In this somewhat exiguous apartment Tupman and Jingle danced, and the bellicose Dr. Slammer, of the 97th Regiment, glared; and the society of Chatham and Rochester had, you cannot help thinking, a very close and tightly packed evening.

They take their Pickwickian associations very seriously at the “Bull,” which, by the way, is an “inn” no longer, but an “hotel.” In 1836, the Princess Victoria and her mother, travelling to London, were detained by stress of weather that rendered it dangerous to cross the bridge, and they reluctantly stayed at Rochester the night. Who were low-class Pickwickians, that they should stand before such distinction? So the old house for a while took on a new name, and became the “Victoria and Bull,” and then, Royal associations gradually waning and literary landmarks growing more popular, the “Bull and Victoria,” finally, in these last years, revered again to its simple old name.

That Royal visit is well-nigh forgotten now, and you are no longer invited to look with awe upon the rooms occupied by those august, indubitably flesh-and-blood travellers; but you are shown the bedrooms of the entirely fictitious Pickwickians.

“So this is where Mr. Pickwick is supposed to have slept?” remarked a visitor, when viewing bedroom No. 17 by favour of a former landlord. That stranger meant no offence, but the landlord was greatly ruffled. “Supposed to have slept? He did sleep here, sir!”

“O ye verities!” as Carlyle might have exclaimed.

THE “BULL,” ROCHESTER.

Many Dickens commentators have long cherished what Horace Walpole might have styled a “historic doubt” as to what house was that one in Rochester referred to by Jingle as Wright’s. “Wright’s, next house, dear—very dear—half a crown in the bill if you look at the waiter—charge you more if you dine at a friend’s than they would if you dined in the coffee-room—rum fellows—very.” But “Wright’s” really was the next “house”—house, that is to say, in the colloquial sense, by which “public-house” is understood, and not by any means next door.

There is every excuse for writers on Dickens-land going wrong here, for the real name of the old house to which Wright came, somewhere about 1820, and on which he imposed his own was the “Crown.”

The old “Crown” fronted on to the High Street, and was one of those old galleried inns already mentioned so plentifully in these pages. It claimed to have been built in 1390, and its yard was not only the spot where, unknown to all save his intimates, Henry the Eighth had his first peep at his intended consort Anne of Cleves, whom that disappointed connoisseur in feminine beauty immediately styled a “Flanders mare”; but was in all probability the original of the inn-yard in Henry the Fourth, whence Shakespeare’s flea-bitten carriers with their razes of ginger and other goods for London, sleepless probably on account of those uncovenanted co-partners of their beds, set forth, by starlight, yawning, with much talk of highway dangers. At the “Crown” too, once stayed no less a personage than Queen Elizabeth; while some two centuries later Hogarth and his fellow-roysterers stayed a night in the house, on their “Frolic” down Thames.