From this point Corfe Castle is exquisitely seen, down below the ridge, but situated on the course of the minor, but still mighty, backbone that bisects the Isle. From hence, too, the country may be seen spread out like a map, “domains behind domains, parishes by the score, harbours, fir-woods and little inland seas mixing curiously together.” Dipping down out of sight of all these distant Lands of Promise, among the richly wooded lanes of Kingston, the glaring limestone road is exchanged for shaded ways, where sunlight only filters through in patches of gold, looking to the imaginative as though some giant had come this way and dropped the contents of his money-bags. Thatched cottages, tall elms, and old-fashioned roadside gardens are the features of Kingston; but above all these, geographically and in every other respect, is the great and magnificent modern church built for Lord Eldon and completed in 1880, after seven years’ work and a vast amount of money had been expended upon it. It was designed by Street—that same “obliterator of historic records”—who at Fawley Magna earned Mr. Hardy’s satire; but here were no records to obliterate. Certain reminiscences of the architect’s early studies of the early Gothic of the Rhine churches may be traced here, in the exterior design of the apsidal chancel, strongly resembling that of Fawley, but one would hesitate to apply the opprobrious term of “German-Gothic” to this, as a whole. Its intention is Early English, but the general effect is rather of a Norman spirit informed with Early English details; an effect greatly accentuated by the heaviness and bulk of the central tower, intended by Lord Eldon to be a prominent landmark, and fulfilling that intention by the sacrifice of proportion to the rest of the building. Cruciform plan, size, and general elaboration render this a church particularly unfitted for so small and so rustic a village. Had its needs been studied, rather than the ecclesiological tastes of the third Lord Eldon, the little church built many years ago for the first earl, the great lawyer-lord, by Repton, would have sufficed; although to be sure it has all the faults of the first attempts at reviving Gothic.
The Earl of Eldon purchased the manor of Kingston and the residence of Encombe from William Morton Pitt in 1807. Here, in that little church built by him, he lies, beside his “Bessie,” that Bessie Surtees with whom he, then plain and penniless John Scott, eloped from the old house on Sandhill, Newcastle-on-Tyne, in 1772. His house of Encombe, the “Enkworth Court,” of The Hand of Ethelberta, lies deep down in the glen of Encombe, approached by a long road gradually descending into the cup-like crater by the only expedient of winding round it. Think of all the beautiful road scenery you have ever seen or heard of, and you will not have seen or been told of anything more beautiful in its especial kind of beauty than this sequestered road down into Lord Eldon’s retreat. Jagged white cliffs here and there project themselves out of the steep banks of grass and moss above the way, draped with a profusion of small-leaved ground-ivy and a wealth of hart’s-tongue ferns, and trees romantically shade the whole. An obelisk erected by the great statesman, on a bold bluff, to the memory of his brother, Lord Stowell, adds an element of romance to the scene, and then, plunging into a final mass of tangled woodland, the grey stone elevation of the house is seen, ghostlike, fronting a gravel drive, in its silence and drawn blinds looking less like the home of some fairy princess than the residence of a misanthrope, who has retired beyond the reach of the world and drawn his blinds, with the hope of persuading any who may possibly find their way here that he is not at home.
“Enkworth Court” was, we are told, “a house in which Pugin would have torn his hair,” and Encombe certainly can possess no charms for amateurs of Gothic. Nor can it possibly delight students of the ancient Greek and Roman orders, for its architecture has classic intentions without being classical, and heaviness without dignity. But its interior, if it likewise does not appeal to a cultivated taste in matters connected with the mother of all the arts, is exceptionally comfortable. Here the old Chancellor, over eighty years of age, spent most of his declining days. “His sporting days were over; he had but little interest in gardening or farming; and his only reading, beside the newspaper, was a chapter in the Bible. His mornings he spent in an elbow-chair by the fireside in his study—called his shop—which was ornamented by portraits of his deceased master, George III. and his living companion, Pincher, a poodle dog.”
From Kingston to Corfe Castle, the bourne of innumerable summer visitors, is two miles. The first glimpse of town and castle is one which clearly shows how aptly the site of them obtained its original name of Corvesgate, from the Anglo-Saxon ceorfan, to cut. The site was so named long before castle or town were erected here, and referred to the passages cut or carved through the bold range of hills by the little river Corfe and its tributaries. Those clefts are clearly distinguished from here and from the main road between Corfe and Swanage, and are notched twice, so deeply into the stony range, that the eminence on which the castle stands is less like a part of one continuous chain of hills than an isolated conical hill neighboured by lengthy ridges.
On that islanded hill, shouldered by taller neighbours, the castle was built, because at this point it so effectually guarded these passes from the shores of Purbeck to the inland regions. The position in these days seems a singular one, for from the upper slopes of those neighbours it is possible to look down into the castle and observe its every detail, but such things mattered little in days before artillery.
A first impression of Corfe, if it be summer, is an impression of dazzling whiteness; resolved, on a nearer approach, into the pure white of the road and of the occasional repairs and restorations of the stone-built streets, the grey white of buildings past their first novelty, and the dead greyness of the roofing slabs of stone. There is little colour in Corfe when June has gone. The golden-green lichens and houseleeks of spring have been sucked dry by the summer heats and turned to withered rustiness, and even the grass of the pyramidical hill on which the castle keep is reared has little more than an exhausted sage-green hue.
“Corvsgate Castle,” as we find it styled in The Hand of Ethelberta, is frequently the scene, at such a time of year, of meetings like that of the “Imperial Association” in that story. All that is to be known respecting these ruins, “the meagre stumps remaining from flourishing bygone centuries,” is the common property of all interested in historical antiquities, but there is something, it may be supposed, in revisiting the oft-visited and in retelling the old tale, which bids defiance to ennui and precludes satiety, even although the President’s address be a paraphrase of the last archæological paper, and that the echo of its predecessor, and so forth, in endless diminuendo:
And smaller fleas have lesser fleas,
And so ad infinitum.
“Carfe,” as any Wessex man of the soil will name it, just as horses are ‘harses’ and hornets become ‘harnets’ in his ancient and untutored pronunciation, is, as already hinted, a place of stone buildings, where brick, although not unknown, is remarkable. Stone from foundation to roof, and stone slabs of immense size for the roofs themselves. In a place where building-stone is and has been so readily found it is, of course, in the nature of things to find the remains of a castle that must have been exceptionally large and strong, and here they are, peering over the rooftops of the town from whatever point of view you choose. The castle is as essential a feature in all views of the town as it is in history; and rightly too, for had it not been for that fortress there would have been no town. It is a town by courtesy and ancient estate, and a village by size; a village that does not grow and has so far escaped the desecration of modern streets. The market cross, recently restored to perfection from a shattered stump, and the town hall both declare it to have been a town, as does, or did, the existence of a mayor, but such things have long become vanities. The return of two members to Parliament, a privilege Corfe enjoyed until reform put an end to it in 1832, proved nothing, for Parliamentary representation was no more fixed on the principle of comparative electorates than the representation of Ireland is now in the House of Commons.