Cobbett, writing in 1825, was particularly severe upon the farmers of his time, who were changing from the race he had known who sat with their carters and labourers at table; who, with their families, dined at the same board off fat bacon and boiled cabbage as a matter of course. “When the old farm-houses are down,” he says, “(and down they must come in time), what a miserable thing the country will be! Those that are now erected are mere painted shells, with a mistress within who is so stuck-up in a place she calls the parlour” (note, by the way, the withering irony of Cobbett’s italics), “with, if she have children, the ‘young ladies and gentlemen’ about her; some showy chairs and a sofa (a sofa by all means); half-a-dozen prints in gilt frames hanging up; some swinging bookshelves with novels and tracts upon them; a dinner brought in by a girl that is perhaps better ‘educated’ than she; two or three nick-nacks to eat instead of a piece of bacon and a pudding; the house too neat for a dirty-shoed carter to be allowed to come into; and everything proclaiming to every sensible beholder that there is here a constant anxiety to make a show not warranted by the reality. The children (which is the worst part of it) are all too clever to work; they are all to be gentlefolks. Go to plough! Good God! What! ‘young gentlemen’ go to plough! They become clerks, or some skimmy-dish thing or other. They flee from the dirty work as cunning horses do from the bridle. What misery is all this! What a mass of materials for proclaiming that general and dreadful convulsion that must, first or last, come and blow this funding and jobbing and enslaving and starving system to atoms!”
One only wonders, after reading all this, what Cobbett would have said at this time, when things have advanced another stage towards the millennium; when nick-nackery is abundant in almost every farm-house; when every other farmer’s wife has her drawing-room (“parlour,” by the way, being vulgar and American), and every farmer’s daughter reads,—not tracts, my friend Cobbett,—but novelettes of the pseudo-Society brand.
Hampshire cottages remain practically the same, only the dear, delightful old thatches are gone that afforded pasturage for all sorts of parasitic plants and mosses; harboured earwigs and other insects too numerous to mention, and divided the artist’s admiration equally with the rich red tiling of the more pretentious houses.
HAMPSHIRE ARCHITECTURE
Hampshire cottage architecture is peculiarly characteristic of the county. The wayside villages and the scattered hamlets that nestle between the folds of its chalky hills are made up of cottages built with chalk rubble, or with black flints and red brick mixed. The flints being readily obtained, they form by far the greater portion of Hampshire walls; the red brick being used for dressings and for binding the long, flinty expanses together, or occupying the place taken by stone quoins, in counties where building-stone is freely found. Thus, the homely architecture of the greater part of Hants is mean and uninteresting, for black flint is not beautiful and has never been used with good effect in modern times, although in ancient days the mediæval builders and architects of East Anglia—notably in Ipswich and Bury St. Edmunds—contrived some remarkably effective work in this unpromising material. Some old work in the larger Hampshire towns, notably at Hyde Abbey, Winchester, shows an effective use of black flint in squares alternating with squared stone,—a method known as diaper work,—but the elaborate flint panelling of Norfolk and Suffolk is unknown in Hampshire.
And this brings me to Liphook, a roadside village perhaps originally sprung from the near neighbourhood of the old deer-forest of Woolmer, when half-forgotten Saxon and Norman kings and queens, earls and thanes, hunted here and made the echoes resound with the winding of their horns—“made the welkin ring,” in fact, as the fine romantic writers of some generations ago said, in that free and fearless way which is, alas! so discredited now-a-days. And this is so much more a pity, because along this old road, upon whose every side the hallooing and the rumour of the hunting-field were wont to be heard so often and so loudly, one could have worked in that phrase about “the welkin” with such fine effect, had it not been altogether so battered and worn-out a literary cliché. This it is to be born a hundred years later than Sir Walter Scott!
FOREST FIRES
The Royal Forest of Woolmer lies partly in this parish. It is a tract of land about seven miles in length by two and a half in breadth, running nearly north and south. In the days of William and Mary the punishments of whipping and confinement in a house of correction were awarded to all them that should “burn on any waste land, between Candlemas and Midsummer, any grig, ling, heath, and furze, goss or fern”; yet in this forest, about March or April, according to the dryness of the season, such vast heath-fires were lighted up that they frequently became quite unmanageable, and burnt the hedges, woods, and coppices for miles around. These burnings were defended on the plea that when the old and coarse coating of heath was consumed, young and tender growths would spring up and afford excellent browsing for cattle; but where the furze is very large and old, the fire, penetrating to the very roots, burns the ground itself; so that when an old common or ancient underwoods are burnt, nothing is to be seen for hundreds of acres but smother and desolation, the whole extent of the clearance looking like the cinders of an active volcano.
One of these great fires broke out on May 22, 1881, and consumed over 670 acres. It was originated by the keepers of the Aldershot Game Preserving Association, for the purpose of obtaining a belt of burnt land around the Forest, to prevent the straying of the pheasants; but the fire, fanned by a wind, grew entirely out of hand and quite uncontrollable. Great damage was occasioned by this outbreak, and the Earl of Selborne’s plantations were destroyed, together with those of the vicar, whose very house and stabling had a narrow escape. The Forest was the picture of desolation for a long time afterwards. The oaks were either dead or dying, and the whole district had an inexpressibly blasted and weird appearance.
“I remember,” says Gilbert White, of a fire that occurred in his time, “that a gentleman who lives beyond Andover, coming to my house, when he got on the downs between that and Winchester, at twenty-five miles distance, was surprised with much smoke, and a hot smell of fire, and concluded that Alresford was in flames, but when he came to that town, he then had apprehensions for the next village, and so on to the end of his journey.”