A Manual of Wood Carving - Charles Godfrey Leland; John J. Holtzapffel - Page №88
A Manual of Wood Carving
Charles Godfrey Leland; John J. Holtzapffel
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  • Gable ornaments, [151]
  • Garden-work, [143]
  • Gardens, window, [129]
  • Gates, carving, [143]
  • Gelatine as a preservative, [107]
  • Gelatine glue, [109]
  • German furniture, [124]
  • Gibbons, Grinling, his work, [75]
  • Gibson, Mr. J. S., his “Wood-Carver” quoted, [8]
  • Gilding, [141], [155].
  • See also under Finishing.
  • Glass, and glass-paper, for finishing, [64], [66]
  • Glue, making and use of, [105], [108];
  • acidulated and liquid, [106], [108], [109]
  • Gothic wood-carving, [40]
  • Gouge lines, [20];
  • work, [22]
  • Gouges, [3], [4], [10]
  • Grain, cutting with the, [44]
  • Greek, ancient, work, [47]
  • Grindstones, etc., [12]
  • Grooving, [2], [22]
  • Grotesque, the, v. the commonplace, [140]
  • Ground punches, [16], [17]
  • Grounds, cutting, [34]
  • Hammer beam, [154]
  • Handles of tools, [11];
  • for drawers, [145];
  • Swedish, [154]
  • Hand screws, [5], [7]
  • Hanging boxes, [63], [132]
  • Heads and legs, in ornament, [151]
  • Holdfasts, or clamps, [5], [44], [94]
  • Hollow gouge, the, [5]
  • Holtzapffel, Mr. John J., on the Use of the Saw in wood-carving, [83]
  • Hood moulding, [154]
  • Hooker, Sir Joseph, [107]
  • Horn, how to colour, [94];
  • how to soften, [95]
  • Horns, carving, [93], [128]
  • House, outside ornament of the, [139]
  • Hulme, works of, [101]
  • Imitation of old work, etc., [64]
  • Implements. See Tools, etc.
  • Impost, [154]
  • Incised work, [86]
  • Incitega, [150]
  • Indenting, or stamping, [2], [15]
  • Ink as a dye, [114]
  • Intaglio, or sunk carving, [86];
  • Rilevato cutting, [28]
  • Irish (Runic) patterns, [26];
  • tankard, old, [99]
  • Italian, early, work, [62], [86], [143]
  • Ivory and horn, dyes, etc., for, [95]
  • Ivorying, [113]
  • Key boxes, [133]
  • Knobs and bosses, [101]
  • Knuckle-bends, [10]
  • Kraft, Adam, his work, [55]
  • Layard, Sir A. H., his antiquities from Nineveh, [107]
  • Leather work and carving, [90], [91]
  • Leaves, cutting, [39], [51], [53], [64]
  • Lecterns, [147], [148]
  • Left hand, carving with the, [39], [46]
  • Leland, Mr. C. G., his “Drawing and Designing,” [72], [122];
  • design in high relief by, [81]
  • Lunettes and spaces, filling, [139]
  • Macaroni tool, the, [10], [42]
  • Mander’s stains for wood, [111]
  • Metal work, repoussé, [15], [17]
  • Mirrors, hand, [153]
  • Mitchell, C. F., his “Lessons in Carpentry,” [126]
  • Modelling, [39], [49], [55], [61], [79];
  • or rounding, [39]
  • Modillons, [153]
  • Monopodium, or centre-table, [150]
  • Mottoes, [140]
  • Moulding, hood, [154]
  • Mouldings and borders, [147], [150]
  • Moulds, carving for, [90], [92];
  • making, [115]
  • Mummies (boxes), [136]
  • Mural decoration, [140]
  • Nails, headed, as ornaments, [146]
  • Nineveh antiquities, the, [107]
  • Norway, ornament in, [154];
  • spot cutting there, [118]
  • Notches in leaves, cutting, [51]
  • Oak, treatment of, [111], [112];
  • leaves, [43], [54]
  • Objects for wood-carvers, [121]
  • Oiling in finishing, [66], [110]
  • Oilstones, etc., [12]
  • Orbs, carving, [150]
  • Ornament, pre-historic, [118]
  • Ornamentation, art of, [121].
  • See also Decoration.
  • Ornaments, applied, [146]
  • Outlines, [154]
  • Outlining, [34]
  • Pacific islands, spot cutting there, [118]
  • Paint, etc., in finishing, [68], [91], [113]
  • Painting, finger, of the old Venetians, [113]
  • Panels for carving, [123], [129], [132]
  • Paper squeezes, [115]
  • Papier-maché work, etc., and carving, [90], [92], [116]
  • Parting tool, the, [10], [13].
  • See also V tool.
  • Patterns for carvers, [74], [122]
  • Pattern-wheel, or tracer, the, [15]
  • Pegs and hooks, [141]
  • Pen and pencil boxes, [134]
  • Perfume chests, [154]
  • Pew-ends, [148]
  • Pick, the, [3]
  • Pilasters, [147]
  • Pilgrim bottles, [134], [135]
  • Plaster casts, [116]
  • Platters, carved, [137], [140]
  • Polished ornaments, [102]
  • Polishing wood-carvings, [66], [111].
  • See also Finishing.
  • Poppy-heads, [150], [151]
  • Porte-papier, [148]
  • Portfolio-covers, [129]
  • Powder-flasks, [134]
  • Practice, [40], [48]
  • Racks, carved, [141]
  • Rasps for finishing, [66]
  • Real, the, not to be sought too strictly, [54]
  • Relics, ancient, preservation of, [107]
  • Relief, high, design by C. G. Leland, [81];
  • higher, [53];
  • low, [89];
  • progress towards, [39]
  • Reliquaries (boxes), [136]
  • Repairing wood-carvings, [105]
  • Repoussé work, [15], [17]
  • Ribbon carving, [34], [48], [57].
  • See also Flat carving.
  • Ring boxes, [148], [152]
  • Roman Sarcophagus (box), [136]
  • Roman work, early, [47]
  • Rooms, decoration of, [130], [139].
  • See also Vestibule, etc.
  • Round, carving in the, or statuary, [79]
  • Rounding. See Modelling.
  • Router, the, [9]
  • Rowe, Eleanor, quoted, [42], [112]
  • Rule, “high art,” and wood-carving, [65], [76]
  • Runic ornaments, [26], [137]