| PAGE | |
| Vignette on Title | |
| Kensington Palace. Photogravure | [Frontispiece] |
| The Hall, Barnard’s Inn | [25] |
| A Window, Chepstow Castle | [29] |
| On Whatman’s “Not” Paper | [31] |
| From a Drawing on Allongé Paper | [31],[32] |
| Bolt Head: A Misty Day. Bitumen process | [38] |
| Bolt Head: A Misty Day. Swelled gelatine process | [39] |
| A Note at Gorran. Bitumen process | [43] |
| A Note at Gorran. Swelled gelatine process | [43] |
| Charlwood. Swelled gelatine process | [45] |
| Charlwood. Reproduced by Chefdeville | [45] |
| View from the Tower Bridge Works. Bitumen process | [48] |
| View from the Tower Bridge Works. Bitumen process. | |
| Sky revised by hand-work | [49] |
| Kensington Palace | [51] |
| Snodgrass Farm | [53] |
| Sunset, Black Rock | [55] |
| Drawing in Diluted Inks, reproduced by Gillot | [57] |
| Chepstow Castle | [61] |
| Clifford’s Inn: a Foggy Night | [65] |
| Pencil and Pen and Ink Drawing reproduced by Half-tone Process | [68] |
| The Village Street, Tintern. Night | [70] |
| Leebotwood | [71] |
| Examples of Day’s Shading Mediums | [75], [76] |
| Churchyard Cross, Raglan | [76] |
| Canvas-grain Clay-board | [84] |
| Plain Diagonal Grain | [85] |
| Plain Perpendicular Grain | [85] |
| Drawing in Pencil on White Aquatint Grain Clay-board | [86] |
| Black Aquatint Clay-board and Two Stages of Drawing | [87] |
| Black Diagonal-lined Clay-board and Two Stages of Drawing | [87] |
| Black Perpendicular-lined Clay-board and Two Stages of Drawing | [88] |
| Venetian Fête on the Seine, with the Trocadero illuminated | [89] |
| The Gatehouse, Moynes Court | [110] |
| Portrait Sketches | [118], [119] |
| The Houses of Parliament at Night, from the River | [122] |
| Victoria Embankment near Blackfriars Bridge: a Foggy Night | [123] |
| Corfe Railway Station | [125] |
| The Ambulatory, Dore Abbey | [127] |
| Moonlight: Confluence of the Severn and the Wye | [131] |
| Diagram showing Method of reducing Drawings for Reproduction | [133] |
| Painter’s Pen-drawing—Pasturage, by Mr. Alfred Hartley | [155] |
| "" Portrait, by Mr. Bonnat | [156] |
| Towing Path, Abingdon, by Mr. David Murray | [158] |
| A Portrait from a Drawing by Mr. T. Blake Wirgman | [159] |
| Finis | [161] |
A PRACTICAL HANDBOOK OF DRAWING
FOR REPRODUCTION.