And its end? why, a cheer from the crowd below,
And a leap from the leafless tree.
Half-hours! In the days when the highwaymen flourished, and made travel perilous for law-abiding persons, a five-minutes' interview with one of these "Knights of the Road," who were but rarely knightly in their manners, would have been more than sufficient. Travellers, who had been violently abused, threatened, and robbed, did not observe that atmosphere of romance about the highwaymen, with which, not only modern times, but their own age, enwrapped them. The highwaymen have ever been accounted romantic, as we shall see in these ensuing pages; from the more or less mythical Robin Hood, down to the Carolean age of Captain Hind, Swiftnicks, and Du Vall, whose exploits were followed with interest and sympathy by their contemporaries. From a lengthy study of these things, one fact rises prominently above all others: it is the fact that the highwayman's only ceased to be a romantic figure when he stopped and robbed one's self, under the usual circumstances of coarse vituperation and personal indignity. On all other occasions, although he commonly practised after nightfall, he paradoxically moved in a rosy atmosphere, in company with the knightly figures of ancient chivalry (who themselves, if the truth of it were told, would probably be disclosed as a rather sordid crew).
The thrilling romance—or the side-splitting humorous circumstances, as the case might be—of one's acquaintance or next-door neighbour being plundered, threatened with death at the pistol-muzzle, and then, with his very coat stripped off his back, being bidden make haste away, is obvious enough, and the highwayman who did all the threatening and the plundering is easily seen to be at once a hero and a humorist; but when he met yourself in the darkling lane, and had your purse, your coat, and your gold watch, and d——d you because you did not carry more wealth, and so make it better worth the while of a gentleman like himself to be out upon the roads at such unconscionable hours—why, then he was a rogue of the most debased description, and the occasion was not so much humorous as tragical; while, as for Romance: what sickly cant is this? Where are the patrol? What are the peace-officers doing, to earn their pay? Is this a civilised country?
We shall see in these pages the fine flower and the gradual declension of the highwaymen: shall trace the mythical and the almost wholly imaginary figures to the time when, under Charles the First and the Commonwealth, it was difficult to tell where the Cavalier ended and the highwayman began; and shall thence come, by way of the disbanded troopers, who turned highway robbers in William the Third's reign, to that curious age when there was an even chance that the armed and mounted man who bade you "Stand and deliver!" was a baronet, or a footman out of place, turned gentleman of the road to support the vices he had learned of his masters.
From the middle of the eighteenth century, to its close—the era of Maclaine and Sixteen String Jack, the art of highway robbery becomes less idealised. There is more police-court about it, and less hazy glamour. Beau Brocade is a fine figure, well-dressed and splendidly mounted, on the heath, but in the dock at Bow Street, and later at the Old Bailey, he never showed to advantage, Sixteen String Jack excepted, with his pea-green coat and his bouquet, as big as a cabbage. And as the eighteenth century closed and gave place to the nineteenth, the mounted highwayman gradually disappeared, and the footpad, a miserable, muddy, cowardly figure, for whom no one ever had a good word, is seen in his dark lurk, in the wayside ditch, not often courageous enough to work alone, and generally found in couples, ready perhaps with the suffocating pitch-plasters that so terrified the wayfarers of that time.
The footpad never had the slightest inkling of romance, and was always brutal, whether he clapped that pitch-plaster over your mouth, or terrified you, or finished off his examination of your pockets by knocking you down and jumping on your body. A far cry, indeed, from the generous days of Captain Hind, or Claude Du Vall.
No one would ever contemplate a work on "Half-Hours with the Footpads." It would be to introduce the reader into the very worst of society, and the least entertaining; and so we come by degrees to the present era of the housebreakers and the newspaper records, where you may seek romance if you will.
