As I write these lines in Florence, I have within half-an-hour called for the first time on an old witch or strega, whom I found surrounded by herbs and bottles, and a magnificent cat, who fixed his eyes on me all the time, as if he recognised a friend. I found, however, that she only knew the common vulgar sorceries, and was unable to give me any of the higher scongiurazioni or conjurations; and as I left, the old sorceress said respectfully and admiringly, “You come to me to learn, O Maestro, but it is fitter that I take lessons from you!” Then she asked me for “the wizard blessing,” which I gave her in Romany. So my first and last experiences in the deep and dark art come together!
I became acquainted in Florence with Hiram Powers, which reminds me that I once in Rome dined vis-à-vis to Gibson and several other artists, with whom I became intimate as young men readily do. I contrived to study architecture, and made myself very much at home in a few studios. The magnificent Fiorara, or flower-girl, whom so many will remember for many years, was then in the full bloom of her beauty. She and others gave flowers to any strangers whom they met, not expecting money down, but when a man departed the flower-girls were always on hand to solicit a gratuity. Twenty years later this same Fiorara, still a very handsome woman, remembered me, and gave my wife a handsome bouquet on leaving.
I studied Provençal and Italian poetry in illuminated MSS. in the Ambrosian or Laurentian Library, and took my coffee at Doney’s, and saw more of Florence in a few weeks’ time than I have ever done since in any one of my residences here, though some of them have been for six and nine months. As is quite natural. Who that lives in London ever goes to
see the Tower? All things in Europe were so new and fresh and beautiful and wonderful to me then, and I had been yearning for them so earnestly for so many years, and this golden freedom followed so closely on the deadly ennui of Princeton, that I could never see enough.
If any of my readers want to know something of sorcery, I can tell them that among its humblest professors it is perfectly understood that pleasure or enjoyment is one of its deepest mysteries or principles, as an integral part of fascination. So I can feel an enchantment, sometimes almost incredible, in gazing on a Gothic ruin in sunshine, or a beautiful face, a picture by Carpaccio, Norse interlaces, lovable old books, my amethyst amulet, or a garden. For if you could sway life and death, and own millions, or walk invisible, you could do no more than enjoy; therefore you had better learn to enjoy much without such power. Thus endeth the first lesson!
I arrived in Venice. There had been a time in America when, if I could have truthfully declared that I had ever been in a gondola, I should have felt as if I held a diploma of nobility in the Grand Order of Cosmopolites. Having been conveyed in one to my hotel on the Grand Canal, I felt that I at last held it! Now I had really mastered the three great cities of Italy, which was the first and greatest part of all travel in all the world of culture and of art. Fate might hurl me back to America, or even into New Jersey, but I had “swum in a gondola.”
I very soon made the acquaintance of two brothers from New York named Seymour, somewhat older than myself, and men of reading and culture. With them I “sight-saw” the city. I had read Venice up rather closely at Princeton, and had formed a great desire to go on the Bridge of Sighs. For some reason this was then very strictly forbidden. Our Consul, who was an enterprising young man, told me that he had been for months trying to effect it in vain. It at once became apparent to me as a piece of manifest destiny that I must do it.
One day I had with me a clever fellow, a commissionaire or guide, and consulted him. He said, “I think it may be done. You look like an Austrian, and may be taken for an officer. Walk boldly into the chief’s office, and ask for the keys of the bridge; only show a little cheek. You may get them. Give the chief’s man two francs when you come out. At the worst, he can only refuse to give them.”
It was indeed a very cheeky undertaking, but I ventured on it with the calmness of innocence. I went into the office, and said, “The keys to the bridge, if you please!” as if I were in an official hurry on State business. The official stared, and said—
“Do I understand that you formally demand the keys?”