and, having heard Mr. Walker say something about the colouring matter in quartz, resolved on a great invention which should immortalise my name. My teacher used to make his own ink by pounding nut-galls in an iron mortar. I got a piece of coarse rock-crystal, pounded it up in the same mortar, pouring water on it. Sure enough the result was a pale ink, which the two elder pupils, who had maliciously aided and encouraged me, declared was of a very superior quality. I never shall forget the pride I felt. I had, first of all scientists, extracted the colouring matter from quartz! The recipe was at once written out, with a certificate at the end, signed by my two witnesses, that they had witnessed the process, and that this was written with the ink itself! This I gave to Mr. Walker, and could not understand why he laughed so heartily at it. It was not till several days after that he explained to me that the ink was the result of the dregs of the nut-galls which remained in the mortar.
We had not many books, but what we had I read and reread with great assiduity. Among them were Cooper’s novels, Campbell’s poems, those of Byron, and above all, Washington Irving’s “Sketch Book,” which had great influence on me, inspiring that intense love for old English literature and its associations which has ever since been a part of my very soul. Irving was indeed a wonderful, though not a startling genius; but he had sympathised himself into such appreciation of the golden memories and sweet melodies of the olden time, be it American or English, as no writer now possesses. In my eighth year I loved deeply his mottoes, such as that from Syr Grey Steel:—
“He that supper for is dight,
He lies full cold I trow this night;
Yestreen to chamber I him led,
This nighte Grey Steel has made his bed.”
Lang—not Andrew—has informed us that no copy of the first black-letter edition of Sir Grey Steel is known to exist. In after years I found in the back binding of an old
folio two pieces of it, each about four inches square. It has been an odd fatality of mine that whenever a poet existed in black-letter, I was always sure to peruse him first in that type, which I always from childhood preferred to any other. To this day I often dream of being in a book-shop, turning over endless piles of marvellously quaint parchment bound books in letres blake, and what is singular, they are generally works quite unknown to the world—first discoveries—unique! And then—oh! then—how bitter is the waking!
There was in Mr. Walker’s school library a book, one well known as Mrs. Trimmer’s “Natural History.” This I read, as usual, thoroughly and often, and wrote my name at the end, ending with a long snaky flourish. Years passed by, and I was at the University, when one evening, dropping in at an auction, I bought for six cents, or threepence, “a blind bundle” of six books tied up with a cord. It was a bargain, for I found in it in good condition the first American editions of De Quincey’s “Opium-Eater,” “The Rejected Addresses,” and the Poems of Coleridge. But what startled me was a familiar-looking copy of Mrs. Trimmer’s “Natural History,” in which at the end was my boyish signature.
“And still wider.” In 1887 I passed some weeks at a hotel in Venice. A number of Italian naval officers dined at our table-d’hôte every evening. One of them showed us an intaglio which he had bought. It represented a hunter on an elephant firing at a tiger. The owner wished to know something about it. Baron von Rosenfeld, a chamberlain of the Emperor of Austria, remarked at once that it was as old as the days of flint-locks, because smoke was rising from the lock of the gun. I felt that I knew more about it, but could not at once recall what I knew, and said that I would explain it the next day. And going into the past, I remembered that this very scene was the frontispiece to Mrs. Trimmer’s “Natural History.” I think that some gem engraver, possibly in India, had copied it to order. I can even now recall many other things in the book, but attribute my retention of
so much which I have read not to a good memory, such as the mathematician has, which grasps directly, but simply to frequent reading and mental reviewing or revising. Where there has been none of this, I forgot everything in a short time.
My father took in those years Blackwood’s and the New Monthly Magazine, and as I read every line of them, they were to me a vast source of knowledge. I remember an epigram by “Martial in London” in the latter:—
“In Craven Street, Strand, four attorneys find place,
And four dark coal-barges are moored at the base;
Fly, Honesty, fly—seek some safer retreat,
For there’s craft on the river, and craft in the street.”