Thackeray, greatly daring, considering that the Fourth George is the real patron—saint, we can hardly say; let us make it king—of the town, elected to deliver his lectures upon the “Four Georges” at Brighton, among other places, and to that end made, with monumental assurance, a personal application at the Town Hall for the hire of the banqueting-room in the Royal Pavilion.
But one of the Aldermen, who chanced to be present, suggested, with extra-aldermanic wit, that the Town Hall would be equally suitable, intimating at the same time that it was not considered as strictly etiquette to “abuse a man in his own house.” The witty Alderman’s suggestion, we are told, was acted upon, and the Town Hall engaged forthwith.
It argued considerable courage on the lecturer’s part to declaim against George the Fourth anywhere in that town which His Majesty had, by his example, conjured up from almost nothingness. It does not seem that Thackeray was, after all, ill received at Brighton; whence thoughts arise as to the ingratitude and fleeting memories of them that were either in the first or second generation, advantaged by the royal preference for this bleak stretch of shore beneath the bare South Downs, open to every wind that blows. Surely gratitude is well described as a “lively sense of favours to come,” and they, no doubt, considered that the statue they had erected in the Steyne gardens to him was a full discharge of all obligations. Nor is the history of that effigy altogether creditable. It was erected in 1828, as the result of a movement among Brighton tradesfolk in 1820, to honour the memory of one who had incidentally made the fortunes of so many among them; but although the subscription list remained open for eight years and a half, it did not provide the £3.000 agreed upon to be paid to Chantrey, the sculptor of it.
The bronze statue presides to-day over a cab-rank, and the sea-salt breezes have strongly oxidised the face to an arsenical green; insulting, because greenness was not a distinguishing trait in the character of George the Fourth.
LAST OF THE REGENCY.
The surrounding space is saturated with memories of the Regency; but the roysterers are all gone and the recollection of them is dim. Prince and King, the Barrymores—Hellgate, Newgate, and Cripplegate—brothers three; Mrs. Fitzherbert, “the only woman whom George the Fourth ever really loved,” and whom he married; Sir John Lade, the reckless, the frolicsome, historic in so far that he was the first who publicly wore trousers: these, with others innumerable, are long since silent. No more are they heard who with unseemly revelry affronted the midnight moon, or upset the decrepit watchman in his box. Those days and nights are done, nor are they likely to be revived while the Brighton policemen remain so big and muscular.
With the death of George the Fourth the play was played out. William the Fourth occasionally patronised Brighton, but decorum then obtained, and Queen Victoria and Prince Albert not only disliked the memory of the last of the Georges, but could not find at the Pavilion the privacy they desired. The Queen therefore sold it to the then Commissioners of Brighton in 1850, for the sum of £53,000, and never afterwards visited the town.
XXXVI
The Pavilion and the adjoining Castle Square, where one of the old coach booking-offices still survives as a railway receiving-office, are to most people the ultimate expressions of antiquity at Brighton; but there remains one landmark of what was “Brighthelmstone” in the ancient parish church of St. Nicholas, standing upon the topmost eyrie of the town, and overlooking from its crowded and now disused graveyard more than a square mile of crowded roofs below. It is probably the place referred to by a vivacious Frenchman who, a hundred and twenty years ago, summed up “Brigtemstone” as “a miserable village, commanded by a cemetery and surrounded by barren mountains.”