Two curious black-and-white frescoes, at the west end of the north and south aisles respectively, are worth notice. They represent the administration of the Andrews Charity, by which six poor widows, and as many men, were given clothes, a penny loaf each on Sundays, and on three certain days yearly, money to buy meat. They were, unhappily, obliged to listen to a sermon preached on Corpus Christi day, on the goodness of Andrews and the humility and thankfulness proper to bedesmen and receivers of doles. The frescoes represent the old men and the old women receiving the clothes, which they appear to be doing in a somewhat tentative and timorous, not to say condescending, manner, at the hands of one who looks like a ferocious beadle, or suchlike functionary.
There is a bridge at Sutton Courtney where toll is still demanded. It is variously “Sutton” bridge or “Culham” bridge: this last name productive of some confusion with the bridge at Culham ford (or Culham Hithe) between Dorchester and Abingdon.
From Culham and Sutton Courtney one comes by river in a mile under the ugly Great Western Railway bridge at Appleford, and then in another mile to the lovely winding backwater on which Long Wittenham is situated. Although now a backwater, it is the real original course of the river, and the straight waterway on the left, through which all the traffic passes on to Clifton Lock, is a formal cut, made for convenience, and for shortening the distance. Long Wittenham, by reason of this circumstance, is nowadays not only on a river backwater, but also, owing to the main roads passing it at a considerable distance away, on a backwater of life as well; and those who seek to reach it by road will find that the way is not only long, but circuitous and puzzling; while to those who may essay to leave it by a specious short-cut for Appleford, the only advice to be offered, if they ride bicycles, is “don’t!” especially as no reasonable person, having once seen Appleford, which consists of a railway crossing and a few cottages, and a rebuilt church, ever wants to go there again.
The picturesque and interesting church of Long Wittenham, partaking of all periods of Gothic architecture, has two especial claims to notice. The first is in the Early English leaden font, one of the twenty-nine leaden fonts known to exist in England. The lower part of it is arcaded, the arches filled with effigies of bishops; the upper part decorated at irregular intervals with curious whorl devices. The Jacobean wooden carved font-cover also is not without interest.
The second of these special features is a curious piscina in the shallow south transept of early fourteenth-century date, combining with the purpose of a holy-water stoup that of a monument to the founder of the church. This takes the form of a miniature recumbent effigy, two feet in length, of an armed knight, cross-legged, and with drawn sword in hand and shield on arm. Two angels, sculptured in low relief, crown the arch. A third claim that Long Wittenham church may well make upon the lovers of things venerable and beautiful is the very fine old timber porch, romantically weathered. The accompanying illustration displays this to excellent advantage, and also emphatically discloses the massive character of the timbering, seen especially in the verge-or barge-boards, consisting of but two separate pieces, of great thickness. It is a truly worshipful piece of craftsmanship.
LITTLE WITTENHAM.