The "Saracen's Head" of to-day turns a sleek and stuccoed face to the street, and the house shows signs of extensive rebuilding and remodelling, undertaken in the full flush of the great days of coaching prosperity, when so many old inns were rebuilt, in the belief that coaching, and the road as an institution, would last for ever. Fond belief! Has anyone ever stopped to consider the fact that the great coaching era of the 'twenties and the 'thirties had a great deal more to do with the pulling down of the old-fashioned galleried and timbered inns of country towns than ever railways have had? The average small country town felt in fullest measure the great increase in business incidental to the last years of the coaching age, and every innkeeper hastened to rebuild his inn and to call it an "hotel." Those who had, from one cause and another, deferred rebuilding until the dawn of the Railway Age, on seeing that the road would decay and travellers be carried to their journeys' ends without halting for rest and refreshment, promptly gave up any such ideas and were thankful that they had not begun the work of reconstruction and enlargement. Those who had were ruined, and to this day the huge hotels they reared may yet be often met with, a world too large, in country towns where once the mails and the stage-coaches passed, like a procession, day by day. It is quite by a happy chance that an old galleried house like the "White Hart" at Brentwood remains, and it is not too much to say that, had the Coaching Age lasted another ten years, it also would have been rebuilt.
An amusing story, with Anthony Trollope for its central figure, belongs to the "Saracen's Head" at Chelmsford. For some years after he had won fame as a novelist he still retained his position in the General Post Office, of which he was a travelling inspector. On one of these official journeys he happened to be staying here, at the time when his Barchester Towers was being issued, after the then prevailing fashion, in parts. He was seated in the coffee-room when two clergymen entered, one of them with the newly-issued part of the story. The cleric, cutting the pages, was soon immersed in the trials of the Bishop and the domineering ways of Mrs Proudie, who was rather a trial to Trollope's readers, as well as to the Bishop. Suddenly the clergyman put the book down. "Confound that Mrs Proudie!" he exclaimed, "I wish she were dead!"
Trollope looked up. Introducing himself, he thanked the reader for thus accidentally telling him that the Bishop's wife had become wearisome, and undertook to have done with her. "Gentlemen," said he, "she shall die in the next number;" and die she accordingly did. But in defence of Trollope's truthful character-drawing, let it be said that, in the opinion of those likely to be best informed, Mrs Proudies may yet be found in a goodly proportion of the episcopal palaces of England.
XIX
Returning now to the Conduit, and making for the open road once more, Chelmsford is left by way of Springfield, past the successor of Chelmsford's finest old inn, the "Black Boy," demolished in 1857. The old inn of that name had stood on the spot for five centuries, and had been the halting-place of many famous travellers, among them a long line of Earls of Oxford, journeying between their castle at Hedingham and London; but none of these associations sufficed to save the house. Fragments of its carved beams are preserved in the local museum, but recall it as little as does the skeleton of the mastodon bring back in his majesty that denizen of the earth in the dim æons of the past. Chelmsford would dearly like many of its old buildings—wantonly demolished years ago—back again; but what is done cannot be undone, and there's an end on't. The "Cross Keys" remains, in a restored condition.
THE "THREE CUPS" SIGN
The name of Springfield, the eastern suburb of Chelmsford, carries varying significances. To the mere newcomer it sounds idyllic; to the American from the New England States it recalls the Pilgrim Fathers and their settlement of Springfield, Massachusetts; and to the gaol-bird it means a "stretch" of longer or shorter duration. At Springfield, in fact, is situated the County Gaol, a gloomy building enlarged in recent years for the accommodation of the guests consigned to it at Assize time from the Shire Hall down yonder in the High Street. But, once past this depressing place, Springfield is pleasing and cheerful. Its long miscellaneous street, where the quaint sign of the "Three Cups" stands out, gives place to suburban villas situated in attractive grounds and designed to sound the ultimate note of picturesqueness. That this has been the aim of their architects is abundantly manifest in examples where, under a single roof, one may experience the mingled romantic feelings of inhabiting an Edwardian castle, a Tudor manor-house, a Jacobean grange, and a "Queen Anne" mansion; all done in red brick, gabled here and battlemented there, and, moreover, fitted with electric light and hot and cold water supply. To this end has castellated and domestic architecture unwound its long story during some five hundred years. It will be seen thereby that William of Wykeham, John Thorpe, and many another old-time architect did not live in vain.
But if Springfield be modern as a suburb, it is ancient as a village. To see old Springfield, it is necessary to turn off the road to the left, and to journey a quarter of a mile, towards the old church, a noble building with mingled red brick and stone tower bearing the inscription, "Prayse God for al the good benefactors 1586." Oliver Goldsmith, it is quite erroneously said, took Springfield as the model for his Deserted Village. He certainly visited at an old cottage opposite the church, but the real Sweet Auburn is Lissoy, in Ireland.