At first sight, what could look more like a miracle? There was no question of coincidence. Here were two facts that, normally, could in no way be related to one another: a rabbit burrows a hole for himself upon the sandhills by the English Channel, and in the sixteenth century a brave Spanish soldier lays down his life, and is buried in the wilderness of South America. It will be readily understood that it took me time to realise what I could certainly not explain.

How came that fragment there? And why? I regarded the stained and yellow parchment that I held in my hand as I sat by the side of the fire, and felt even a trifle afraid of it. I had heard stories of mummies coming to life, of inanimate objects--such as jasper scarabæi, totems, and wooden, heathen gods--becoming active agencies for good or evil. Had this thing taken wings upon itself, and flown across half the world? Fate or luck--call it what you will--had guided me to find it. But why should a document so precious have sought a refuge in the rusted helmet of a soldier of fortune, who once, perhaps, had clinked his sword in the gay courts of Granada or the narrow streets of old Cadiz, who lay now amid the silence of the tropic jungle--a few blanched and silly bones?

I had no answer for these questions of my own, though I sat long into the night and racked my brains for a solution of the problem. It was, in consequence, an hour, as I should guess, before I could look the bare fact in the countenance, before I could acknowledge the situation as it was.

No matter how it came there, by means comprehensible or supernatural, there it was. And then, quite suddenly, I realised what it was. I had as good as found the Treasure.

[CHAPTER XVI--I FIND THE "BIG FISH"]

For a considerable time I had regarded this small piece of parchment in the light of a mystery, a species of conjuring trick, just as one regards the billiard-ball, the rabbit, or the eggs that a conjuror produces from the upturned sleeve of his shirt. But now I saw quite clearly that the thing had an intrinsic value, a significance of its own; it bore a certain definite message--a message that most nearly concerned myself.

Eagerly, with hands that trembled somewhat, I studied the map. It will be remembered that the portion which Amos possessed had been torn across the place where was marked the Temple of Cahazaxa. Upon the fragment that had come into my hands by so strange and mysterious a chance, I was able to trace the route that I myself had taken from the temple ruins to the Wood of the Red Fish. The ravine was shown, and that wonderful suspension-bridge that had so amazed me when I saw it. From the hills to the east--from the crestline of which I bad viewed the distant glory of the Andes--a track was marked, leading towards the south; whereas I, in hot haste at the time, had continued upon my way due westward.

Now, this track was shown to lead to a certain stream that came forth from the Wood of the Red Fish upon the south. And it was called the Brook of Scarlet Pebbles, an Indian name being thus translated in red ink in the handwriting of John Bannister.

The map had been drawn to no scale. Like many ancient and mediæval documents, it was entirely without proportion or perspective. For instance, the Wood itself--which was never more than fifteen miles across--appeared to be of area equal to that vast tract of country that lay between the great mountain to the north of the forest and the Temple of Cahazaxa--a journey that had taken us many weeks.

There was some sense in this; for in regard to the Wood of the Red Fish, where the Treasure itself was hidden, it was necessary to be precise, if the map were to be of any value. I saw that one must follow the Brook of Scarlet Pebbles, until it entered a pool, where Bannister had written the words: "Electric Eels." There, it appeared, the stream flowed underground, for its course was dotted, and these dots ended at a cross, bearing the words: "THE RED FISH IS HERE."