehended the sudden jocosity as a jeer, but before he could say aught the blacksmith had undertaken to reply.
“Waal, Purdee, ef ye hedn't axed me, I warn't layin' off ter say nuthin 'bout'n it. 'Tain't no con-sarn o' mine ez I knows on. But sence ye hev axed me, I hold my jaw fur the fear o' no man. The words ain't writ ez I be feared ter pernounce. An' ez all the kentry hev hearn 'bout'n it 'ceptin' you-uns, I dunno ez I hev enny call ter hold my jaw. The Lord 'ain't set no seal on my lips ez I knows on.”