Encyclopædias tell us very little of Topiary, and even that monumental work the “Encyclopædia Britannica” contains within its portly tomes no reference to so historically interesting a subject, unless it be curiously hidden away. And even that very useful work “Chambers’s Encyclopædia” passes over Topiary as though such an art never existed.
To students of Etymology the word Topiary itself is of considerable interest. For the present work it must suffice to say that it is derived from the Latin topiarius, pertaining to ornamental gardening. One dictionary definition or meaning of the word is “shaped by cutting or clipping” and horticulturists will agree that this definition is both clever and descriptive, for Topiary work consists in giving all kinds of more or less fanciful forms to trees, hedges, and arbours.
An interesting reference is made in the “History of Oxfordshire” to the use of the phrase “Topiary Work.” It is stated therein that “at Hampton Court, which was laid out about the middle of the reign of Henry VIII. by Cardinal Wolsey, there was a labyrinth, which still exists, covering only the quarter of an Acre of ground, yet its walks extending by their volutions over nearly half a mile. The walls also were covered with Rosemary. It was also long celebrated for its trees cut into grotesque forms, which Dr Plot admired and dignified with the name of Topiary Works.”
EARLY HISTORY
“Little low hedges, round like welts, with some pyramids, I like well; and in some places fair columns, upon frames of carpenters’ work.”—Bacon.
Just how far back in the history of gardens and gardening the art of Topiary was first practised there is no means of telling, but we know that gardening was first practised as a source of food supply, and that pleasure gardening did not occupy a very prominent position among the arts and sciences until civilisation had made considerable advances. Architecture had progressed in a wonderful manner and reached a high state of perfection long before horticulture assumed any great importance. To use Lord Bacon’s elegant words, “when ages grow to civility and elegancy, men come to build stately, sooner than to garden finely, as if gardening were the greater perfection.” This being so, it does not seem so very unreasonable to presume that the ancient builders of stately edifices would not in designing the surrounding gardens, plant trees and shrubs likely to mask, soften, or detract in any way from the architectural features created at so great an expenditure of time and money. They would the rather be likely to plant the more formal trees near the mansion, keeping the more graceful at a distance. The love of the formal among the Greeks may be evidenced from the writings of Theocritus, the pastoral poet of Greece, who compares the beauty of Helen to that of a Cypress. Following up this idea, a reason for keeping evergreen and other trees closely clipped is apparent. From the mere clipping of these subjects so as to keep them in harmony with the architecture, to the cutting of evergreens into fantastic shapes, is not a very wide transition, but whether the latter style was first adopted by the Grecian or the Roman gardeners does not appear.
A FARM-YARD FOWL AT COMPTON WYNYATES
A “LEATHERN BOTTEL” CUT IN BOX AT COMPTON WYNYATES