At first they were attracted by her beauty; in a few hours or days, as the case might be, they began to find the attraction lying somewhat deeper than the face; then they grew restless, unhappy, lost their appetites, got to lying awake of nights, and lastly went to pieces completely, and if they possessed sufficient courage, flung themselves perfectly wretched and overcome at the small feet of the slim, girlish figure which had become to them even that of the one woman in the world. And to do Leslie justice, she was not only always surprised, but distressed. She had said nothing, and what is more, looked nothing, to encourage them. She had been just herself, a frank yet modest English girl, with an Irish face, and that indescribable sweetness which draws men's hearts from their bosoms before they know what has happened to them.

She was seated at the piano in the sitting-room of the cottage which the fisherman who owned it had christened Sea View, and she was amusing herself and a particularly silent and morose parrot by singing some of the old songs and ballads which she had found in a rickety music-stand in the corner; and for all the parrot glanced at her disapprovingly with his glassy eye, she had a sufficiently sweet voice, and sang with more than the usual amount of feeling.

While she was in the middle of that famous but slightly monotonous composition, "Robin Grey," the door opened, and a tall, thin man entered.

This was Francis Lisle, her father. He was a man this side of fifty, but looked older in consequence, perhaps, of his hair, which was gray and scanty, a faded face, with a dreamy far away look in the faint blue eyes, and a somewhat bent form and dragging gait. He carried a portable easel in one hand, and held a canvas under his arm.

As he entered he looked round the room as if he had never seen it before, then set the easel up in a corner, placed the canvas on it upside down, and crossing his hands behind his back, stood with bent head gazing at it for some moments in silence. Then he said, in a voice which matched the dreamy face:

"Leslie, come here."

Leslie stopped short in the middle of the most heart-rending line of the cheerful ballad, and walked—no; glided? scarcely; it is difficult to describe how the girl got across the small room, so full of grace, so characteristic was her mode of progression, and putting both hands on his shoulders, leaned her cheek against his head.

"Back already, dear?" she said, and the tone fully indicated the position in which she stood toward her parent. "I thought you were going to make a long day of it."

"Yes, yes," he said, without taking his eyes from the sketch. "I did intend doing so. I started full of my subject and—er—inspired with hope, and I don't think I have altogether failed. It is difficult—very. The tone of that sky would fill a careless amateur with despair, but—but I am not careless. Whatever I may be I am not that. The secrets of art which she hides from the unthinking and—er—irreverent she confides to her true worshipers. Now, Leslie, look at that sky. Look at it carefully, critically, and tell me—do you not think I have caught that half tone, that delicious mingling of the chrome and the ultramarine? There is a wealth of form and color in that right hand corner, and I—yes, I think it is the best, by far the best and truest thing I have as yet done."

Leslie leaned forward, and softly, swiftly, placed the picture right side up.