March 30th, 1830
This morning I awoke very early, and could not rest till I had seen St. Peter’s; so set off in a hackney coach, drove by the Piazza della Colonna and the Castle of St. Angelo (which burst upon me unexpectedly as I turned on the bridge), and got out as soon as St. Peter’s was in sight. My first feeling was disappointment, but as I advanced towards the obelisk, with the fountains on each side, and found myself in that ocean of space with all the grand objects around, delight and admiration succeeded. As I walked along the piazza and then entered the church, I felt that sort of breathless bewilderment which was produced in some degree by the first sight of the Alps. Much as I expected I was not disappointed. St. Peter’s sets criticism at defiance; nor can I conceive how anybody can do anything but admire and wonder there, till time and familiarity with its glories shall have subjected the imagination to the judgment. I then came home and went with Morier to take a cursory view of the city and blunt the edge of curiosity. In about five hours I galloped over the Forum, Coliseum, Pantheon, St. John Lateran, Santa Maria Maggiore, the Vatican, and several arches and obelisks. I cannot tell which produced the greatest impression, St. Peter’s or the Coliseum; but if I might only have seen one it should be the Coliseum, for there can be nothing of the same kind besides.[14]
[14] Of the same kind there is, at Pompeii, but not near so fine; more perfect as a specimen, far less beautiful as an object. And the amphitheatre at Verona, but that is very inferior.
They only who have seen Rome can have an idea of the grandeur of it and of the wonders it contains, the treasures of art and the records of antiquity. Of course I had the same general idea of there being much to see that others have, but was far from being prepared for the reality, which exceeds my most sanguine expectations. The Vatican alone would require years to be examined as it deserves. It is remarkable, however, how the pleasure of the imagination arising from antiquities depends upon their accidents. The busts, statues, columns, tombs, and fragments of all sorts are heaped together in such profusion at the Vatican that the eyes ache at them, the senses are bewildered, and we regard them (with some exceptions) almost exclusively as objects of art, and do not feel the interest which, separately, they might inspire by their connection with remote ages, whereas there is scarcely one of those, if it were now to be discovered, that would not excite the greatest curiosity, and be, in the midst of the ruins to which it belongs, an object of far greater interest than a finer production which had taken its splendid but frigid position in this collection. We went to the Sistine Chapel, and saw Michael Angelo’s frescoes, which Sir Joshua Reynolds says are the finest paintings in the world, and which the unlearned call great rude daubs. I do not pretend to the capacity of appreciating their merits, but was very much struck with the ease, and SIGHTS OF ROME grace, and majesty of some of the figures; it was, however, too dark to see the ‘Last Judgment.’ I ended by St. Peter’s again, where there were many devout Catholics praying round the illuminated tomb of the Apostle, and many foolish English poking into it to stare and ask questions, the answers to which they did not understand. I have but one fault to find, and that is with the Glory, a miserable transparency in the great window opposite the entrance, throwing a yellow light upon the Dove, which has the most paltry effect, and is utterly unworthy of the grandeur of such a place.
April 1st, 1830
Yesterday morning at nine o’clock went with Edward Cheney and George Hamilton to Frascati to dine with Henry Fox, who has got a villa there. As soon as we arrived Cheney and I walked over to Grotta Ferrata to see Domenichino’s frescoes. The convent is about a mile and a half off, large, formerly rich, full of monks, and a fortress; also the scene of various miracles performed by St. Nilo, the founder and patron saint; now tenanted by a few beggarly friars, and part of it let to Prince Gagarin, the Russian Minister, as a villa. Domenichino sought and found an asylum there in consequence of some crime he had committed or debt he had incurred; he stayed there two years, and in return for the hospitality of the monks adorned their chapel with (some think) the finest frescoes in the world. They are splendid pictures, and all painted by his own hand.
At dinner we had Hortense, the ex-Queen of Holland, her son, Prince Louis Napoleon, her lady in waiting, Lady Sandwich and her daughter, Cheney, Hamilton, Lord Lovaine, and Fordwich. We dined in the garden, but there was too much wind for a fête champêtre. Hortense is not near so ugly as I expected, very unaffected and gay, and gives herself no royal airs. The only difference between her and anybody else was that, after dinner, when she rose from table, her own servant presented her with a finger-glass and water, which nobody else had. She is called Madame.
We returned by moonlight, and though I did not go into the Coliseum, because the moon was not full enough, it looked fine, and the light shining through the lower arches had a beautiful effect. This morning went a long round of sights—Caesar’s Palace, of which there are no remains but fragments of walls; it really does ‘grovel on earth in indistinct decay.’ Caracalla’s Baths, which are stupendous; the custode showed us a room in which were heaped up bits of marble of all sorts and sizes, fragments of columns and friezes; and he told us that they never excavated without finding something. And Titus’s Baths, less magnificent but equally curious, because they contain the remains of the Golden House of Nero, on which Titus built his Thermæ. The ruins are, in fact, part of the Golden House, for the Thermæ have been altogether destroyed. Then to the Capitol, Forum, Temple of Vesta, Fortuna Virilis, and other places with Morier. The Capitol contains an interesting collection of busts and statues of all the Emperors, most famous characters of ancient Rome and Greece together, with various magnificent objects of art. By dint of repeatedly seeing their effigies, one becomes acquainted with the faces of these worthies. These tastes grow upon one strangely at Rome, and there is a sort of elevation arising from this silent intercourse with the ‘great of old.’
Proud names, who once the reins of empire held,
In arms who triumphed, or in arts excell’d,
Chiefs graced with scars, and prodigal of blood,
Stern patriots who for sacred freedom stood,
Just men by whom impartial laws were given,
And saints who taught, and led the way to heaven.
Tickell.
There has been a wrangle about the Borghese Gardens which the Prince ordered to be shut up; the Government remonstrated, and a correspondence ensued which ended in their being reopened to the public, whom he has no right to exclude. Paul V. gave the Borghese Gardens to his nephew (Aldobrandini) with a condition that they should always be open to the public, which they have been from then till now. They were a part of the Cenci property, which was immense, and confiscated by an enormous piece of injustice.