How to Study Architecture

by Charles H. Caffin

This medley of motives has a certain decorative value, but lacks the supreme beauty of architectural relationship between the parts and the whole. That is to say, the use of the various parts has not been regulated by constructive logic, necessity, or fitness; but represents a purely whimsical and arbitrary multiplication of motive. The student may assure himself of this by comparing the Persian column with the Doric Order. In the latter he may observe a superior quality of fitness in the relationship of the parts and of the sense of an inevitable logical growth in the composition as a whole.

The fantastic elaboration of the columns at Persepolis, as well as the general conglomeration of motives in Persian architecture, points to the fact that the latter was the work of foreign artists, imported from various parts of the great Persian Empire. It represents the character of the empire—a variety in unity; a unity, however, not of natural growth, but one that, having no artistic traditions of its own, puts the world under tribute to supply motives for the exploitation of its magnificence.

CHAPTER VII
MINOAN OR ÆGEAN CIVILISATION

So far our study of ancient civilisation and architecture has been fairly consecutive. We have now to break the continuity of the story and take a leap back into a remote past and explore the origins of a civilisation which was a forerunner of that of Greece. This civilisation had been called “Mycenæan” because its existence was first brought to modern knowledge by Schliemann’s discoveries in Mycenæ. But subsequent exploration has proved that the civilisation was far spread and that Mycenæ was not even the centre of it.

One of the most astonishing results of recent exploration is the knowledge of a civilisation that developed without break from the polished stone age and reached its highest point contemporaneously with the New Empire in Egypt; ending, that is to say, about 1000 B.C. Not the least interesting feature of the discovery is that it throws a new light on the civilisation of prehistoric Greece.

The classical writers of Greece pointed to Mycenæ and Tiryns in Argolis as being the principal evidence of a prehistoric civilisation, which was assumed to belong to the Homeric period or even farther back to a rude heroic beginning of Hellenic civilisation. This opinion continued to be held by scholars until A.D. 1876. In this year, however, Dr. Schliemann, opening up the graves which are just inside the Lion Gateway of the citadel at Mycenæ, came upon a quantity of objects which proved the high state of civilisation to which the prehistoric inhabitants of the city had attained. Furthermore, they corresponded in character to the vases and gold, silver, and bronze objects which, three years earlier, he had dug from the ruins of the “Burnt City” (Troy) at Hissarlik in the Troad. These objects from the peninsula of Peloponnesus and the mainland of Asia Minor were not only similar in character but also of a fabric and decoration which differed from those of any known art. But a relation between the objects of art described by Homer and these “Mycenæan” treasures was generally allowed.

In 1884-1885 Schliemann and Dörpfeld, exploring the ruins of Tiryns, came upon a building which offers the most complete example in Greece of a palace of the “Mycenæan” age, belonging to a period probably between 1400 and 1200 B.C. During the subsequent years of the nineteenth century, when exploration was extended to other parts of the Peloponnesus and Northern parts of Greece, dome or beehive tombs, such as had been found at Mycenæ, were discovered in Attica, Thessaly, and elsewhere. By degrees, exploration was carried beyond the mainland of Greece to the Ionian Islands and the islands of the Ægean, particularly to Cyprus and Crete and the mainland of Asia Minor. This resulted in further discoveries of objects, related in a common family, distinct from that of any other art division. Meanwhile, objects of similar character were met with in Egypt, Italy, Sicily, Sardinia, and Spain.

Finally, the culmination of all this mass of corroborative evidence was reached by the explorations of Dr. A. J. Evans, at Cnossus in Crete, which have been followed up by explorations in Phæstus, and other Cretan sites. The net result is to establish the knowledge that Crete was the centre of a civilisation which had dealings with Egypt and Mesopotamia and extended to the sea-coast of Asia Minor and Phœnicia, the other islands of the Ægean Archipelago, the Ionian Islands, and the mainland of Greece and spread its offshoots along the west shores of the Adriatic, into Sardinia and Spain and took deep root in Sicily. To the far-extending ramifications of this civilisation has been given the comprehensive name of Minoan or Ægean.

In a most remarkable way the discoveries in Crete have corroborated the Greek legends of the Cretan King Minos. It is conjectured that a Minos may have been the founder of a dynasty and that the name passed into a title of all the rulers, corresponding to the title, Pharaoh, in Egypt. Scholars, therefore, have given the name Minoan to the civilisation of Crete; dividing it into Early, Middle, and Late Minoan.

In the Early Minoan Period, represented in the contents of early tombs and dwellings and such objects as stone vases and seal-stones, there is evidence that the Cretans had already reached considerable cultivation and had opened up communications with the Nile Valley. The date of this period is conjectured to have centred around 2500 B.C., and to have corresponded, roughly speaking, with the earlier of the Egyptian dynasties. Most remarkable of Dr. Evans’s discoveries was the finding in 1900 of whole archives of clay tablets in the palace of Cnossus, which prove that the Cretans had a highly developed system of hieroglyphics and lineal script 2000 years before the time when the Phœnicians introduced writing into Greece. Incidentally, this knowledge corroborates the statement of the historian Diodorus, that the Phœnicians did not invent letters, but only altered their forms.