“Threw warm gules on Madeline’s fair breast,

Rose-bloom fell on her hands, together prest,

And on her silver cross soft amethyst,

And on her hair a glory, like a saint.”

The moon, however, will aid us now in quickening into life the rich memories that adhere to the surrounding churchyard and to Paternoster Row, where so many generations of authors and publishers in dingy shops and inns and coffee-houses have debated the launching of immortal books. Every English-published volume must still start its race from neighboring Stationers’ Hall.

The foolish stranger who chooses such an hour for a tramp about the “City” will breathe more freely, after he has exorcised the last whimpering shade of Newgate and “the poor prisoners of the ‘Fleet,’” as he hurries along Ludgate Hill and attains unto his heart’s desire at Fleet Street. Thence on, it is all the primrose way. No matter what the hour or season, he can never be companionless in the “Highway of Letters” for its very excess of material and immaterial presences. In its brief and narrow course of a few hundred yards, the richest in literary associations of any region on earth, the weather-beaten, irregular fronts of its old stone houses look down affectionately, and perhaps pityingly, on hurrying journalists and anxious authors, as they have been doing for ages. The leisurely diner of the old school who clings to the mellow places of inspiring associations is pretty sure to be going along Fleet Street at this time, intent on a chop and kidneys and a mug of stout at “The Cock,” preferred of Tennyson, or a beefsteak-pudding and toby of ale at the sand-floored “Cheshire Cheese” palpitant with memories of autocratic and snuffy Dr. Johnson exploding with “Sirs,” of good-natured Goldsmith, crotchety Reynolds, impassioned Burke, merry Garrick, and all the others of that deathless company. The usual evening idler and aimless stroller always makes Fleet Street a part of his pleasant itinerary, and it matters little to him that the sidewalks are narrow and the crowd uncomfortably large, when he can beguile each yard or two by lingering glances up dim and fascinating little rookery courts full of mysterious corners and deep shadows whose paving-stones have reëchoed the tread of so many sons of fame. The lights may not be as bright nor as numerous as in the Strand, nor the shops as attractive, but they are non-existent to the sentimentalist who is seeing Izaak Walton in his hosier shop at the Coventry Lane corner and Richard Lovelace in dingy quarters up Gunpowder Alley, and is peering wistfully through the arched gateway to the Temple for a glimpse of Lamb’s birthplace or Fielding’s home or Goldsmith’s grave or a sight of those delightful “old benchers,” brusque “Thomas Coventry,” methodical “Peter Pierson,” and gentle “Samuel Salt.” Doubtless he is able even to detect the rich aroma of the chimney-sweeps’ sassafras tea in the neighborhood of “Mr. Read’s shop, on the south side of Fleet Street, as thou approachest Bridge Street.”

The shadows fall away with startling suddenness as Fleet Street becomes the Strand at Temple Bar. The jolliest uproar of all London storms impetuously along that modern Rialto all the way into Trafalgar Square. Brilliant lights, shop displays of every description, theatres, hotels, and restaurants create a profusion of excitement for the gay and jostling crowd that harries you perilously near to the curb and the heavy wheels of the ponderous busses.

And what an amazing institution the London bus is! The Strand might still be the Strand if St. Mary’s and St. Clement Danes were effaced from its roadway, but what if the busses went! Gladstone’s partiality for these archaic contrivances was extreme, which naturally disposed Disraeli to take the other side and champion the fleeting hansom—“the gondola of London,” as he aptly styled it. And, indeed, much may be said in commendation of the omnipresence, economy, and convenience of the latter, and of its friendly way of flying to one’s aid at the merest raising of the hand to whisk you away at breakneck speed and through a thousand hairbreadth escapes to any possible destination you may indicate. But the majority vote with Gladstone, nevertheless, and take their ease on a bus-top. It is true that in the profusion of advertising signs you may not always be certain whether you are bound for Pear’s Soap or Sanderson’s Mountain Dew, but with blissful indifference you pocket the long ticket, and, ensconced among the glowing pipe-bowls in the dusk of a “garden-seat,” “rumble earthquakingly aloft.” What a delight it is to hear the cockney conductor drawl “Chairin’ Crauss,” “Tot’nh’m Court Rauwd,” “S’n Jimes-iz Pawk,” and the rest of it! From your heaving perch beside the ruddy-faced driver in his white high hat you observe that your ark keeps turning to the left,—the English rule of the road,—and that now you must look down instead of up to find the placards on the trolley posts that mark the stopping-places of the trams. You see belated solicitors and barristers hurrying out of the great gray courts of justice, and above the heads of the pedestrians you may study the gloomy arches of Somerset House or the ornate Lyceum where Sir Henry Irving reigned or the neat little Savoy where Gilbert and Sullivan won spurs and fortune. It is a great satisfaction to look down in comfort on the elbowing throng you have escaped, with its jostling and its stereotyped “I’m sorry,”—the top-hats and the caps, the actors, bohemians, professional men, tourists, tramps, beggars, thieves, Tommy Atkins in “pill-box” and “swagger,” blue-coated and yellow-legged boys of Christ’s Hospital, red-coated bootblacks, barmaids in turndown collars, well-dressed and shabbily-dressed women, as well as that particularly flashy brand to whom you return a “Vade retro, Satanus!” to her “Come to my arms, my slight acquaintance.” No wonder when Kipling’s “Private Ortheris” went mad of the heat in India that he babbled of the Adelphi Arches and the Strand!

In the lull before the turning of the evening tide toward the opera and the theatre there is opportunity for each to indulge his penchant. What the shops of Fleet Street and the Strand show in general, the windows of specialists elsewhere are presenting in particular and with increased elaboration. Regent Street will draw the fanciers of pictures, leather goods, perfumes, and jewelry; Bond Street, rare paintings and choice porcelains; Wardour Street, curios and antiques; Stanway Street, silver and embroidery; Charing Cross Road, old bookstalls; and Hatton Garden, diamonds,—the same Hatton Garden that Queen Elizabeth gave a slice of to a favorite courtier and threatened the Bishop of Ely in a brief but sufficient note to hurry up with the necessary details or “I will unfrock you, by God!” This methodical fashion of grouping certain interests in definite localities is carried even further; as, for example, should you feel the need of a physician it is not necessary to wade through the thirty-five hundred pages of Kelly’s Post-Office Directory, but take a taxi to Harley Street where any house can supply you. No matter where you ramble, surprises and delights await you. It will be found so to those in particular who stroll down Oxford Street—with thoughts, perhaps, of De Quincey when a starved and homeless little boy groping a timorous and whimpering way down this street as he clutched the hand of his new acquaintance; or of Hazlitt’s dramatic struggle with hunger and poverty—and suddenly, on reaching High Holborn, catch their first glimpse of the picturesque beauty of mediæval Staple Inn. There are few lovelier spots in all London, and the sparrows still chatter there as clamorously every evening as they did when Dr. Johnson frowned up at them from the manuscript of “Rasselas,” or when Dickens lived and worked there, or when Hawthorne visited and revisited it with increasing delight.

The princely spaces in the neighborhood of Buckingham Palace are quite as attractive at this hour as when the afternoon sun is warm along fair Piccadilly—“radiant and immortal street,” said Henley—and the gay coaches clatter back toward Trafalgar Square with blasts of horn and jangling chains. The Mall, the Grand Walk for ages, fairly exhales class and pride in the deepening dusk of the late English twilight. The clubmen of Pall Mall and St. James’s Street, in their fine, imposing old houses, are taking up the question of the evening’s amusements with as much bored listlessness by the aristocrats at Brooks’s as rakish enthusiasm by the country gentlemen of Boodle’s. Signs of approaching activity are even to be observed in the stately mansions of exclusive Park Lane—a street that half the business men of London hope to be rich enough to live in some day; so effectually has time effaced the memory of Jack Sheppard and Jonathan Wild and the rest of the air-dancing specialists who figured here in chains in the days when Tyburn Hill was a name to shudder over.