CHAPTER II
THE OLD ORDER CHANGES
THE forty-five years, following the abdication of Charles V, yielded no indication of the harvest of painting that was to signalize the succeeding century. The earlier half of the period embraces the work of Pieter Aertz, first of the distinctively Dutch genre painters, and the latter half sees the growth to manhood of the portrait-painters Michiel Jansz van Mierevelt and Jan Anthonisz van Ravesteyn, while the whole period covers the active life of Jan de Bray. He, like the other two, was an honest but entirely uninspired portrait-painter; and it was not until nearly the end of the century that three men were born who were subsequently to become notable. These are Frans Hals, Jan van Goyen, and another landscape-painter, less well known, Hercules Seghers.
It was a period, indeed, solely of upheaval and preparation, during which the ground was plowed, harrowed, and fertilized, while its old landmarks were being removed, new boundaries established, and a new proprietorship asserted and exercised. It covered, moreover, the whole of Philip the Second’s miserable reign.
This monarch, tiring of the atmosphere of the Netherlands, soon withdrew to Spain, whence for the remainder of his life he attempted to govern the distant provinces as a satrapy, through vice-regents, military commanders, and bishops. His aim, as became his father’s son, was autocracy over the lives, fortunes, and consciences of his subjects. But, to do him justice, it was their own good, as he saw it, that he labored and intrigued for: to purge them of heresy and retain them within the fold of the Roman communion. For nothing is to be gained in the way of understanding the temper and conditions of that day by regarding Philip as an inhuman monster. Judged by the manner of our own time, he may seem to have been; but, judged by the tenacity and unscrupulousness with which men still cling to what they believe to be their rightful privileges and pursue what they are convinced is the dictate of their conscience, he is seen to be but a natural product of the mental and social conditions of his day. He was a recognizable and for a time even tolerated part of a system that men as yet had not thought of disturbing.
It was so, at first, that the citizens of the Netherlands, even William, Prince of Orange, regarded him. They held his overlordship sacred, even while they opposed the acts of his official representatives. They expected to be roundly taxed, but at the same time to have the machinery of their local government of free cities and Estates-General unimpeded; and it was against the interference with this on the part of Philip’s mercenaries that they first remonstrated. For, in the pursuance of his policy of riveting Roman Catholicism upon the Netherlands, Philip had induced the Pope to create more bishops and archbishops, to uphold whose hands in the extirpating of heresy four thousand Spanish troops were to
COUPLE DRINKING JAN STEEN
RIJKS MUSEUM, AMSTERDAM