The Story of Spanish Painting

by Charles H. Caffin

In contrast to him is Ignacio Zuloaga, an artist in whom has been re-incarnated much of the diablerie and subtlety of Goya. Since the latter no other has dipped so deeply into the grotesqueries of Spanish life, while in a thoroughly modern vein he explores the psychology of his subjects. These include a diversity of types of femininity, subtly analysed and interpreted by means, particularly, of expressive color-schemes. Zuloaga, to-day, is not only the most characteristically Spanish of the artists of Spain, but the most advanced of them in his feeling for expression and in his faculty of rendering it.

INDEX

[A], [B], [C], [D], [E], [F], [G], [H], [I], [J], [L], [M], [N], [O], [P], [R], [S], [T], [U], [V], [W], [X], [Z]

[A]
Abd-er-Rahman, [9]
Abencerrages, tribe of, [11]
Adoration of the Kings, The [Velasquez], [88], [104], [107]
Adoration of the Shepherds, The [Velasquez], [104], [107]
Æsopus [Velasquez], [115]
Agnes, S. [Cano], [164], [165]
Alba, Duchess of, [183]
Alcade de los Hijosdalgos, [131]
Alcalá, Duke of, [161]
Alcalá de Henares, University of, [13]
Alcañices, Marquis of, [187]
Alcántara, bridge of, [73]
Alcázar, [73], [111]
Alcázar, Don Melchior de, [151]
Alcudia, Duke of. See Godoy
Alexander VI, Pope, [13]
Alfonso I, [10]
Alfonso IV, [10]
Alhambra, [11], [30], [34];
impressions of, [35-37];
motive of decoration, [38]
Almohades, sect of, [10].
Almoravides, tribe of, [10]
Alva, Duke of, [17]
Andalusia, [41];
school of, study of Raphael, [46];
influence of Pedro Campaña, [47];
school of Murillo, [54];
in the seventeenth century, [64], [65];
return to naturalism, [102];
Ribera, [136];
Murillo, [148], [154], [157]
Annunciation, The [Cano], [164]
Annunciation, The [El Greco], [88]
Antigua, Capella de la, [42]
Antolinez, José, [62], [132];
The Assumption, [62];
Glorification of the Virgin, [62];
Ecstasy of the Magdalen, [62]
Antony Visiting S. Paul, S. [Velasquez], [105], [126]
Apocalypse, The [El Greco], [89]
Apotheosis of S. Thomas Aquinas [Zurbarán], [166]
Apparition of the Virgin to a Community of Bernardine Monks During a Ceremony of Exorcism [Pedro Berruguete?], [44]
Aragón, kingdom and province of, [3], [40], [41], [173]
Argensola, Bartolomé, [18]
Arian controversy, [8]
Arpino, Cavaliero d’, [140]
Assumption, The [Antolinez], [62]
Assumption, The [Cano], [164]
Assumption of the Magdalen [Ribera], [144]
Assumption of the Virgin [Cerezo], [62]
Assumption of the Virgin [El Greco], [69]
Asturias, kingdom of, [9], [10], [131]
Auto-da-fé, depicted by Francisco Rizi, [62]
B
Badajoz, [48]
Balearic Isles, [23]
Baltasar Carlos, Prince, [162]
Baltasar Carlos, Equestrian Portrait [Velasquez], [105], [108]
Baltasar Carlos, Portrait of [Mazo], [124]
Baltasar Carlos, Portrait of [Velasquez], [98], [178], [182], [186]
Baltasar Carlos, Sportsman Portrait [Velasquez], [105]
Baptism of Christ, The [El Greco], [85]
Barbara, Santa. See Tapestry works
Bartholomew, S. [El Greco], [79]
Bavaria, Elector of, [21]
Bayeu, Francisco, [174]
Bayeu, Portrait of [Goya], [180]
Benedict Celebrating Mass, S. [Rizi], [61]
Berlin, Kaiser Friedrich Museum, [134], [164]
Bermudez, Cean, “Dictionary of Painters,” [23]
Berruguete, Pedro, [44];
Apparition of the Virgin to a Community of Bernardine Monks During a Ceremony of Exorcism, [44]
Beruete y Moret, critic, [106], [108], [122], [123], [134]
Beulé, C. E., French critic, [160]
Boabdil, Caliph, [11]
Bonaparte, Joseph, [23], [172], [186]
Bonaparte, Napoleon. See Napoleon
Borbón, Portrait of Doña Isabel de [Juan Pantoja de la Cruz], [55]
Bordeaux, Goya retires to, [187]
Borgia family, [136]
Borgoña, Juan de, [44]
Borrachos, Los [Velasquez], [104], [107]
Bosch, Hieronymus, [43]
Boucher tapestries, [174]
Bourbon, Constable of, [16]
Bourbon family, [21], [171]
Bouts, Dierick, [42]
Brueghel, Pieter, [43]
Buddhistic art, [85], [91]
Buen Retiro, [19];
presented to the king by Count Olivares, [105];
paintings in, [60], [61], [105], [161]
Burgos, city of, [10]
Burning Bush [Collantes], [60]
Byzantine art, [85], [91]
C
Cadiz, [151]
Calderon, dramatist, [18]
Calle de la Reina de Aranjuez [Mazo], [128], [129]
Calvert, Albert F., [70]
Campaña, Pedro, [47];
Descent from the Cross, [47], [160]
Canaletto, [127]
Cano, Alonzo, [65];
chapter on, [161];
early years, [161];
death of his wife, [163];
dispute with chapter of cathedral, [163];
death, [164];
Annunciation, Conception, Nativity, Presentation, Assumption, [164];
Mother and Child, [164];
S. Agnes, [164]
Cantabria, province of, [10]
Capella Mayor, decorations of the, [28]
Caprichos [Goya], [184]
Caracci, Annibale, [140]
Caracci, the, [63], [137], [139]
Caracciolo, Giambattista, [140]
Caravaggio, Michelangelo, [137], [138], [139], [165]
Caravaggio, the Spanish, [165]
Card Players, The [Caravaggio], [140]
Carducho, Bartolomeo, [52], [55], [61]
Carducho, Vicente, [55], [59]
Caridad, Hospital de la, [155], [157]
Carreño, Juan, [57], [62];
chapter on, [131];
portraits of the royal family, [132];
fresco paintings, [132];
Portrait of Charles II, [20], [134];
Portrait of Queen Mariana, [133];
The Conception, [132];
Magdalen in the Desert, [133];
San Sebastian, [133]
Casa de Pilatos, [161]
Casanova y Estorach, Antonio, [192]
Cassel Gallery, the, [62]
Castile, province of, [3], [10], [40], [41], [42], [74]
Castile, school of, [41-43], [50];
Moro’s influence, [53];
review of seventeenth century, [54-63]
Castillo, Juan de, [151], [161]
Castillon de la Plana, [63]
Castro, Archbishop de, [151]
Catalonia, province of, [41]
Catholic sovereigns, [3], [8], [11], [14], [16], [18], [31]
Catholic Sovereigns at Prayer with their Families before the Virgin, [43]
Caxés, Eugenio, [55]
Caxés, Patricio, [52], [55]
Celtiberians, [6]
Cerezo, Mateo, [62];
Penitent Magdalen, [62];
S. John the Baptist, [62];
Assumption of the Virgin, [62]
Cervantes, novelist, [17], [75]
Cézanne, Paul, [90]
Charles I of Spain, V of Germany, [15], [19], [31], [52], [167]
Charles II, reign of, [20], [131]
Charles II, Portrait of [Carreño], [20]
Charles II, Portrait of [Claudio Coello], [19]
Charles III, reign of, [22], [23], [174];
portrait of, [176]
Charles IV, reign of, [23], [24], [172], [176]
Charles IV, Equestrian Portrait of [Goya], [182]
Charles IV and Family, Portrait of [Goya], [176]
Chicago Art Institute, [78]
Christ at the Pillar [Velasquez], [105]
Church in Spain, the, [25], [30], [73], [125], [150], [153], [154], [171]
Churrigueresque, [28]
Classicism, [139]
Clinic of Dr. Tulp [Rembrandt], [156]
Clovio, Julio, [69]
Coello, Alonso Sánchez, [53], [54]
Coello, Claudio, [19], [63];
La Santa Forma, [63]
Collantes, Francisco, [58], [59];
Vision of Ezekiel, [59]
Colonial possessions, [13], [15], [18]
Columbus, [3]
Comedies of Cape and Sword, [18]
Coming of the Holy Ghost, The [El Greco], [89]
Conception, The [Cano], [164]
Conception, The [Carreño], [132]
Conceptions [Murillo], [154]
Cordova, University of, [9]
Coro, decorations of the, [28], [148]
Coronation of the Virgin [unknown], [43]
Coronation of the Virgin [El Greco], [87], [90]
Corot, [128]
Corpus Christi, Church of, [63]
Correggio, [137], [139]
Correnzio, Belisario, [140]
Cortes, the first, [10]
Cota, dramatist, [13]
Counter-Reformation, [80]
Court of the Lions, [37]
Crucifixion, The [El Greco], [76], [85], [87]
Cruz, Church of Santa, [47], [160]
Cuevas, Pedro de las, [131]
Cuyp, [125]
D
“Darklings,” [140]
Death of Laocoön and his Sons, [87]
Delacroix, [187]
Descent from the Cross [Campaña], [47], [160]
Diego de Deza, Archbishop, [167]
Doblado’s letters, [172]
Dolci, Carlo, [139]
Domenichino, [139-141]
Dominican order, [168]
Doria Gallery, [105]
Dream of Life, The [Pereda], [58]
Dream of Philip II, The [El Greco], [86]
Dresden Gallery, [140]
Dulwich Gallery, [157]
Dupré, Jules, [129]
E
Ecce Homo [Morales], [50]
Ecce Homo [Pereda], [59]
Eclectics, [138]
Ecstasy of the Magdalen [Antolinez], [62]
El Expolio [El Greco], [70]
Elizabeth of Hungary [Murillo], [156]
England, wars with, [15], [17], [22], [23]
Erasmus [Holbein], [95]
Escoriál, the: impressions of, [30-34];
visited by Rubens, [103];
paintings in, [52];
Caxés and Carducho, [55];
Coello, [63];
El Greco, [71], [86];
frescoes by Carreño, [132];
tapestries, [174]
Estilo frio, calido, vaporoso (Murillo), [154]
Estremadura, province of, [165]
Expression, [68], [90], [188], [189]
Expulsion of the Morescoes [Velasquez], [111]
F
Farnese, Cardinal Nepote, [69]
Farnese Palace, [137]
Fates, The [Goya], [184]
Ferdinand VI, [22]
Ferdinand VII, [186]
Ferdinand and Isabella, [3], [11], [15], [18], [40]
Ferdinand of Germany, [16]
Fernando, Academy of San, [22];
pictures by Morales, [49];
Pereda, [58];
Mayno, [61];
Carreño, [133]
Fernando de Austria, Don [Velasquez], [105], [113]
Fernando Nino de Guevara, Portrait of Don [El Greco], [90]
Fire of 1734, [131]
Flanders, art drawn from, [13]
Flemish School, influence of, [42], [47], [52]
Florentines, [45]
Forge of Vulcan [Velasquez], [103], [108], [116]
Fortuny, Mariano, [65], [191];
La Vicaria, [191];
Choosing the Model, [192];
The Rehearsal, [192]
Fountain of the Tritons [Mazo], [128]
France, wars with, [23], [172];
alliance with, [23], [186]
Francis, Convent of S., [152]
Francis I of France, [15]
Francis d’Assisi, S. [Ribalta], [64]
Fuente de Cantos, [165]
Fuentedetodos, [173]
Funeral of Count Orgaz [El Greco], [166]
G
Galicia, province of, [10]
Gautier, Théophile, [157]
George Gyze, Portrait of [Holbein], [95]
Gil, Margarita, [136]
Giordano, Luca, [32], [65]
Giotto, [91]
Gloria [Titian], [16]
Glorification of the Virgin [Antolinez], [62]
Godoy, Manuel, [23], [172], [185];
satirized by Goya, [183]
Golden Age of Moorish civilization, [11]
Golden Age of Spanish literature and art, [18], [54]
Gongora, Luis de, poet, [18]
Gonsalvo de Cordova, [13]
Gonzáles, Bartolomé, [55];
Portrait of Philip III and Wife, [55];
Doña Margarita of Austria, [55];
Doña Isabel de Borbón, [55]
Gothic invasion, [7]
Goya, Francisco, [23], [65], [67], [120];
chapter on, [171];
appearance in court, [172];
early life, [173];
tapestry designs, [174];
color, [175], [177];
church commissions, [175];
point of view, [178];
methods, [181];
compared with Velasquez, [181];
rôle at court, [183];
old age, [186]; death, [187];
compared with El Greco, [190];
Portrait of Charles III, [22], [176];
Self-Portrait, [172];
Charles IV and Royal Family, [176];
Doña Isabel Corbo de Porcel, [180];
Dr. Péral, [180];
Equestrian Portraits of the King and the Queen, [184];
The Fates, [184];
Scene of May [3], 1808, [185];
Disasters of War, [186];
Taureaux de Bordeaux, [187];
Proverbios, [184];
Caprichos, [184];
Maia, [179]
Goya, Mariano, [186]
Granada, [3], [10], [11], [34], [123], [161];
cathedral of, [163], [164]
Granvilla, Cardinal, [52]
Greco, Domenico Theotocopuli, El, [17], [45], [51], [56], [148], [164], [190];
chapter on, [66-91];
relations with the Church, [66];
with Philip II, [67];
point of view, [67], [88], [92];
letter describing, [72];
types, [74];
spiritual expression, [77];
house now museum, [79];
kinship with Oriental art, [85], [91];
The Assumption of the Virgin, [69], [78], [81];
El Expolio, [70];
San Mauricio and his Theban Legion, [71], [81], [87];
San Martin, [71], [89];
Vista of Toledo, [71], [73];
Funeral of Count Orgaz, [71], [82];
Self-Portrait of the Artist, [71];
S. Jerome, [75];
S. Paul, [75];

The Crucifixion, [76], [85], [87];
S. Bartholomew, [79];
Baptism of Christ, [85];
The Resurrection, [85], [86];
Dream of Philip II, [86];
Virgin and Saints, [87];
Coronation of the Virgin, [87];
Annunciations, Holy Family, [88];
Nativity, [88];
Coming of the Holy Ghost, [89];
Death of Laocoön and his Sons, [89];
Apocalypse, [89];
Sacred and Profane Love, [89];
Don Fernando Nino de Guevara, [90]
Gregory Saying Mass [unknown], [45]
Guadarrama, Sierra, [31]
Guercino, [139]
Guevara, Velez de, [18]
Guido. See Reni
H
Hague, Gallery of the, [62], [126]
Hall of the Kings, Buen Retiro, [60]
Hals, [94], [99]
Hapsburg family, [15], [19], [21], [134], [171]
Hartley, E. Gasquoine, [70]
Hermit Saint [Ribera], [142]
Herrera, Francisco, [64], [102]
Hilanderas, Las [Velasquez], [105-116]
Hispanic Museum, New York, [44], [50], [88], [132]
Hobbema, [125]
Holbein, [95], [99], [100], [101]
Holland, art of, [26], [54], [125];
rivalry with, [15], [17], [18], [122]
Holy Family [El Greco], [88]
Holy Family (Pajarito) [Murillo], [157]
Hospital de la Caridad, [155]
Hugo, Miracle of S. [Zurbarán], [169]
Humanistic movement, [145], [154]
I
Iberians, [6]
Ildefonso, picture in Church of San, [42]
Illustration, [152]
Immaculate Conception, dogma proclaimed, [150]
Immaculate Conception [Ribera], [144]
Impressionism, [100], [114], [128], [171], [187], [188]
Innocent X, Portrait of [Velasquez], [90], [93], [105], [123]
Inquisition, the, [14], [16], [173]
Interrio, El [El Greco], See Funeral of Count Orgaz
Isaac Blessing Jacob [Ribera], [145]
Isabel Corbo de Porcel, Portrait of Doña [Goya], [180]
Isabella, Queen, [3], [11], [13], [15], [40]
Italy, art of, [42], [44], [45], [47], [52], [63], [125], [138], [140], [156]
J
Jacob’s Ladder [Ribera], [146]
Januarius, Chapel of S., [140]
Jativa, [136]
Jean Arnolfini and Wife [Van Eyck], [95]
Jerome, S. [El Greco], [75]
Jerome, S. [Pereda], [59]
Jews, expelled, [14]
Joanna of Austria, [15]
John the Baptist [Cerezo], [62]
John the Baptist [Da Vinci, Ribera], [145]
John the Baptist in the Desert [Ribera], [145]
José, Church of San, Toledo, [86]
Joseph Bonaparte. See Bonaparte
Joseph’s Coat [Velasquez], [103]
Juan of Austria, Don, [20]
Juan de Austria, Don [Velasquez], [105], [114]
Juan de Juanes, [46], [63];
S. Stephen Conducted to Martyrdom, [46]
Juan II of Castile, [42]
Julius Cæsar, [6]
Juste, Monastery of San, [16]
Justi, Carl, [44]
L
Lady with the Fan [Velasquez], [164]
Lanfranco, [141]
León, province of, [3], [10], [42]
Leonardo, José, [58], [60];
The Surrender of Breda, [60], [131];
Taking of Acqui, [60]
Leopold, Emperor of Germany, [21]
Llano y Valdés, [161]
Lope de Vega, dramatist, [17], [18]
Lorenzo, picture in Church of San, [42]
Lorrain, Claude, [129], [130]
Louis XIV of France, [21], [106]
Louvre, the: pictures by Collantes, [60];
El Greco, [76], [87];
Mazo, [122];
Da Vinci, [145]
Lucena, battle of, [11]
M
Mabuse, [42]
Madrazo, Raimundo, [192]
Madrid, [41], [48], [49], [57], [60], [61], [62], [102], [106], [121], [133], [151], [162], [169], [171], [173]
Madrid, school of, [41], [131]
Magdalen in the Desert [Carreño], [133]
Maia, The, Clothed, The Maia Nude [Goya], [179]
Manet, [120]
“Mannerists,” [138], [139]
Margarita Maria, Portrait of [Velasquez], [105]
Margarita of Austria, Doña [Gonzáles], [55]
Maria Luisa, Queen, [23]
Maria Luisa, Equestrian Portrait of [Goya], [182]
Maria Teresa, [21], [106]
Maria Teresa, Portrait of [Velasquez], [105], [114]
Mariana, Portrait of Queen [Velasquez], [105]
Mariana de Austria, [105], [131], [134], [135]
Mariana de Austria, Portrait of Doña [Mazo], [123];
[Carreño], [134];
[Velasquez], [103]
Martin, San [El Greco], [71]
Martinez, Guiseppe, “Practical Letters on the Art of Painting,” [72]
Martyrdom of S. Bartholomew [Ribera], [138]
Mauretania, [9]
Mauricio and his Theban Legion, San [El Greco], [71], [87]
Maximilian, Emperor of Germany, [15]
Mayno, Fray Juan Bautista, [56], [61];
Pacification of the States of Flanders, [56]
Mazarin, Cardinal, [106]
Mazo, Juan Bautista del, [55], [57], [61], [102], [106];
chapter on, [121];
life, [121];
copies of Velasquez’s works, [122];
original works, [123];
landscapes, [125];
technique, [128]
Memlinc, [42], [43]
Mengs, Raphael, [23], [65], [174]
Meniñas, Las [Velasquez], [95], [105], [108], [116-119]
Metropolitan Museum, New York:
El Greco, [88];
Velasquez, [98], [115];
Zurbarán, [191]
Michael the Archangel [Zurbarán], [169]
Michelangelo, [45], [48], [91], [103], [108], [138], [139]
Miracle of S. Hugo [Zurbarán], [169]
Miracle of the Loaves and Fishes [Murillo], [155]
Modena, [137]
Mœnippus [Velasquez], [95], [106], [115]
Mohammed, [18]
Mona Lisa [Da Vinci], [99]
Montañés, Martinez, [161]
Montañés, Portrait of the Sculptor [Velasquez], [105]
Monte Cassino, [140]
Moorish dominion, [3], [8], [74]
Mor, or Moro, Antony, [52]
Morales, Luis de, [48], [51];
Pietá, [49];
Virgin Caressing the Infant Jesus, [50];
Ecce Homo, [50];
Presentation of the Infant Jesus in the Temple, [50]
Morescoes, expelled, [14], [17]
Morocco, [191]
Moses Striking the Rock [Murillo], [155]
Mother and Child [Cano], [164]
Munich Pinakothek, [62], [134], [157]
Murillo, Bartolomé Estéban, [47], [54], [65], [88], [132], [146], [164], [165], [169];
chapter on, [148];
estimated, [148], [149];
life, [150];
training, [151];
motive, [153];
death, [160];
Miracle of the Loaves and Fishes, [155];
Moses Striking the Rock, [155];
S. Elizabeth of Hungary, [156];
Holy Family (Pajarito), [157];
Self-Portrait, [160];
Conceptions, [159]
Murillo, Gaspar Estéban, [150]
Musa, [8]
N
Naples, [13], [136], [137], [139], [140], [141];
cathedral of, [140]
Napoleon Bonaparte, [23], [172]
Nasride dynasty, [11]
National Gallery: El Greco, [71], [75];
Velasquez, [97], [104], [105], [107], [114], [116], [122], [123];
Mazo, [122];
Murillo, [157];
Goya, [180]
Nativity, The [Cano], [164]
Nativity, The [El Greco], [88]
Naturalism, [65], [67], [80], [88], [92], [94], [102], [136], [138], [139], [143], [157], [165], [170], [176], [178], [191]
Navas de Tolosa, Las, [10]
Netherlands, under Spanish rule, [16], [17];
influence of, in art, [44]
O
Olivares, Count-Duke of, [18], [60], [102], [105]
Olivares, Count-Duke of, Portrait of [Velasquez], [105], [108], [109]
Omayyad caliphate, [8]
Oriental idea, [34-38]
Ossuna, Duke of, [138]
P
Pacheco, Francisco, [102], [107], [161]
Pacheco, Juana, Velasquez’s wife, [102]
Pacification of the States of Flanders [Fray Juan Bautista Mayno], [56]
Pajarito (Holy Family) [Murillo], [157]
Palomino, quoted, [121]
Pantoja de la Cruz, Juan, [54];
Portrait of Doña Isabel de Borbón, [55]
Pareja, Juan de, [57];
Vocation of S. Matthew, [58]
Parma, [137]
Patinir, [42]
Paul, S. [El Greco], [75]
Paul V, Pope, [150]
Pavia, battle of, [16]
Peninsular War, [23]
Penitent Magdalen [Cerezo], [62]
Penitent Magdalen [Ribera], [145]
Pereda, Antonio, [58], [131];
The Dream of Life, [58];
S. Jerome, [58];
Ecce Homo, [58]
Perez, Maria, [150]
Pheasants, Isle of, [106]
Philip, Archduke of Austria, [15]
Philip II:
reign of, [17];
builds Escoriál, [30];
relations with Morales, [48];
with Rizi, [60];
with El Greco, [67];
removes Court to Madrid, [73]
Philip II, Portrait of [Titian], [19]
Philip III: reign of, [17];
decorates Escoriál, [32];
visited by Rubens, [56]
Philip III, Portrait of [Coello], [20], [55]
Philip IV: reign of, [18];
visited by Rubens, [57];
friendship with Velasquez, [103];
marriage, [105];
decorates Escoriál, [56], [105];
proclaims Virgin Mary patroness of dominion, [150];
patron of Cano, [161];
portraits of, [20]
Philip IV: portraits by Velasquez: Bust, [95], [97];
Young, [104];
Equestrian, [105], [108];
Sportsman, [105], [113], [122];
Old, [105], [114], [123].
Probably by Mazo:
In Hunting Costume, [107]
Philip V, reign of, [22]
Pietá [Morales], [49]
Pinakothek Museum. See Munich
Piombo, Sebastian del, [63]
Pompey the Great, [6]
Poussin, Nicholas, [129], [130]
Pradilla, Francisco, [65], [192]
Prado, the, [23], [40], [42], [55], [129];
director of the, [126], [128];
pictures in: Titian, [19], [52];
Juanes, [46];
Morales, [49], [50];
Caxés, [55];
Carducho, [55];
Mayno, [56];
Rubens, [56];
Pareja, [58];
Collantes, [59];
Pereda, [59];
Leonardo, [60];
Rizi, [61];
Antolinez, [62];
Cerezo, [62];
Ribalta, [64];
El Greco, [75], [76], [79], [85], [86], [87], [88], [89];
Velasquez, [95], [104], [105], [106], [117], [122], [124];
Mazo, [127], [128];
Carreño, [133], [134], [135];
Ribera, [144], [145], [146];
Murillo, [156], [157];
Goya, [173], [174], [176], [180], [181], [182]
Prado catalogue, [55], [66], [124], [126], [150]
Presentation in the Temple [Cano], [164]
Presentation of the Infant Jesus in the Temple [Morales], [50]
“Prince of Peace,” [172], [185]
Proverbios [Goya], [184]
Province, the, [7]
Provincial Museum, Seville: El Greco, [79];
Zurbarán, [166], [168], [169]
Pulgar, historian, [13]
Pulido-Pareja, Admiral, [107], [122]
Puvis de Chavannes, [56]
R
Raeburn, [94]
Raphael, [45], [46], [62], [137], [138], [139], [152], [157], [164], [174]
Realism, [80], [92], [189]
Reccared, King, [8]
Reformation, Protestant, [80]
Rembrandt, [94], [121], [156], [157], [178], [190]
Reni, Guido, [139]
Resurrection, The [El Greco], [85]
Ribalta, Francisco, [63],

[136];
Last Supper, [63];
S. Francis d’Assisi, [64]
Ribera, José (Lo Spagnoletto), [54], [59], [63], [64], [65], [151], [165];
chapter on, [136];
life, [136], [137];
Italian influence, [139];
S. Januarius scandal, [140];
stories associated with, [142];
point of view, [143];
Hermits and Ascetics, [142];
Martyrdom of S. Bartholomew, [138], [144];
Martyrdom of S. Januarius, [141];
Hermit Saint, [142];
Immaculate Conception, [144];
Assumption of the Magdalen, [144];
Holy Trinity, [144];
S. John the Baptist in the Desert, [145];
Penitent Magdalen, [145];
Isaac Blessing Jacob, [145];
S. Simon, [146];
S. Bartholomew, [146];
Jacob’s Ladder, [146]
Ribera, Luis, [136]
Rincon, [13]
Rizi, Antonio, [60]
Rizi, Francisco, [61];
auto-da-fé depicted, [62]
Rizi, Fray Juan, [61];
Portrait of Don Tiburcio de Redin, [61];
S. Benedict Celebrating Mass, [61]
Roelas, Juan de las, [64], [165], [169]
Roman, Bartolomé, [131]
Romanticists, [187]
Rome, [6], [173]
Rome, influence of school of, [47], [51], [66], [137], [151]
“Room of the Two Sisters,” [36]
Rubens, [56], [103], [121], [151]
Ruisdael, [125]
Ryks Museum, [62]
S
Salamanca, [13]
Sanguineto, Don Rafael, [162]
Santa Forma, La [Coello], [63]
Santiago [El Greco], [88]
Santos Cruz, [44]
Sardinia, [41]
Sassoferrato, [139]
Scene of May [3], 1808 [Goya], [185]
“School of Madrid,” [106], [123], [134]
Scipio the Younger, [6]
Sebastian, S. [Carreño], [133]
Self-Portrait [Murillo], [160]
Seven Joys of Mary, The [Cano], [164]
Seville, [42], [47], [62], [65], [89], [102], [150], [151], [152], [162], [164], [165], [169]
Sicily, [22], [41]
Siguenza, Father, [71]
Silva, Juan Rodriguez de, father of Velasquez, [102]
Simon, S. [Ribera], [146]
Solis, Antonio de, poet, historian, dramatist, [18]
Sorolla (Joaquin Sorolla y Bastida), [65], [192]
Soult, Marshal, [23]
Spagnoletto, Lo. See Ribera
Spain, historical sketch of, [3-24];
decline of, [171], [184];
character of art of, [4], [8], [25], [38], [39], [125], [133], [137], [145], [165], [171], [190];
source of, [41], [46];
geographical description of, [4], [5], [41], [129]
“Spaniard of Jativa,” [136]
Spanish character, [5], [11], [14], [27], [30], [47], [66], [87];
demoralization of, [171], [191]
Spanish Succession, War of the, [22]
Spinola, Marquis of, [103], [112]
Stephen Conducted to Martyrdom, S. [Juanes], [46]
Stevenson, R. A. M., [110]
Stirling-Maxwell, Sir John, [71]
Suetonius, [6]
Surrender of Breda [Leonardo], [60]
Surrender of Breda [Velasquez], [56], [103], [111], [126]
T
Tagus, the, [73]
Taking of Acqui [Leonardo], [60]
Tapestry works, royal, [174]
Taureaux de Bordeaux [Goya], [187]
Telmo, San, [89]
Temptation of Adam and Eve [Titian], [56]
Temptation of S. Antony [unknown], [43]
Teniers, [174]
Theotocopuli, Domenico. See Greco
Theotocopuli, George Manuel, [71], [87], [89]
Thomas, Apotheosis of S. [Zurbarán], [166]
Thomas, S., Church of, [167]
Tibaldi, Pelegrino, [52]
Tiburcio de Redin, Portrait of [Rizi], [61]
Tiepolo, [23], [65]
Tintoretto, [66], [71], [103], [108], [111], [138]
Titian, [19], [52], [53], [56], [66], [67], [78], [89], [111], [121], [126], [139], [151];
Gloria, [16];
Portraits of Charles I, [19];
Philip II, [19], [20]
Toledo, [10], [13], [42], [51], [56], [61], [66], [69], [70], [71], [74], [86], [87]
Tomé, Church of San, [82]
Trinity, Holy [Ribera], [144]
Tristan, Luis, [89]
“Truth not painting,” [95], [101], [108], [120]
Truth of appearances, [67], [119]
Truth of representation, [92]
Turner, [130]
U
Ursula, S., [43]
Utrecht, treaty of, [22]
V
Valencia, province of, [10], [41];
school of, [41], [46], [54], [63], [64], [136], [162]
Valladolid, [58]
Van Dyke, [62], [151]
Van Eyck, Jan, [94], [99]
Van Goyen, [125]
Van Loo, [22]
Velasquez, Don Diego Rodriguez de Silva y, [19], [54], [55], [56], [57], [60], [61], [65], [67], [143], [148], [151], [157], [161], [165], [171], [178], [187], [189];
chapter on, [92-120];
point of view, [93];
“truth not painting,” [95];
artist’s vision, [96];
color, [97], [98];
impressionism, [100];
study of light, [100];
early life, [101], [102];
friendship with king, [103];
first visit to Italy, [103];
first period, [103], [104];
Aposentador Mayor, [104];
second period, [105];
second visit to Italy, [105];
Marshal of the Palace, [105];
third period, [105], [106];
death, [106];
alteration of canvases, [110];
neglect of, [120], [121];
pictures copied by Mazo, [122];
interest in landscape, [126];
compared with Goya, [181];
pictures by—first period:
Surrender of Breda, [103], [104], [111];
Forge of Vulcan, [103], [108];
Joseph’s Coat, [103];
Villa Medici, [103];
Adoration of the Shepherds, [107];
Adoration of the Kings, [107];
Lady with the Fan, [107];
Los Borrachos, [107];
Expulsion of the Morescoes, [111];
Doña Maria, [103];
Philip IV, Young, [107]. Second period:
Christ at the Pillar, [105];
Sculptor Montañés, [105];
Don Juan de Austria, [105];
Don Baltasar Carlos, [98];
Equestrian Portraits of Philip IV, [105], [109];
Don Baltasar Carlos, [105], [109];
Count Olivares, [105], [108], [109];
Sportsman Portraits of Philip IV, [105], [113], [122];
Don Baltasar Carlos, [105], [113];
Don Fernando de Austria, [105], [113].
Third Period:
S. Antony Visiting S. Paul, [105];
Las Hilanderas, [105], [116];
Venus, [116];
Æsopus, [106];
Mœnippus, [106];
The God Mars, [106];
The Dwarf Antonio El Inglese, [106];
Las Meniñas, [95], [105], [108], [116], [119];
Pope Innocent X, [93], [105], [123];
Queen Mariana, [105];
Doña Maria Teresa, [105];
La Infanta Doña Margarita Maria, [105];
Philip IV, Old, [97], [105];
Cristobal de Pernía, [106]
Velasquez, Geronimo, [102]
Velasquez, Ignacia and Francisca, [102], [121]
Velez de Guevara, [18]
Venice, [51], [66], [74]
Venus [Velasquez], [105], [116]
Vermeer, Jan, [126]
Veronese, [121]
View of Buen Retiro [Mazo], [128]
View of Delft [Vermeer], [126]
View of the Arch of Titus [Mazo], [126]
View of Zaragoza [Mazo], [127]
Villa Medici [Velasquez], [103], [126]
Vinci, Da, [45], [49], [99]
Virgin and Saints, The [El Greco], [87]
Virgin Blessing Various Monks, The [Zurbarán], [168]
Virgin Caressing the Infant Jesus [Morales], [50]
Visigoths, [8]
Vision of Ezekiel [Collantes], [59]
Vista of Toledo [El Greco], [71]
Vocation of S. Matthew [Pareja], [58]
W
Wallace collection, [104]
Weavers, The, [105], [116]
Weiss, Madame, [187]
Wellington, Duke of, [23], [186]
Weyden, Roger van der, [42]
Whistler, [120]
X
Ximenes de Cisneros, Cardinal, [13]
Z
Zamacois, Edoardo, [192]
Zaragoza, [173]
Zegri, [11]
Zucchero, Frederico, [52]
Zuloaga, Ignacio, [65], [89], [192]
Zurbarán, Francisco de, [44], [65], [146];
life, [165];
sympathy with monastic life, [166];
death, [169];
pictures by:
Apotheosis of S. Thomas Aquinas, [166];
Virgin Blessing Various Monks, [168];
Miracle of S. Hugo, [169]

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