"You have made me a thousand times glad, my dear boy," she said, kissing him gratefully. "You could not in any other way in the world give me such happiness as this. But did you not know that we can cry because we are glad as well as because we are sad?"
"I have never heard of that," he answered wonderingly.
She did not reply, for her attention reverted to the letters on the wall and she stood feeding her hungry eyes upon that indubitable proof of the devotion of her lover.
The child's instinct taught him the sacredness of the privacy of grief and love. He freed himself from her embrace, slipped out of the cave and left her alone. She laid her cheek against the rude letters, patted them with her hand, and kissed them again and again. It was bliss to know that she had inspired this passion, although it was agony to know that it was only a memory.
The remembrance of feasts once eaten is not only no solace to physical hunger, but adds unmitigated torment to it. It is different with the hunger of the heart, which finds a melancholy alleviation in feeding upon those shadows which reality has left. The food is bitter-sweet and the alleviation is not satisfaction, but neither is it starvation! Probably a real interview with a living, present lover, would not have given to Pepeeta that intense, though poignant, happiness which transfigured her face when she came forth into the daylight world, and which subdued and softened the noisy welcome of the boy.
CHAPTER XXVI.
OUT OF THE SHADOW
"Until the day break and the shadows flee away."
—Song of Solomon.