Professor Strout sang the solo part of the song himself. The singing society and many of the audience joined in the chorus. Like many teachers of vocal music, the Professor had very little voice himself, but he knew how to make the best possible use of what he did possess. But the patriotic sentiment of the words, the eccentric make-up of the singer his comical contortions and odd grimaces, and what was really a bright, tuneful melody won a marked success for both song and singer. Encore followed encore. Like many more cultured audiences in large cities the one assembled in Eastborough Town Hall seemed to think that there was no limit to a free concert and that they were entitled to all they could get. But the Professor himself fixed the limit. When the song had been sung through three times he ran up the centre aisle of the platform and facing the audience, he directed the chorus, holding the variegated baton in one hand and swinging his woolly plug hat around his head with the other. At the close, amid screams, cheers, and clapping of hands, he turned upon his heel, dashed through the door and disappeared from sight.
The next number upon the programme was a piano solo by Miss Tilly James. Nothing could have pleased her audience any better than the well-known strains of the ever popular "Maiden's Prayer." In response to an encore which Quincy originated, and dexterously led, Miss James played the overture to Rossini's "William Tell" without notes. A fact which was perceived by the few, but unnoticed by the many.
At the close of these instrumental selections, the Professor reappeared in evening costume and again assumed the directorship of the concert. Robert Wood had a ponderous bass voice, which if not highly cultivated was highly effective, and he sang "Simon the Cellarer" to great acceptation. Next followed a number of selections sung without accompaniment by a male quartette composed of Cobb's twins, who were both tenors, Benjamin Bates, and Robert Wood. This feature was loudly applauded and one old farmer remarked to his neighbor, who was evidently deaf, in a loud voice that was heard all over the hall, "That's the kind of music that fetches me," which declaration was a signal for another encore.
The singing society then sang a barcarolle, the words of the first line being, "Of the sea, our yacht is the pride." It went over the heads of most of the audience, but was greatly appreciated fey the limited few who were acquainted with the difficulties of accidentals, syncopations, and inverted musical phrases.
According to the programme the next feature was to be a duet entitled "Over the Bridge," composed by Jewell and sung by Arthur Scates and Miss Lindy Putnam. The Professor stepped forward and waved his hand to quiet the somewhat noisy assemblage.
"The next number will have to be omitted," he said, "because Mr. Scates is home sick abed. The doctor says he's got a bad case of quinsy," with a marked emphasis on the last word, which, however, failed to make a point. "In response to requests, one verse of 'Hark! and Hear the Eagle Scream' will be sung to take the place of the piece that's left out."
While the Professor was addressing the audience, Quincy had whispered something in Deacon Mason's ear which caused the latter to smile and nod his head approvingly. Quincy arose and reached the Professor's side just as the latter finished speaking and turned towards the chorus. Quincy said something in a low tone to the Professor which caused Mr. Strout to shake his head in the negative in a most pronounced manner. Quincy spoke again and looked towards Miss Putnam, who was seated in the front row, and whose face wore a somewhat disappointed look.
Again the Professor shook his head by way of negation and the words, "It can't be did," were distinctly audible to the majority of both singing society and audience, at the same time a look of contempt spread over the singing-master's face. Quincy perceived it and was nettled by it. He was not daunted, however, nor to be shaken from his purpose, so he said in a loud voice, which was heard in all parts of the hall: "I know the song, and will sing it if Miss Putnam and the audience are willing."
With a smile upon her face, Miss Putnam nodded her acquiescence. All the townspeople had heard of Quincy's liberality in providing a hot supper for the sleighing party the night before, and cries of "Go ahead! Give him a chance! We want to hear him!" and "Don't disappoint Miss Putnam," were heard from all parts of the hall. The Professor was obliged to give in. He sat down with a disgusted look upon his face, and from that moment war to the knife was declared between these champions of city and country civilization.
Mr. Sawyer went to the piano, opened Miss James's copy of the music and placed it upon the music rack before her, saying a few words to her which caused her to smile. Quincy then approached Lindy, opened her music at the proper place and passed it to her. Next he took her hand and led her to the front of the platform. These little acts of courtesy and politeness, performed in an easy, graceful, and self-possessed manner, were seen by all and won a round of applause.