Europe touches the limit of Blake’s rebellion. During the next thirty years history was to comment on the French Revolution in a way that was not his in his impetuous prophetic books. He was to learn that rebellion is a road to wisdom because it is a species of excess. Excess teaches a man to know what is enough, and when Blake knew the exact value of rebellion he was prepared to read the Past afresh, and find that its treasury contained priceless jewels that he never even suspected, while he was passionately searching for some new thing.


CHAPTER VII

ACTION AND REACTION

In Europe Blake reached the boundary of his rebellious mood. The impetus of his rebellion might by its own strength have carried him further down the stream; but the Reign of Terror was a rude check, and among other things it enabled him to climb on to the bank and view the course of events with some degree of detachment.

He found that he could no longer refuse to listen to another voice that had been sounding more or less loudly for some years—the voice of his own experience, and, that which inevitably follows, the voice of the experience of mankind. His thought flew backwards and forwards, backwards to Eden and innocent Adam, followed by the wilderness and the curse, forwards to some more years of travail, and then the crimson dawn glowing on the gathered fruits of experience.

Would experience eventually restore the innocence that was lost with Eden? Were they even things of the same kind? No; Blake was sure that they were contraries, contrary as Swedenborg’s heaven and hell, contrary states of the human soul. But many contraries can be married. Innocence married to experience must vanish as innocence, but rise again in a new form in the more fruitful married relation. It appears that with most men innocence lost never returns. Blake never lost his. It is seen in all its infantine simplicity in The Songs of Innocence, and it could show itself at any time during his long life. But this divine element is sadly rare even in the poets, and it is its irresistible presence in Blake that makes him wellnigh unique. In ourselves we find from experience knowledge of good and evil, complicated views on philosophy and theology, puzzled brains, and a frightfully murky atmosphere, and it seems Utopian to imagine that it will ever be otherwise.

Blake maintained, and so had the Saints, that when experience had effected its work and disposed of its dirt, smoke, and mud, a glorious something would emerge which innocence could never know, but which will include the innocence that we see in lambs and babies and buttercups and saints. Between what we are and what we shall be is a sandy desert; and, since Eden is lost, all, even the Christ, have to pass through the desert to gain the promised land. The words of Christ are not the words of one who has lived only in Eden. They are crystalline clear, flaming, simple, deep, and infinitely wise, we should almost say innocent, but as to “create a flower is the labour of ages,” so when we look behind the words of Christ, and seize their implications, we discover not only the sorrow and joy, labour and triumph of His own experience, but that of the past labouring ages; and until we know something of present living experience added to that of the past, we shall never have an inkling of even the simplest words that lie on the face of the gospel.

It was fitting that in 1794, when Blake uttered his prophecy of things to come in Europe, he should also gather together his Songs of Experience, and engrave them for the joy of posterity.