Resuming the main road, which for the distance of a mile beyond Woodyates is identical with the old Roman road, the Via Iceniana, that ancient relic of a past civilisation may presently be seen parting company from the modern highway, and going off by itself, to the left, across the downs, making for the great fortified hill of Badbury Rings. It is known locally as the Achling Dyke, and is somewhat conspicuously elevated above the bracken, the gorse, and heather of these wilds.
Now, passing a few scattered cottages, we come—in fifteen miles from Coombe Bissett—to a village, the first on this lonely main road. Tarrant Hinton, this welcome village, stands on a sparkling little stream, without doubt the “tarrant,” or torrent, whence it and a small sisterhood of neighbouring settlements obtain a generic name. There are Tarrant Gunville, Tarrant Monkton, Tarrant Rawston, Tarrant Rushton, Tarrant Keynston, and Tarrant Crawford; and then, as below the last-named place the little stream falls into the Stour, there are no more Tarrants.
To Tarrant Gunville belongs Eastbury Park, a place of Hardyesque and romantic aspect; but, so far, not made the vehicle of any of his stories. It has, to be sure, a story of its own—a tale of vaulting ambition which fell on t’other side. Eastbury was built, like many another ponderous and overgrown mansion of the eighteenth century, by Vanbrugh, to the commission of George Dodington, a former Lord of the Admiralty, who, growing enormously rich by long-continued peculation, blossomed out as a patron of the arts and a friend of literature. But before his huge house could be completed he was gathered to his fathers and to judgment upon his illegitimate pickings, leaving all his wealth to his grandnephew, George Bubb Dodington, afterwards Lord Melcombe, who lavished £140,000 on the completion of the works. Here he too became a patron, and entertained the literary men of his time until 1762, when, dying, the property went to Earl Temple, who, unable to afford the expense of maintaining the immense place, actually offered—and offered in vain—an income of £200 a year to any one who would reside at Eastbury and keep it in repair. As this bait failed, the great house was dismantled and demolished, piecemeal, in 1795, only one wing remaining to attest its former grandeur.
But traces of that grandeur are not wanting, from the iron railings, stone piers, and decorative kerbs, carved boldly with an acanthus-leaved design, that conduct into the demesne, to the magnificent clumps of beeches and other forest trees studding the sward of what was the park; and that remaining wing itself, still disclosing in its arcade, or loggia, something of Vanbrugh’s design.
Eastbury, of course, is haunted—so much is to be expected of such a place; but those who have seen the headless coachman and his ghostly four-in-hand issuing from the park gates, or returning, are growing scarce, and times are become so sceptical that even they cannot obtain credence. So, with a sigh for the decay of belief, we will e’en on through Pimperne down to Blandford, which good town, of fine dignified classic architectural presence, the coach-road enters in a timid back-doors manner, down a narrow byway.
Blandford is further dignified by that curious pedantic Latinity very marked in many Dorsetshire place-names. In this manner it is made to figure as “Blandford Forum,” a rendering of “Blandford Market.” In Mr. Thomas Hardy’s pages it is “Shottsford Forum,” and so appears in his story of Barbara of the House of Grebe, in Far from the Madding Crowd, and again in The Woodlanders, wherein it is stated, from the mouth of a rustic character, that “Shottsford is Shottsford still: you can’t victual your carcass there unless you’ve got money, and you can’t buy a cup of genuine there, whether or no”; this last a sad drawback from the amenities of a delightful town. But there is a very excellent pump, and an historic, in the broad High Street, whereon, cast in enduring iron, it may be read how a certain John Bastard, a “considerable sharer” in the great calamity by which Blandford was burnt in 1731, “humbly erected this monument, in grateful Acknowledgement of the Divine Mercy, That has since raised this Town, Like the Phoenix from its Ashes, to its present flourishing and beautiful State.” That, it will be allowed, is rather a fine, curly, and romantic way of putting it. A rider to this inscription goes on to say that in 1899 the Corporation of Blandford converted the pump into a drinking-fountain, and that the Blandford Waterworks Company, not halting in good deeds, gratuitously supplies the water.
The pilgrim who, arriving in Blandford hot, dusty and thirsty, and perhaps mindful of that alleged impossibility of buying a cup of genuine, essays to drink from the fountain, is at first surprised at the keen interest taken in his proceedings by a quickly collecting group of urchins. Their curiosity appears to be in the nature of surprise at the sight of a grown man drinking water, but light is shed upon it when, pressing hard the obstinate knob that releases the fount, the thing suddenly gives way and squirts half a pint or so up his sleeve. This is a never-failing form of entertainment to the youth of Blandford, and a cheap one.
Not once, but several times has Blandford been destroyed by fire. It owed these disasters to the old Dorsetshire fashion of thatched roofs, and only in time, by dint of repeated happenings in this sort, learned wisdom. This light dawned at the time when the classic revival in architecture was flourishing, and thus, as already hinted, Blandford’s High Street is wholly of that character. Classicism does not often make for beauty in English towns, but here the general effect is admirable, and although the stone of the fine church-tower—designed in the same taste—is of a jaundiced greenish-yellow hue, it is a noble feature.
Blandford’s natives have sometimes won to a great deal more than local fame; witness Alfred Stevens, the designer of the Wellington monument in St. Paul’s Cathedral, who was born in 1817, in Salisbury Street, that back-doors coach-road entrance into the town already mentioned. Willowes, the unhappy husband of Barbara, of the House of Grebe, was a descendant of one of the old families of glass-painters of Shottsford mentioned in that story, and more particularly referred to by Aubrey, the antiquary, who says: “Before the Reformation, I believe there was no country or great town in England but had glasse painters. Old Harding of Blandford in Dorsetshire, where I went to schoole, was the only country glasse painter that ever I knew. Upon play daies I was wont to visit his shop and furnaces. He dyed about 1643, aged about 83 or more.” That craft has long since died out from the town.