On the Road to Newdigate.
For the rest, the church is interesting enough by reason of its architecture to warrant some lingering here, but it is, beside this legitimate attraction, also very much of a museum of sepulchral curiosities. A brass for two brothers, with a curious metrical inscription, lurks in the gloom of the south aisle on the wall, and sundry grim and ghastly relics, in the shape of engraved coffin-plates, grubbed up by ghoulish antiquaries from the vaults below, form a perpetual memento mori from darksome masonry. On either side the nave, by the chancel, beneath the graceful arches of the nave arcade, are the recumbent effigies of Sir John de Ifield and his lady. The knight died in 1317. He is represented as an armed Crusader, cross-legged, “a position,” to quote “Thomas Ingoldsby,” “so prized by Templars in ancient and tailors in modern days.” The old pews came from St. Margaret’s, Westminster. But so dark is the church that details can only with difficulty be examined, and to emerge from the murk of this interior is to blink again in the light of day, however dull that day may be.
From Ifield Church, a long and exceeding straight road leads in one mile to Ifield Hammer Pond. Here is one of the many sources of the little river Mole, whose trickling tributaries spread over all the neighbouring valley. The old mill standing beside the hatch bears on its brick substructure the date 1683, but the white-painted, boarded mill itself is evidently of much later date.
IFIELD MILL POND.
SUSSEX IRON
Before a mill stood here at all, this was the site of one of the most important ironworks in Sussex, when Sussex iron paid for the smelting.
Ironstone had been known to exist here even in the days of the Roman occupation, when Anderida, extending from the sea to London, was all one vast forest. Heaps of slag and cinders have been found, containing Roman coins and implements of contemporary date, proving that iron was smelted here to some extent even then. But it was not until the latter part of the Tudor period that the industry attained its greatest height. Then, according to Camden, “the Weald of Sussex was full of iron-mines, and the beating of hammers upon the iron filled the neighbourhood round about with continual noise.” The ironstone was smelted with charcoal made from the forest trees that then covered the land, and it was not until the first year or two of the last century that the industry finally died out. The last remaining ironworks in Sussex were situated at Ashburnham, and ceased working about 1820, owing to the inability of iron-masters to compete with the coal-smelted ore of South Wales.
By that time the great forest of Anderida had almost entirely disappeared, which is not at all a wonderful thing to consider when we learn that one ironworks alone consumed 200,000 cords of wood annually. Even in Drayton’s time the woods were already very greatly despoiled.