The Story of Dutch Painting

by Charles H. Caffin

INDEX

[A], [B], [C], [D], [E], [F], [G], [H], [I], [J], [K], [L], [M], [N], [O], [P], [R], [S], [T], [U], [V], [W], [Y].

A
Abraham Receiving the Angels [Bol], [154]
Actor’s instinct in art, [75]
Adoration of the Shepherds [Rembrandt], [103], [159]
Aertz, Pieter, [19];
studied at Amsterdam, [43]
Albert, Archduke, [45]
Altman, Mr. B., owner of The Sleeping Girl [Vermeer], [136]
Alva, Duke of, [22], [23], [46]
Amsterdam, school of painting, [38], [43];
artists born there:
Aertz, [107];
Eeckhout, [158];
De Keyser, [165];
Koninck, [172];
Adriaen van de Velde, [184];
school of:
Scovel, [16];
Rembrandt, [73];
Maes, [115];
Metsu, [117];
Fabritius, [157];
Eeckhout, [158];
De Gelder, [160];
De Keyser, [165];
Koninck, [170];
Hobbema, [190];
residence of:
Rembrandt, [76];
Aertz, [107];
Van Ostade, [109];
Lairesse, [125];
De Keyser, [165];
Seghers, [170];
Koninck, [170];
Van der Neer, [176];
Potter, [179];
Van de Velde, Willem, Elder and Younger, [186];
Van de Velde, Adriaen, [184];
Berchem, [184];
Hobbema, [190];
Ruisdael, Jacob, [194]
Angel and the Shepherds [Flinck], [152]
Antwerp, glory of, [7];
“Image-Breaking” at, [22];
school of painting, [22];
birthplace of Hals, [50]
Antwerp Museum, Day of Judgment [Van Orley], [15]
Art:
the need of the people, [4];
French at time of Revolution, [5];
imitation death of national art, [6];
decline of Dutch in eighteenth century, [6];
affected by imperialism, influenced by Church, [11];
by Renaissance, [12];
condition at abdication of Charles V, [14];
realism of Dutch, [27];
moral and scientific character of, [28];
commencement of great period of, [29];
still-life, [31];
portraiture, [49];
beauty of inanimate things, [59];
democratic ideal of Dutch, [72];
Rembrandt’s compared to Greek, [72];
actor’s instinct shown by painters, [75];
abstract in, [94];
decorative, [94];
Barbizon, [171]
Art-History Museum, Vienna. See Vienna
Artist in his Studio [Vermeer], [140]
Asking a Blessing [Maes], [114]
Asselyn, Jan, [44];
Enraged Swan, The, [44]
Avenue of Middelharnis [Hobbema], [191]
B
Bakhuysen, Ludolf, [44]
Balckeneijnde, Adriana, wife of Paul Potter, [179]
Bank of a Canal [Van Goyen], [188]
Banquet of the Civic Guard [Van der Helst], [164]
Banquet of the Officers of the Archers of St. Andrew [Hals], [66]
Banquet of the Officers of the Archers of St. George [Hals], [64]
Banquet of the Officers of the Archers of St. George [Hals], [65]
Barbizon artists, [171]
Bartholdi’s Statue of Liberty, [87]
Beach, The [Jacob van Ruisdael], [198]
Bear Hunt, The [Potter], [180]
Bega, Cornelis, [110]
“Beggars, The,” [21]
“Beggars of the Sea,” [23]
Berchem, Nicolaes, [30], [39], [43], [174], [178], [184], [195]
Berlaymont, [21]
Berlin:
pictures in gallery:
St. Jerome in a Cave, Rembrandt, [76];
Portrait of Himself, Rembrandt, [78];
Portrait of Hendrickje Stoffels, Rembrandt, [89];
Old Woman Peeling Apples, Maes, [115];
Portrait of Old Woman, Metsu, [118];
Family Geelvink, Metsu, [120];
The Mother, De Hooch, [121];
The Concert, Terborch, [130];
Diana with her Nymphs, Vermeer, [135];
Lady with a Pearl Necklace, Vermeer, [138];
The Christening Party, Steen, [146];
Portrait of a Young Woman, Flinck, [153];
A Man Praying, Fabritius, [158];
Raising of Jairus’s Daughter, Presentation of Christ in the Temple, Mercury and Argus, Eeckhout, [159];
Old Lady and her Daughters, Old Man and his Sons, De Keyser, [166];
Landscape and Cattle, Koninck, [173];
Boar Hunt, Potter, [180];
View of Arnheim, View of Nimwegen, Van Goyen, [188];
View of Haarlem from the Dunes, Jacob van Ruisdael, [197]
Biblical pictures, [74], [103-105], [150];
by Steen, [148];
Flinck, [151];
Fabritius, [156];
Bol, [163];
Eeckhout, [158];
De Gelder, [160];
Van de Velde, [183]
Big Wood, The [Jacob van Ruisdael], [199]
Blacksmith, The [Metsu], [117]
Boar Hunt, The [Potter], [180]
Bode, W., quoted, [54], [114], [117], [134], [176-195]
Bol, Ferdinand, [30];
school, [43];
appreciation, [153];
Jacob Presented to Pharaoh, Rest of the Holy Family, Abraham Receiving the Angels, Salome Dancing before Herod, [154];
Portrait of a Girl, Portraits in the Pinakothek, [155]
Boston Museum, pictures in:
An Interior, De Hooch, [122]
Both, Johannes, [30]
Boucher, [5]
Bray, Jan de, [19]
Bray, Salomon de, [39], [167]
Brederode, feast at, [21]
Bredius, Dr., [136];
estimate of Steen, [142]
Brueghel, Pieter the Elder, [107]
Brunswick Gallery, pictures in:
The Coquette, Vermeer, [140];
Portrait, Eeckhout, [160];
Oak Wood, Jacob van Ruisdael, [199]
Brussels, scene of abdication of Charles V, [7];
ancient grandeur of, [7];
treaty of 1577 signed at, [23]
Budapest, Fine Arts Museum, pictures in:
Portrait of a Man, Maes, [116];
Portrait of a Lady, Vermeer, [141];
Esther and Mordecai, De Gelder, [161];
Portrait of a Woman, De Keyser, [166];
Portrait of a Young Lady, Moreelse, [168];
Landscape, Cuyp, [183]
Burial, The [Rembrandt], [103]
C
Cassel Gallery, picture in: Twelfth Night, Steen, [146]
Castle Bentheim [Jacob van Ruisdael], [195]
Cattle and Bathers [Potter], [186]
Cavalier in a Shop [Van Mieris], [124]
Charles V, abdication, [3-8];
birth and education, [7];
rule in the Netherlands, [7]
Chiaroscuro, Rembrandt’s, [79]
Christ with the Doctors [Eeckhout], [159]
Christening Party, The [Steen], [146]
Church, influence of, on art, [11];
attempt to fasten Catholic on Holland, [20];
schism in Protestant, [37]
Codde, Pieter, [126]
Concert, The [Terborch], [136]
Cook, The [Vermeer], [137]
Coquette, The [Vermeer], [139]
Count of Orange, William, [8]
Cradle, The [Maes], [115]
Craftsmanship, Dutch love of, [32]
Cuyp, Aelbert, [30], [178];
appreciation, [182]
Czernin Gallery, Vienna, pictures in:
The Artist in his Studio, Vermeer, [140];
The Company of Captain Cloeck, De Keyser, [166]
D
David Handing the Letter to Uriah [Flinck], [151]
Day of Judgment [Van Orley], [15]
Decapitation of St. John the Baptist [Fabritius], [157]
Delft, School of, [38], [41];
born in: Vermeer, [132];
studied at: Vermeer, [132];
residence in: Vermeer, [132];
Steen, [144];
Fabritius, [156]
Descent from the Cross [Rembrandt], [103]
Diana and her Nymphs [Vermeer], [135]
Diana at her Toilet [Vermeer], [134]
Disciples at Emmaus [Steen], [148]
Doctor Visiting a Young Woman [Steen], [147]
Doctor’s Visit, The [Steen], [147]
Dordrecht, School of, [38], [43];
De Gelder, [160];
Cuyp, [182];
residence of Cuyp, Hoogstraten, [43];
of De Gelder, Potter, [179]
Dort, assembly of Estates, [23]
Dou, Gerard, [30];
school, [40];
life, [111];
appreciation, [111];
The Young Mother, [103];
Old Woman Saying Grace, [103];
The Dropsical Woman, [112];
Lady at her Toilet, [112];
Old Woman who has Lost her Thread, [112];
Young Man and Girl in a Cellar, [113];
Night School, [113]
Dresden Gallery:
Old Woman who has Lost her Thread, Dou, [112];
Young Man and Girl in a Cellar, Still-life, Portrait of Himself, Dou, [113];
Man and Woman Selling Poultry, Lovers at Breakfast, Metsu, [118];
A Lady at her Clavichord, Netscher, [125];
Officer Writing a Letter, Lady Washing her Hands, Terborch, [130];
The Proposal, Vermeer, [134];
The Marriage at Cana, The Expulsion of Hagar, Steen, [148];
David Handing the Letter to Uriah, Flinck, [151];
Jacob Presented to Pharaoh, Bol, [153];
Rest of the Holy Family, Bol, [154];
Presentation of Christ in the Temple, An Important Document, Portrait of a Halberdier, DeGelder, [160];
Dutch Landscape, Koninck, [173];
Castle Bentheim, Jacob van Ruisdael, [195];
Village in the Wood, Jacob van Ruisdael, [196];
Jewish Cemetery, Jacob van Ruisdael, [200]
Dropsical Woman, The [Dou], [112]
Dunes, Valley of the Rhine near Arnheim [Koninck], [173]
Dürer, Albrecht, [15]
Dusart, Cornelis, [110]
Dutch, pioneers of modern era, [3];
independence of, declared, [24];
defeated Spain by sea, [26];
love of genre, [30], [31];
advance in commerce, science, agriculture, and the crafts, [36];
political and religious dissensions, [37];
art one of portraiture, [49];
character of genre, [107-109];
change of conditions of society, [124];
society pictures, [126];
landscape, [170];
with cattle, [177];
occasional tediousness of landscapes, [192]
Dutch Courtyard [De Hooch], [122]
Dutch Housewife [Maes], [115]
Duyster, Willem Cornelisz, [121], [126]
E
Eeckhout, Gerbrandt van den, [30];
school, [43], [151];
life, [174];
appreciation, [175];
The Woman Taken in Adultery, [158];
Christ with the Doctors, Raising of Jairus’s Daughter, Presentation of Christ in the Temple, Mercury and Argus, [159];
The Wine Contract, [160]
Egg Dance, The [Aertz], [107]
Egmont, Count, [22], [46]
Egmont, Maria van, [144]
Elevation of the Cross [Rembrandt], [103], [104]
Elias, Nicolaes, [165]
Elizabeth of England assists Dutch, [25]
Elkins, Mrs. William L., owner of Wooded Road, Hobbema, [191]
Elsheimer, German painter who influenced Rembrandt, [74]
Enraged Swan, The [Jan Asselyn], [44]
Esther and Mordecai [De Gelder], [161]
Etchings of Rembrandt, 74:
Old Woman’s Head;
Bust of Old Woman;
Rembrandt, a Bust;
Rembrandt with an Open Mouth;
Rembrandt with an Air of Grimace;
Rembrandt with Haggard Eyes;
Rembrandt Laughing
Everdingen, Allart van, [30];
school, [39];
paints in Sweden, [39];
in Amsterdam, [43]
Everdingen, Cæsar van, [175]
Expulsion of Hagar [Steen], [148]
F
Fabritius, Carel, [30];
school, [41];
in Amsterdam, [43];
teacher of Vermeer, [132];
Biblical subjects, [150];
appreciation, [156];
tragic death, [157];
Portrait of Abraham de Notte, [157];
The Decapitation of St. John the Baptist, [157]
Family Geelvink [Metsu], [120]
Family Group [De Hooch], [122]
Feast of St. Nicholas [Steen], [145]
Fête of the Civic Guard, Münster, 1648 [Flinck], [153]
Fiddler, The [Van Ostade], [110]
Fishers for Souls, The [Van de Venne], [44]
Flanders, School of, [100], [107]
Flemish nobles aid Holland, [21]
Flinck, Govert, [30];
school, [43];
Biblical pictures, [150];
appreciation, [151];
Isaac Blessing Jacob, David Handing the Letter to Uriah, [151];
Angel and the Shepherds, Gray-Bearded Man, [152];
Portrait of a Little Girl, of a Young Woman, of M. Johannes Wittenbogaert, Fête of the Civic Guard, Münster, [153]
Fragonard, [5]
Frederick Henry, Stadtholder, [37], [45]
Frick, Henry C., owner of The Music Lesson, Vermeer, [140]
Fromentin, quoted, [6], [49];
on Rembrandt, [78-85];
Terborch, [129]
G
Gallant Soldier, The [Terborch], [129]
Gelder, Aert de, [151];
appreciation of, [160];
Presentation of Christ in the Temple, An Important Document, Portrait of a Halberdier, [160];
Judah and Thamar, Esther and Mordecai, Three Portraits, [161]
Genre painting, [107];
inspiration from Hals, [100];
high-water mark of, [120];
decline of, [124];
society picture, [126];
of Terborch, [129];
not realistic, [130];
Valckenborch, Aertz, [107];
Van Ostade, [108];
Dou, [111];
Maes, [114];
Metsu, [117];
De Hooch, [120];
Willem and Frans (Elder and Younger) van Mieris, [122];
Lairesse, Netscher, Schalcken, [125];
Dirck Hals, Duyster, Palamedesz, Codde, Slingeland, [126];
Terborch, [127];
Vermeer, [132];
Steen, [141]
Gerard, Balthasar, assassin of William of Orange, [25]
Ghent, birthplace of Charles V, [7]
Girl before her Mirror [Van Mieris], [124]
Girl with Water-Jug [Vermeer], [134]
Gorkum, [176]
Goyen, Jan Joseph van, [19], [39], [40], [42], [173], [174], [183];
life, [187];
appreciation, [188];
compared to Ruisdael, [189];
View of Dordrecht, of Arnheim, of Nimwegen, Landscape, [188];
The River, Banks of a Canal, [189]
Grand Pensionary, [47]
Grange, Justus de la, employer of Pieter de Hooch, [121]
Gray-Bearded Man [Flinck], [152]
Greek art compared to Rembrandt’s, [72]
Guild of St. Luke, the Painters’ Guild, at Delft, [121], [132];
Haarlem, [51], [174], [194];
Leyden, [111], [117], [144]
H
Haarlem, school, [39], [50];
Scovel, [16];
Hals, [50];
Terborch, [127];
De Bray, [167];
Ruisdael, Salomon and Jacob, [174];
Molyn, [174];
Wynants, [174];
Everdingen, [174];
Van de Velde, [174];
Berchem, [174];
birthplace of Seghers, [170];
Wouwerman, [180];
Ruisdael, [194];
residence of Hals, [51];
Van Ostade, [110];
De Hooch, [121];
De Bray, [157];
Seghers, [170];
Van de Velde, [174];
Wouwerman, [180]
Haarlem Municipal Museum, [32], [39], [52];
corporation pictures, Hals, 64:
Banquet of the Officers of the Archers of St. George, [64];
Banquet of the Officers of the Archers of St. George, [65];
Banquet of the Officers of the Archers of St. Andrew, [66];
Reunion of the Officers of the Archers of St. Andrew, [67];
Officers of the Archers of St. George, [68];
Regents of the Hospital for the Poor, [52];
Regents of the Hospital of St. Elizabeth, [69]
Hague:
Dutch independence declared, [24];
school, [38], [42];

Ravesteyn, [167];
Mierevelt, [167];
residence of De Hooch, [121];
Steen, [144];
Seghers, [170];
Potter, [179];
Van Goyen, [187]
Hague Royal Museum, [37];
Portrait of a Young Man, St. Simeon in the Temple, The Lesson in Anatomy, Rembrandt, [76];
The Young Mother, Dou, [103];
Peasants’ Holiday, Peasants at an Inn, Marriage Proposal, The Fiddler, Van Ostade, [110];
Diana at her Toilet, New Testament, Head of a Girl, Vermeer, [135];
View of Delft, Vermeer, [136];
While the Old Ones Sing, etc., Steen, [146];
Doctor Visiting a Sick Woman, Steen, [147];
Judah and Thamar, De Gelder, [161];
The Young Bull, Potter, [179];
Cattle and Bathers, Potter, [180];
View of Dordrecht, Van Goyen, [188];
View of Haarlem from the Dunes, Jacob van Ruisdael, [197];
The Beach, Jacob van Ruisdael, [198]
Hals, Dirck, [5];
place in art, [126]
Hals, Frans, [19];
birth, [29];
life, [50];
Guild of St. Luke, [51];
death and burial, [51];
personal character, [52];
technique, [52];
humor, [53];
point of view, [54];
still-life, [57];
compared with Van der Helst, [57];
an Impressionist, [59];
use of values, [63];
light, [63];
brushwork, [64];
color, [64];
simplicity of gesture, [67];
decline of power, [69];
Hals and Rembrandt, [96];
modern influence, [97];
overestimated, [97];
pupils, [99];
Banquet of the Officers of the Archers of St. George, [64];
Banquet of the Officers of the Archers of St. George, [65];
Banquet of the Officers of the Archers of St. Andrew, [66];
Reunion of the Officers of the Archers of St. Andrew, [67];
Officers of the Archers of St. George, [68];
Regents of the Hospital for the Poor, [52];
Regents of the Hospital of St. Elizabeth, [69]
Hals, Harmen, [58]
Happy Family, A [Steen], [145]
Harmen van Rijn, father of Rembrandt, [73]
Head and Bust of Oriental [Rembrandt], [104]
Head of a Girl [Vermeer], [135]
Helst, Bartholomeus van der, [43];
compared with Hals, [57];
appreciation, [164];
Banquet of the Civic Guard, [57], [164];
Portrait of Paul Potter, [163], [178]
Hendrickje, [78];
Portrait of, [89]
Hermanszoon, Anneke, [50]
Heyden, Jan van der, [31]
Hobbema, Meindert, [31], [39], [43];
life, [190];
appreciation, [192];
The Water Mill, [191], [192];
Avenue of Middelharnis, Wooded Landscape, Water-Mill (Louvre), Wooded Road, [191]
Holland, growth of, [3];
pioneer of modern era, [3];
misrule of Philip, [19];
independence of, [24];
birthplace of new art, [26];
Duchess Isabella, [45];
consolidated, [45];
Stadtholdership hereditary, [46];
family of Orange entangled with Stuarts, [47]
Holy Family [Rembrandt], [102]
Homely Scene, A [Steen], [145]
Hondecoeter, Melchior d’, [31];
school, [38];
in Amsterdam, [43]
Hooch, Pieter de, [31];
school, [41];
in Amsterdam, [43];
life, [120];
influence of other painters, [138];
The Mother, Interior, The Pantry, A Dutch Courtyard, Family Group, [122];
The Visit, [138]
Hoogstraten, Samuel van, [43]
Horn, Count van, [22], [46]
Horses at the Door of a Cottage [Potter], [180]
Houbraken, historian-painter, [52], [120], [144]
Huntington, Mrs. Collis P., owner of Lady with a Lute, Vermeer, [139]
I
Important Document, An [De Gelder], [160]
Impressionism, [59], [60];
of Rembrandt, [86], [92], [93]
Interior [De Hooch], [122]
Isaac Blessing Jacob [Flinck], [151]
Isabella, Duchess, [45]
Israels, Josef, [106]
J
Jacob Presented to Pharaoh by Joseph [Bol], [154]
Jerome in a Cave, St. [Rembrandt], [76]
Jesus Disputing with the Doctors [Rembrandt], [75]
Jewish Cemetery [Jacob van Ruisdael], [200]
Johnson, Mr. John G., collector of Philadelphia, [114]
Judah and Thamar [De Gelder], [160]
Judith with the Head of Holofernes [Mantegna], [157]
K
Kalf, Willem, [31]
Keyser, Thomas de, [43];
appreciation, [165];
Company of Captain Cloeck, Family Meebeeck Cruywaghen, Portrait of Pieter Schout, Old Lady and her Three Daughters, Old Man and his Two Sons, Portrait of a Woman, [166]
Koninck, Philips, [30];
in Amsterdam, [43], [174];
appreciation, [172];
The Dunes, Valley of the Rhine near Arnheim, Dutch Landscape, Landscape with Cattle (Berlin), Landscape with Cattle (Rijks), Four Portraits of Joost van den Vondel, [173]
L
Lace-Maker, The [Vermeer], [139]
Lady and her Doctor [Van Mieris], [124]
Lady at a Spinet [Vermeer], [140]
Lady at her Toilet [Dou], [112]
Lady at the Clavichord [Netscher], [125]
Lady Washing her Hands [Terborch], [136]
Lady with a Lute [Vermeer], [139]
Lady with the Pearl Necklace [Vermeer], [138]
Lady Writing [Vermeer], [139]
Lairesse, Gerard de, [125]
Landscape, [169];
painters of:
Seghers, [169];
Rembrandt, [173];
Jacob van Ruisdael, [173], [193];
Salomon van Ruisdael, [174];
Molyn, [173];
Berchem, [174];
Wouwerman, [174], [180];
Wynants, [175];
Van der Neer, [176];
Van de Velde, [183];
with cattle, Potter, [179]
Landscape with Cattle [Koninck], [173]
Landscape with Cattle [Potter], [180]
Landscape with Fence [Jacob van Ruisdael], [199]
Landscape with Waterfall [Jacob van Ruisdael], [194]
Last Judgment [Van Leyden], [74]
Lastman, Pieter, [73]
League of Nobles, [21]
Lesson in Anatomy [Rembrandt], [76]
Letter, The [Vermeer], [138]
Leyden, founding of university, [35];
School of, [38], [40];
Dou, [111];
Steen, [144];
birthplace of Rembrandt, [73];
Dou, [111];
Metsu, [117];
Mieris, [122];
Steen, [144];
Willem van de Velde, Elder and Younger, [186];
Van Goyen, [187];
residence of Rembrandt, [74];
Dou, [111];
Steen, [144]
Liberty, Statue of, [87]
Liechtenstein Gallery, Vienna:
Portrait of a Girl, Bol, [155]
Louvre:
The Supper at Emmaus, The Good Samaritan, Rembrandt, [82];
The Dropsical Woman, Dou, [112];
Vegetable Market, Metsu, [118];
The Gallant Soldier, Terborch, [129];
Angel and the Shepherds, Flinck, [152];
Portrait of a Little Girl, Flinck, [153];
Portrait of a Mathematician, Bol, [154];
Horses at the Door of a Cottage, Potter, [180];
The River, Banks of a Canal, Van Goyen, [189];
Water Mill, Hobbema, [191]
Lovers at Breakfast [Metsu], [118]
Lucas van Leyden, [15], [74];
The Last Judgment, [74]
Luminarist, [80]
M
Maas, River, [182]
Maes, Nicolaes, [31], [144];
school, [43];
influenced by Rembrandt, [105];
life, [114];
appreciation, [115];
A Reverie, Asking a Blessing, Nurse and Children, [114];
The Young Card-Players, [114], [116];
Old Woman Peeling Apples, The Cradle, Dutch Housewife, [115];
Old Woman Spinning, [115], [116];
Portrait of a Man, [116]
Man and Woman Selling Poultry [Metsu], [118]
Manet, Edouard, [60]
Mantegna, Judith with the Head of Holofernes, [157]
Marine-painters, [44];
Vlieger, [44], [185];
Bakhuysen, [44];
Verschuier, [185];
Willem van de Velde, Elder and Younger, [44],
Vroom, [185]
Marriage at Cana [Steen], [148]
Marriage Proposal, The [Van Ostade], [110]
Matisse, French artist, [93]
Maurice, Stadtholder, [37], [45]
Mercury and Argus [Eeckhout], [159]
Metropolitan Museum, New York, [88], [90];
A Music Party, Metsu, [119];
Girl with Water-Jug, Vermeer, [135]
Metsu, Gabriel, [31];
school, [40];
in Amsterdam, [43];
pupil of Hals, [99];
influenced by Dou, [111];
life, [117];
appreciation, [117-119];
The Blacksmith, [117];
Old Woman in Meditation, Man and Woman Selling Poultry, Lovers at Breakfast, [118];
A Music Party, Visit to the Nursery, [119];
Family Geelvink, [120]
Meyer, Baron A., photographs of, [58]
Mierevelt, Michiel Jansz van, [19], [41], [167]
Mieris, Frans van, the Elder, [40];
influenced by Dou, [111];
life, [122];
appreciation, [123];
The Sick Woman, The Oyster Breakfast, [123];
The Girl before a Mirror, A Lady and her Doctor, Cavalier in a Shop, [124]
Mill near Wyk-by-Duurstede [Jacob van Ruisdael], [199]
Models, Rembrandt’s use of, [104], [150]
Monet, Claude, [60]
Moral character of Dutch painting, [27]
Moreelse, Paulus, [167]
Morgan, Mr. J. Pierpont, owner of Visit to the Nursery, Metsu, [119];
Lady Writing, The Lace-Maker, Vermeer, [139];
The Water Mill, Hobbema, [184], [191];
Wooded Landscape, Hobbema, [191]
Moro, Antonio, [16]
Mother, The [De Hooch], [122]
Munich Pinakothek. See Pinakothek
Music Lesson, The [Vermeer], [140]
N
National Gallery, London:
Peace of Münster, Terborch, [39], [127];
The Young Card-Players, Maes, [114], [116];
The Cradle, Dutch Housewife, Maes, [115];
An Interior, De Hooch, [121];
A Dutch Courtyard, Family Group, De Hooch, [122];
Lady at a Spinet, Vermeer, [140];
The Doctor’s Visit, Steen, [147];
The Wine Contract, Eeckhout, [160];
Tobit and the Angel, Rembrandt, [172];
Moonlight Landscape, Landscape with Trees, Landscape with Cattle, Van der Neer, [177];
Landscape with Cattle, Potter, [180];
Landscape with Cattle, Cuyp, [182];
Avenue of Middelharnis, Hobbema, [191];
Landscape with Waterfall, Jacob van Ruisdael, [194];
Shore at Scheveningen, Ruisdael, [198]
Neer, Aert van der, [30];
school, [43];
appreciation, [176];
Moonlight Scenes, in National Gallery and Imperial Art Museum, Vienna, [177];
Winter Scene, Scene with Cattle, [177]
Netscher, Caspar, school, [42];
appreciation, [125];
A Lady at the Clavichord, [125]
New Testament, The [Vermeer], [136]
Night School, The [Dou], [113]
Night Watch, The [Rembrandt], [77], [79], [81], [84]
Nurse and Children [Maes], [114]
O
Officer Writing a Letter [Terborch], [136]
Old Lady and her Three Daughters [De Keyser], [166]
Old Man and his Two Sons [De Keyser], [166]
Old Woman in Meditation [Metsu], [118]
Old Woman Peeling Apples [Maes], [116]
Old Woman Peeling Apples [Terborch], [136]
Old Woman Saying Grace [Dou], [103]
Old Woman Spinning [Maes], [114]
Old Woman who has Lost her Thread [Dou], [112]
Orange, Prince William of, [23], [29], [46]
Oriental art, [94]
Oriental Figure [Rembrandt], [104]
Orley, Barend van, [15];
The Day of Judgment, [15]
Ostade, Adriaen van, [30];
school, [39];
pupil of Hals, [99];
life, [108];
appreciation, [109];
pupils, [110];
The Peasants’ Holiday, Peasants at an Inn, Marriage Proposal, The Fiddler, [110]
Ostade, Isaac van, [110]
Oyster Breakfast, The [Mieris], [123]
P
Palamedesz, Antonie, school, [41];
appreciation, [126]
Pantry, The [De Hooch], [122]
Paul, St. [Rembrandt], [76]
Peace of Münster, [46]
Peace of Münster [Terborch], [39], [127]
Peasants at an Inn [Van Ostade], [110]
Peasants’ Holiday [Van Ostade], [110]
Petersburg, St., The Swamp in the Wood, Jacob van Ruisdael, [199]
Philip I, [3], [9], [10]
Philip II:
misrule of Netherlands, [19];
nobles resist, [21];
ambition, [25];
close of reign, [26]
Pieter Schout, Portrait of [De Keyser], [166]
Pinakothek, Munich:
Holy Family, Rembrandt, [102];
The Descent from the Gross, The Elevation of the Cross, Rembrandt, [103], [104];
The Burial, The Resurrection, Rembrandt, [103];
The Adoration of the Shepherds, Rembrandt, [104], [159];
Old Woman Saying Grace, Dou, [103];
Lady at her Toilet, Dou, [112];
The Sick Woman, The Oyster Breakfast, Van Mieris, [123];
Girl before a Mirror, Van Mieris, [124];
Portraits of Man and Wife, three others, Bol, [155]
Plein-air, [63], [131], [170], [171]
Portrait of a Girl [Bol], [155]
Portrait of a Little Girl [Flinck], [153]
Portrait of a Man [Maes], [116]
Portrait of a Woman [De Keyser], [160]
Portrait of a Young Man [Flinck], [152]
Portrait of A. de Notte [Fabritius], [157]
Portrait of Elizabeth Bas [Rembrandt], [89]
Portrait of Himself [Rembrandt], [78]
Portrait of M. Johannes Wittenbogaert [Flinck], [152]
Portrait of Old Woman [Metsu], [118]
Portrait of Paul Potter [Van der Helst], [178]
Portraits, painters of, [33];
school of Haarlem, [39];
Delft, [41];
The Hague, [42];
Hals, [49];
Rembrandt, [89];
Maes, [116];
Terborch, [128];
Vermeer, [141];
Santvoort, [151], [161];
Flinck, [151];
Bol, [155];
Fabritius, [156];
Eeckhout, [160];
De Gelder, [160];
Van der Helst, [162];
De Keyser, [165];
Mierevelt, [167];
Ravesteyn, De Bray, Moreelse, [167]
Portraits of Man and Wife, three other portraits [Bol], [155]
Portraiture, [150]
Potter, Paul, appreciation, [178];
life, [179];
The Young Bull, [179];
Bear Hunt, Boar Hunt, Cattle and Bathers, Horses at the Door of a Cottage, Landscape with Cattle, [180]
Pourbus, Pieter, [16]
Presentation of Christ in the Temple [De Gelder], [160]
Presentation of Christ in the Temple [Eeckhout], [159]
Presentation with the Angel [Rembrandt], [75]
Prince’s Birthday [Steen], [146]
Proposal, The [Vermeer], [134]
R
Raising of Jairus’s Daughter [Eeckhout], [159]
Ravesteyn, Jan Anthonisz van, [19];
school, [42], [167]
Regents of the Hospital for the Poor [Hals], [52]
Regents of the Hospital of St. Elizabeth [Hals], [69]
Rembrandt, Harmensz van Rijn, [71];
individuality, [4];

birth, [30];
School of Leyden, [40];
Amsterdam, [43];
Holland’s leading painter, [49];
life, [72];
etchings, 74:
personality, [75];
in Amsterdam, [76];
beginning of fame, [77];
marriage and death of Saskia, second marriage, [77];
bankruptcy, [78];
Fromentin’s criticism, [79], [85];
chiaroscuro, [80];
abstract idea, [88];
color, [91];
symbolism, [92];
Impressionist, [93];
compared with Hals, [96];
influence on genre, [102];
use of the arch, [104];
St. Paul, St. Jerome in a Cave, St. Simeon in the Temple, [76];
The Lesson in Anatomy, [76], [85];
Sortie of the Frans Banning Cock Company (The Night Watch), [77], [79], [81], [84];
The Syndics of the Cloth Guild, [78];
Portrait of Himself, [78];
Supper at Emmaus, [82], [148];
Good Samaritan, [82];
Portrait of Elizabeth Bas, [89];
Holy Family, [102];
Descent from the Cross, [103];
Elevation of the Cross, [103], [104];
Burial, Resurrection, Adoration of the Shepherds, Oriental Figure, Head and Bust of an Oriental, [104];
Tobit and the Angel, [172]
Renaissance art, [72]
Rest of the Holy Family [Bol], [154]
Resurrection, The [Rembrandt], [104]
Reunion of the Officers of the Archers of St. Andrew [Hals], [66], [67]
Reverie [Maes], [114]
Reyniers, Lysbeth, [51]
Rijks Museum, Amsterdam, [44], [59];
The Enraged Swan, Asselyn, [44];
Fishers for Souls, Van de Venne, [44];
Syndics of the Cloth Guild, Rembrandt, [78];
Sortie of the Frans Banning Cock Company, Rembrandt, [78], [79], [81], [84];
Portrait of Elizabeth Bas, Rembrandt, [89];
The Egg Dance, Aertz, [107];
The Night School, Dou, [113];
A Reverie, Metsu, [114];
Asking a Blessing, Old Woman Spinning, Metsu, [115], [116];
The Blacksmith, Metsu, [117];
Old Woman in Meditation, Metsu, [118];
The Interior, The Pantry, De Hooch, [122];
The Cook, Vermeer, [137];
Young Woman Reading a Letter, Vermeer, [138];
A Homely Scene, The Happy Family, The Feast of St. Nicholas, Steen, [145];
The Prince’s Birthday, The Sick Lady, Steen, [146];
The Disciples at Emmaus, Steen, [148];
Isaac Blessing Jacob, Flinck, [151];
Portrait of M. Johannes Wittenbogaert, Fête of the Civic Guard, Münster, 1648, Flinck, [153];
Abraham Receiving the Angels, Salome Dancing before Herod, Bol, [154];
Six Governors of the Huiszittenhuis, Four Governors of the Leper House, Roelof Meulenaar, Maria Rey, Artus Quellinus, Bol, [156];
Portrait of Abraham de Notte, Decapitation of St. John the Baptist, Fabritius, [157];
Woman Taken in Adultery, Eeckhout, [158];
Three Portraits, De Gelder, [161];
Portrait of Dirck Bas Jacobsz Family, Four Ladies of the Spinhuis, Santvoort, [161];
Banquet of the Civic Guard, Van der Helst, [57], [164];
Portrait of Paul Potter, Van der Helst, [163];
Company of Captain Cloeck, Family Meebeeck Cruywaghen, Portrait of Pieter Schout, De Keyser, [166];
Maria van Utrecht, The Little Princess, Moreelse, [167];
Four Portraits of Joost van den Vondel, Two Landscapes with Cattle, Koninck, [173];
Landscape, Everdingen, [175];
The Bear Hunt, Potter, [180];
Portrait of the Van de Velde Family, Van de Velde, [183];
Charles II Entering Rotterdam, 24 May, 1660, Verschuier, [186];
Landscape, Van Goyen, [188];
View of Haarlem from the Dunes, Jacob van Ruisdael, [197];
Mill near Wyk-by-Duurstede, Jacob van Ruisdael, [199]
River [Van Goyen], [188]
Rotterdam, birthplace of De Hooch, [120];
Vlieger, [185];
Verschuier, [185]
Rubens, Peter Paul, [18]
Ruisdael, Jacob van, compared to Goyen, [189];
appreciation, [193];
life, [194];
increase of power, [196];
compared to Rembrandt, [200];
Landscape with Waterfall, [194];
Castle Bentheim, [195];
Village in the Wood, [196];
View of Haarlem from the Hill of Overveen, [197];
The Beach, Shore at Scheveningen, [198];
The Mill near Wyk-by-Duurstede, The Swamp in the Wood, The Oak Wood, The Big Wood, Landscape with Fence, [199];
Jewish Cemetery, [200]
Ruisdael, Salomon van, [174]
S
St. Simeon in the Temple [Rembrandt], [76]
Salome Dancing before Herod [Bol], [151]
Santvoort, Dirck Dircksz, [151];
appreciation, [161];
Portrait of Dirck Bas Jacobsz Family, Four Ladies of the Spinhuis, [161];
Four Governors of the Serge Hall, Frederick Dircksz Alewyn, Agatha Geelvinck, Martinus Alewyn, Clara Alewyn, [162]
Saskia van Uylenborch, [77]
Schalcken, Godfried, [42];
influenced by Dou, [111];
appreciation, [125]
Schatter, Captain Johan, [66]
Scovel, Jan van, life, [16];
appreciation, [17];
portrait group of twelve Knights Templars, [17]
Seghers, Hercules, [19];
born at Amsterdam, [43];
appreciation, [169];
influenced Koninck, [173], [174];
Holland Landscape with the Hamlet of Rhenen, Landscape, [169]
Shore at Scheveningen [Jacob van Ruisdael], [198]
Sick Woman, The [Van Mieris], [123]
Sidney, Sir Philip, [25]
Sleeping Girl [Vermeer], [136]
Slingeland, Pieter Cornelisz van, influenced by Dou, [111], [126]
Sortie of the Frans Banning Cock Company [Rembrandt], [77], [79]
Spain, downfall of, [26]
Spanish Fury, [22]
Steen, Jan, [31];
school, [39], [40];
appreciation, [141];
humor, [143];
life, [144];
stories of reckless life, [145];
A Homely Scene, Feast of St. Nicholas, Happy Family, [145];
The Christening Party, While the Old Ones Sing the Young Ones Pipe, Twelfth Night, The Prince’s Birthday, The Sick Lady, [146];
Doctor Visiting a Sick Young Woman, A Doctor’s Visit, [147];
The Marriage at Cana, Expulsion of Hagar, Disciples at Emmaus, [148]
Still-life, Dutch interest in, [31];
Van Heem, Weenix, Kalf, Hondecoeter, [31], [38]
Stoffels, Hendrickje, [78]
Supper at Emmaus [Rembrandt], [82], [148]
Swamp in the Wood [Jacob van Ruisdael], [199]
Swanenburch, Jacob van, [41];
teacher of Rembrandt, [73]
Symbolism, [95], [197], [200]
Syndics of the Cloth Guild [Rembrandt], [56]
T
Technique, as a motive, [28]
Terborch, Gerard, [30];
school, [39];
pupil of Hals, [99];
appreciation, [127];
life, [128];
influence of Hals, Rembrandt, and Velasquez, [128];
portraits, [128];
color, [131];
The Peace of Münster, [127];
The Gallant Soldier, [129];
The Concert, Officer Writing a Letter, Lady Washing her Hands, Old Woman Peeling Apples, [130]
Tintoretto, [14]
Titian, [14]
Tobit and the Angel [Rembrandt], [172]
Tulp, Dr., [76]
Twelfth Night [Steen], [146]
U
Uffizi Gallery, Florence, Landscape, Seghers, [169]
Union of Utrecht, [23]
Utrecht, school of painting:
Scovel, [16];
birthplace of Moreelse, [167];
residence of Scovel, [16];
Moreelse, [167];
Seghers, [170]
Uylenborch, Saskia van, [77]

[V]
Valckenborch, Lucas van, [107];
appreciation, [126]
Values, [134]
Vanderbilt, W. K., collector, [104]
Vegetable Market, The [Metsu], [118]
Velasquez, [60];
influenced Rembrandt, [93];
Hals, [97]
Velde, Adriaen van de, [31], [43], [178];
appreciation, [183], [196];
Family of Van de Velde, [183]
Velde, Esaias van de, [39], [187]
Velde, Willem van de, the Elder, [30], [184];
appreciation, [186]
Velde, Willem van de, the Younger, [44];
appreciation, [186]
Venne, Adriaen van de, [44]
Vermeer, Johannes, [31];
school, [41];
life, [132];
appreciation, [132];
comparison with Rembrandt, [133];
plein-air, [170];
The Proposal, [134];
Girl with Water-Jug, [135], [139];
Diana at her Toilet, New Testament, Head of a Girl, Diana and her Nymphs, [135];
Sleeping Girl, View of Delft, [136];
The Cook, [137];
The Letter, Young Woman Reading a Letter, Lady with Pearl Necklace, [138];
Lady with a Lute, Lady Writing, The Lace-Maker, [139];
The Coquette, Lady at a Spinet, The Music Lesson, The Artist in his Studio, [140];
Portrait of a Lady, [141]
Veronese, Paolo, [14]
Verschuier, Lieve, [185];
Charles II Entering Rotterdam, [186]
Veth, Jan, [182]
Vienna Art-History Museum, [107];
A Lady and her Doctor, Cavalier in a Shop, Mieris, [124];
Old Woman Peeling Apples, Terborch, [130];
Gray-Bearded Man, Flinck, [152];
The Big Wood, Ruisdael, [199]
Vienna Imperial Art Museum:
Moonlight and Winter Landscapes, Van der Neer, [177];
Landscape with Fence, Jacob van Ruisdael, [199]
View of Arnheim [Van Goyen], [188]
View of Delft [Vermeer], [137]
View of Dordrecht [Van Goyen], [188]
View of Nimwegen [Van Goyen], [188]
Visit, The [De Hooch], [138]
Visit to the Nursery [Metsu], [119]
Vlieger, Simon de, [34], [44];
appreciation, [185]
Vondel, Joost van den, Portrait of [Koninck], [173]
Vroom, Hendrick Cornelisz, [185]
W
Wagner, quotation on art, [4]
Wallace Collection:
Winter Scene, Van der Neer, [177];
Landscape with Cattle, Cuyp, [182]
Water Mill [Hobbema], [191]
Water Mill (Louvre) [Hobbema], [191]
Watteau, [5]
Weenix, Jan, [31];
school, [38], [43]
Westphalia, Treaty of, [46]
When the Old Ones Sing the Young Ones Pipe [Steen], [146]
Whistler, [95]
William, Prince of Orange, [8];
resists Spain, [21];
price put on his head, [23];
offered the crown, [24];
death, [25]
William III of England, [47]
Wine Contract, The [Eeckhout], [160]
Witt, Johan de, [46]
Woman Taken in Adultery [Eeckhout], [158]
Wooded Landscape [Hobbema], [191]
Wooded Road [Hobbema], [191]
Wouwerman, Philips, [30], [174];
school, [39];
pupil of Hals, [99], [178];
appreciation, [180], [184], [195]
Wynants, Jan, [30], [174], [175];
school, [39], [43], [84]
Y
Young Bull, The [Potter], [179]
Young Card-Players, The [Maes], [114], [116]
Young Man and Girl in a Cellar [Dou], [113]
Young Mother, The [Dou], [103]
Young Woman Reading a Letter [Vermeer], [138]

FOOTNOTES:

[A] The author’s indebtedness to Motley in this chapter, as in subsequent ones, should not escape the reader’s notice.