Life is endeavour; not all cloistered prayer. He prays best whose prayers are an interlude of toil; and so, when we read Cobbett's long account of the wretched condition of Ely Cathedral, of its "disgraceful irrepair and disfigurement," and of the two old men who on a week-day afternoon formed the whole of the congregation, coupled with his regretful surmise that in Catholic times five thousand people would have been assembled here, we are apt to think that sparse congregation a very healthy sign, and that even those two old men would have been better employed out in the workaday world. He would be a Goth who should fail to perceive the beauty of Ely Cathedral and of its like, but those noble aisles, those soaring towers tell a tale of an enslaved land, of fettered souls, of a priestcraft that sought to rule the State, as well as to hold the keys of Heaven and of Hell. No man, whether he be Pope, Archbishop, or merely the Boanerges of some hideous Bethel, has the right to enslave another's soul. Let even the lovely cathedrals of our land be levelled in one common ruin if the sight of them harks us back to Popery, for in that harking back England would be utterly undone.
But since the saving common-sense of the Englishman can never again permit him to deliver up his soul into another's keeping, and since it follows naturally from this that the Romanising tendencies of our clergy must of necessity lead nowhere and bear no fruit, it becomes possible to look with a dispassionate eye upon these architectural relics of discredited beliefs.
Why was the Cathedral built here? That is a long story. It originated in the monastery founded on this spot in A.D. 673 by Etheldreda, daughter of Auna, King of the East Angles. Etheldreda has long since been canonised, and it behoves us to deal as gently as may be with a saint; but she was, if the chroniclers tell truth, an eccentric and original creature, twice wed by her own consent, and yet vowed to a life-long chastity. Her first husband was one Tondbert, a kinglet of the Gyrvians or Fen-folk, a monarch of the mudlarks, ruling over many miles of reed and sedge, in whose wastes Ely was centred. He gave his Queen this Isle, and died. For five years she remained a widow and then married again; this time a sturdier and less manageable man, King Egfrid of Northumbria. He respected her vows for twelve years, but when at last she took the veil in the north of England and fled from her Northumbrian home he took the only way open in the seventh century of asserting conjugal rights, and pursued her with an armed force. When, however, he arrived at the monastery of Coldingham she was gone, and I do not think Egfrid ever saw her again, or wanted to, for that matter. We will not follow Etheldreda in her long and adventurous journey to Ely, whither she had fled, nor recount the many miracles that helped her on the way. Miracles were cheap at that period, and for at least four hundred years to come were freely invented and elaborated by monkish chroniclers, who were the earliest novelists and writers of fairy tales, in the scriptorium of many a monastery.
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In the year 673, then, behold the ecstatic Etheldreda come out of many perils to Ely. Here, where she thought the Isle lifted its crest highest above the waters, she founded a mixed monastery for monks and nuns. At this point the ground is one hundred and nine feet above sea-level: at Haddenham, the crowning crest is but thirteen feet higher. Here she ruled as Abbess for six years, when she died, and was succeeded by her sister, the sainted Sexburga. It was Sexburga who, sixteen years from this time, determined to honour Etheldreda to the best of her ability, bethought her of translating the body from the humble graveyard of the monastery to the church itself. She sent forth a number of the brethren on a roving commission to find a block of stone for a coffin, and as stone of any kind is the least likely thing to find for many miles around Ely, theirs looked to be a long and difficult quest. They had, indeed, wandered as far as the ruins of Roman Cambridge before they discovered anything, but there they found a magnificent sarcophagus of white marble, which they joyfully brought back, and in it the remains of Etheldreda, entire and incorrupt, were laid.
In 870, the time of the fourth Abbess, St. Withburga, a great disaster befell the monastery of Ely. For years past the terror of the heathen Vikings, the ruthless Danes and Jutes from over sea, had been growing. Wild-eyed fugitives, survivors of some pitiless massacre of the coastwise settlements by these pirates, had flung themselves, exhausted, upon the Isle, and now the peril was drawing near to this sanctuary. A special intercession, "Deliver us, O Lord, from the Northmen," distinguished morning and evening office, but the prayer was unanswered. Presently along the creeks came the beaked prows of the ruthless sea-rovers, and the monastery was sacked and burnt and all upon the Isle slain. That is history. To it the old chronicler must needs put a clinching touch of miraculous vengeance, and tells how a bloodstained pirate, thinking the marble shrine of St. Etheldreda to be a treasure-chest, burst it open. "When he had done this there was no delay of Divine vengeance, for immediately his eyes started miraculously from his head, and he ended there and then his sacrilegious life."
Before many years had passed, a new monastery was founded upon the blackened and bloodstained ruins of the old. This was a College of Secular Clergy, patronised by King Alfred. It was succeeded by a new foundation, instituted by Ethelwold, Bishop of Winchester, who made it a Benedictine House; but even of that we have no trace left, and the church under whose roof Canute worshipped and Edward the Confessor was educated was swept away in the great scheme of rebuilding, entered upon by Simeon, the first Norman Abbot, in 1080. Twenty-six years later the relics of St. Etheldreda were translated to the choir just completed. The translation took place on October 17th, a day ever afterwards, while the Roman Catholic religion prevailed, celebrated by a religious festival and a secular fair. Pilgrims flocked throughout the year to St. Audrey's shrine, but many thousands assembled on her feast-day, and, that no doubt should rest upon their pilgrimage, purchased such favours and tokens as "St. Audrey's chains," and images of her. The chains were lengths of coloured silks and laces, and were, like most articles sold at the stalls, cheap and common. From them, their vulgar showiness, and their association with the Saint, comes the word "tawdry."
Two years after this translation of St. Audrey, the Abbey Church was made the Cathedral of the new diocese of Ely, carved out of the vast See of Lincoln. Of the work wrought by Abbot Simeon and his successor, Richard, the great north and south transepts alone remain. The choir they built was replaced in the thirteenth century by that lovely Early English work we now see; the nave they had not reached. This is a work of some sixty years later than their time, and is one of the finest examples of late Norman architecture in the country. The Norman style went out with a blaze of architectural splendour at Ely, where the great west front shows it blending almost imperceptibly into Early English. It is a singular architectural composition, this western entrance and forefront of Ely Cathedral; the piling up to a dizzy height of a great tower, intended to be flanked on either side by two western transepts each ending in a smaller tower. The north-western transept fell in ruins at some unknown period and has never been rebuilt, so that a view of this front presents a curiously unbalanced look, very distressing to all those good folk whose sensibilities would be harrowed if in their domestic establishment they lacked a pendant to everything. To the housewife to whom a fender where the poker is not duly and canonically neighboured by the tongs looks a debauched and sinful object; to the citizen who would grieve if the bronze or cut-glass lustre on one side of his mantel-shelf were not matched on the other, this is a sight of the most dolorous sort. It must have been to soothe the feelings of all such that a sum of £25,000 was appealed for when Sir Gilbert Scott was restoring the Cathedral, many years ago, and its rebuilding was proposed. The money was not forthcoming, the work was not done, and so Scott did not obtain the £2500 commission. Scott's loss is our gain, for we are spared one more example of his way with old cathedrals.
