They were from four to ten years of age, and at the word every one pulled out the stump of a blackened pipe,—such depraved-looking fragments I never saw,—and holding them all up, and crowding closely around, like hungry poultry with uplifted bills, they began to clamor for tūvalo, or tobacco. They were connoisseurs, too, and the elder boy, as he secured his share, smelled it with intense satisfaction, and
said, “That’s rye’s tūvalo;” that is, “gentleman’s tobacco,” or best quality.
One evening, as the shadows were darkening the day, I met a little gypsy boy, dragging along, with incredible labor, a sack full of wood, which one needed not go far afield to surmise was neither purchased nor begged. The alarmed and guilty or despairing look which he cast at me was very touching. Perhaps he thought I was the gentleman upon whose property he had “found” the wood; or else a magistrate. How he stared when I spoke to him in Romany, and offered to help him carry it! As we bore it along I suggested that we had better be careful and avoid the police, which remark established perfect confidence between us. But as we came to the tent, what was the amazement of the boy’s mother to see him returning with a gentleman helping him to carry his load! And to hear me say in Romany, and in a cheerful tone, “Mother, here is some wood we’ve been stealing for you.”
Gypsies have strong nerves and much cheek, but this was beyond her endowment; she was appalled at the unearthly strangeness of the whole proceeding, and when she spoke there was a skeleton rattle in her words and a quaver of startled ghastliness in her laugh. She had been alarmed for her boy, and when I appeared she thought I was a swell bringing him in under arrest; but when I announced myself in Romany as an accomplice, emotion stifled thought. And I lingered not, and spoke no more, but walked away into the woods and the darkness. However, the legend went forth on the roads, even unto Kingston, and was told among the rollicking Romanys of ’Appy Ampton; for there are always a merry, loafing lot
of them about that festive spot, looking out for excursionists through the months when the gorse blooms, and kissing is in season—which is always. And he who seeks them on Sunday may find them camped in Green Lane.
When I wished for a long ramble on the hedge-lined roads—the sweet roads of old England—and by the green fields, I was wont to take a day’s walk to Netley Abbey. Then I could pause, as I went, before many a quiet, sheltered spot, adorned with arbors and green alleys, and protected by trees and hawthorn hedges, and again surrender my soul, while walking, to tender and vague reveries, in which all definite thoughts swim overpowered, yet happy, in a sea of voluptuous emotions inspired by clouds lost in the blue sea of heaven and valleys visioned away into the purple sky. What opium is to one, what hasheesh may be to another, what kheyf or mere repose concentrated into actuality is to the Arab, that is Nature to him who has followed her for long years through poets and mystics and in works of art, until at last he pierces through dreams and pictures to reality.
The ruins of Netley Abbey, nine or ten miles from Oatlands Park, are picturesque and lonely, and well fitted for the dream-artist in shadows among sunshine. The priory was called Newstead or De Novo Loco in Norman times, when it was founded by Ruald de Calva, in the day of Richard Cœur de Lion. The ruins rise gray, white, and undressed with ivy, that they may contrast the more vividly with the deep emerald of the meadows around. “The surrounding scenery is composed of rivers and rivulets,”—for seven streams run by it, according to Aubrey,—“of
foot-bridge and fords, plashy pools and fringed, tangled hollows, trees in groups or alone, and cattle dotted over the pastures:” an English Cuyp from many points of view, beautiful and English-home-like from all. Very near it is the quaint, out-of-the-way, darling little old church of Pirford, up a hill, nestling among trees, a half-Norman, decorated beauty, out of the age, but altogether in the heart. As I came near, of a summer afternoon, the waving of leaves and the buzzing of bees without, and the hum of the voices of children at school within the adjoining building, the cool shade and the beautiful view of the ruined Abbey beyond, made an impression which I can never forget. Among such scenes one learns why the English love so heartily their rural life, and why every object peculiar to it has brought forth a picture or a poem. I can imagine how many a man, who has never known what poetry was at home, has wept with yearning inexpressible, when sitting among burning sands and under the palms of the East, for such scenes as these.
But Netley Abbey is close by the river Wey, and the sight of that river and the thought of the story of the monks of the olden time who dwelt in the Abbey drive away sentiment as suddenly as a north wind scatters sea-fogs. For the legend is a merry one, and the reader may have heard it; but if he has not I will give it in one of the merriest ballads ever written. By whom I know not,—doubtless many know. I sing, while walking, songs of olden time.