"Yes, I know," he remarked, with a nod. "That is well. She is a good soul. Warm-hearted, but eccentric. By the way, the house will not be so dull presently; for my son, Lord Heyton, and his newly-married wife are coming to stay."
As he made the announcement, he checked a sigh and turned away. Celia waited for a moment or two; the Marquess had sunk into a chair, his eyes fixed on the great dog, which had thrown itself at his feet. It seemed to Celia that his lordship had forgotten her.
"Good night, my lord," she said, softly.
He looked up with a start, rose, and opened the door for her, and, with a courtly inclination of the head, bade her good night.
Now a strange thing happened. As Celia was crossing the hall, she stopped and looked at the portrait before which the Marquess had been standing; and she remembered how she had been struck by a fancied resemblance to someone whom she could not trace. Her pause before the picture was scarcely more than momentary, but she was startled by the sound of footsteps, and, looking up with a half-frightened gaze, found the Marquess standing beside her. His face was almost stern, his dark eyes, so like those of the picture, were fixed on her, questioningly; and there was just a suspicion of anger in the keenness of his regard.
"You are interested in that picture?" he said, in a dry voice.
"I—I——Yes," said Celia, telling herself that she had no cause for fear, seeing that she had committed no crime.
"Why?" he demanded, curtly, and his tone was still dry and harsh.
Celia was silent for a moment; then she raised her eyes to his, calmly—for what was there to fear, why should he be angry with her for looking at the portrait?
"It is a very beautiful picture," she said.