"That is rather a fine place over there, Miss Heron; rather bizarre and conspicuous, but striking and rather artistic. New, too: whose is it?"
"Stephen Orme's place," replied Mr. Wordley, in rather a low voice.
"Oh," said Mr. Hartley, with a nod which struck Ida as being peculiarly expressive and significant, though she did not know what it implied.
The three went all over the old Hall and after lunch the great architect explained, with the aid of a sheet of paper and a pencil, his idea of what should be done.
"There need not be, there should not be, the least addition," he said. "What you want to do, Miss Heron, is, as Mr. Wordley says, restore: restore with all reverence. It is a superb piece of architecture of its kind and it must be touched with a gentle hand. If you are prepared to leave it all to me, I trust I may be able to make the present building worthy of its past. It will be a delightful task for me; but I must tell you frankly that it will cost a very large sum of money; how much I shall be able to inform you when I have got out my plans and gone into the estimate; but, at any rate, I can say emphatically that the place is worth the expenditure. Am I to have carte blanche?"
"Yes," said Ida; "I will leave it entirely in your hands."
This at least she could do with the money which her father had so mysteriously made: restore it, the house he had loved so well well, to its old dignity and grandeur.
The great architect, very much impressed not only by the Hall but its beautiful young mistress, left before Mr. Wordley, who wanted to talk over business with Ida. But he found her rather absent-minded and preoccupied and presently, in a pause, she said, with forced calmness:
"Is Sir Stephen Orme still at the Villa at Brae Wood, Mr. Wordley?"
He had been making some memoranda in his pocket-book and he looked up with a start and stared at her.