When, however, very fast dyes are being used, as for instance, the Vat colors or, indeed, a great many of the best dyes in all the classes, the action of chlorine is very slow, and slight, and, in order to really destroy the color both the acid and the bleaching powder will often have to be so strong that the chlorine set free will destroy the fibre as well. For the term “fastness to light” implies, as a rule, fastness also to oxidation in general, and dyes like the best modern ones which will let the cloth rot away from under them, when long exposed to the weather without changing color, are very apt also to keep their color, even when the cloth isburnt away from under them by the action of chlorine.

Accordingly, this process is distinctly one that needs careful experimentation before it is tried on any important piece of work. There are plenty of dyestuffs among the Salt colors, and also among the Sulphur colors, which discharge well with chlorine. And the calico printer, working, as he generally does to this day, with comparatively fugitive dyes, and weighing accurately both acid and bleaching powder, can generally get good results with it. But there is always the disadvantage, that the least excess of chlorine will attack and tender the cloth, and the better the dyestuff, as a rule, the stronger the oxidizing agent must be to discharge it.

(b)Discharge by Reduction, Hydrosulphite, etc.—The wary craftsman will find the process much less dangerous to the cloth, and not much more difficult, if instead of trying tooxidize the dyestuff, he attempts to discharge it byreducing it; or, in other words, if instead of trying to burn it out, he tries to take the oxygen away from it.

It so happens that in a vast majority of cases a dyestuff becomes decolorized by reducing it, just as well as by oxidizing it. There is, however, a difference. When the color is oxidized, it is burnt up and destroyed forever. When it is reduced, however, it is, in many cases, only decolorized and not destroyed; and on standing in the air it is apt to take up oxygen again, and to regain some, at least, of the original color. On the other hand, while any oxidation process is liable to attack the cloth as well as the color, the reducing agents now in use have no effect upon the materials, even when powerful enough to act on the very fastest dyestuffs.

As before mentioned, the most satisfactory reducing agent at present known to dyers is hydrosulphite of soda, and this can be incorporated in a paste, and used for discharge stencilling. It is, however, as a rule, more satisfactory to use the more expensive, but more permanent hydrosulphite compound, described, in the last chapter, as acting only when heated.

The reducing stencil paste can be easily made by mixing with some “gum dragon” or flour paste, as much as it will hold of a saturated solution of the “Stencil Salt.”

The student should experiment with the different dyes and classes of dyes before attempting a serious piece of work; but in general, all the Salt colors and the Acid colors will discharge readily with this paste, and remain colorless. The Vat colors and the Sulphur colors can also be reduced to colorless compounds, but it is not always easy to wash them out of the cloth after the reduction, and, if they remain in it, they are apt to regain their color, on standing in the air.

The dyed cloth, carefully washed and pressed and dampened, is stencilled with the above paste and allowed to dry. When dry it is steamed, as described in the last chapter, and it will be noticed that when a certain temperature is reached the color will be discharged. As soon as possible afterwards the cloth is to be washed in a hot soap bath to remove the reduced color compound (which, as a rule, has little affinity for the cloth) and to get rid of the paste. Then the cloth is dried and finished.

When trying this process with the Vat dyes it is best to soak the cloth directly after steaming, and before soaping, in a warm bath containing a little free caustic soda (remember this is apt to burn the fingers) because the reduced colors of this class are not, as a rule, soluble in water, and are apt to oxidize again in a soap bath.

Results.—In following up these various experiments in our laboratory we have not used this process in much as the Resist stencilling, but there is no reason why it should not give just as good results. Indeed, the craftsman will probably find, after a little practice, that it is easier to get clear white patterns with this than with the other. It has the disadvantage of requiring the rather bothersome steaming process, which reduces its value for many purposes. Still it will often be found that simply ironing the dried stencilled cloth with a hot flatiron, with a damp cloth between, will cause the reduction to take place quite satisfactorily.