Mechanically she rose and went over to the Venetian mirror, and looked at the reflection which beamed softly in the dim light.
He had called her beautiful, lovely! She shook her head and smiled with a sigh as she thought of Lady Lenore. There were beauty and loveliness indeed! How had it happened that he had passed her by, and chosen her, Stella?
But it was so, and wonder, and gratitude and love welled up in her heart and filled her eyes with those tears which show that the cup of human happiness is full to overflowing. The clock struck the hour, and with a sigh, as she thought of her uncle, she turned from the glass. She felt that she could not go to bed; it was far pleasanter to sit up in the stillness and silence and think—think! To take one little incident after another, and go over it slowly and enjoyingly. She wandered about her room in this frame of mind, filled with happiness one moment as she thought of the great good which the gods had given unto her, then overwhelmed by a wave of troubled anxiety as she remembered that her uncle, the old man whose goodness to her had won her love, was speeding on the journey toward his secret trouble and sorrow.
Wandering thus she suddenly bethought her of a picture that stood with its face to the wall, and swooping down on it, as one does on a suddenly remembered treasure, she took up Leycester Wyndward's portrait, and gazing long and eagerly at it, suddenly bent and kissed it. She knew now what the smile in those dark eyes meant; she knew now how the lovelight could flash from them.
"Uncle was right," she murmured with a smile that was half sad. "There is no woman who could resist those eyes if they said 'I love you.'"
She put the portrait down upon the cabinet, so that she could see it when she chose to look at it, and abstractedly began to set the room in order, putting a picture straight here and setting the books upon their shelves, stopping occasionally to glance at the handsome eyes watching her from the top of the cabinet. As often happens when the mind is set on one thing and the hands upon another, she met with an accident. In one corner of the room stood a three-cornered what-not of Japanese work, inclosed by doors inlaid with ivory and mother-of-pearl; in attempting to set a bronze straight upon the top of this piece of furniture while she looked at the portrait of her heart's lord and master, she let the bronze slip, and in the endeavor to save it from falling, overturned the what-not.
It fell with the usual brittle sounding crash which accompanies the overthrow of such bric-a-brac, and the doors being forced open, out poured a miscellaneous collection of valuable but useless articles.
With a little exclamation of self-reproach and dismay, Stella went down on her knees to collect the scattered curios. They were of all sorts; bits of old china from Japan, medals, and coins of ancient date, and some miniatures in carved frames.
Stella eyed each article as she picked it up with anxious criticism, but fortunately nothing appeared the worse for the downfall, and she was putting the last thing, a miniature, in its accustomed place, when the case flew open in her hand and a delicately painted portrait on ivory looked up at her. Scarcely glancing at it, she was about to replace it in the case, when an inscription on the back caught her eye, and she carried case and miniature to the light.
The portrait was that of a boy, a fair-haired boy, with a smiling mouth and laughing blue eyes. It was a pretty face, and Stella turned it over to read the inscription.