She had given him besides a body of so much strength and beauty, and withal of so great grace, that sculptors, who, while he was a boy, had realized at sight of him the face and form of Eros, God of Love, now took him as their model when they strove to mould a Hermes, the wise, quick, strong, radiant messenger of Heaven.

If we dare not linger on the life he led at this time, if we can only speculate on some of the motives of his conduct, neither can we venture to describe his outward form, the perfect oval of his face, the thickly curling hair he allowed to grow so long, the large voluptuous eyes, now gazing with half-closed indolence, now flashing with the latent fire within, the faultless classic profile, the clean-cut nose, with nostrils that would sometimes dilate and tremble with excitement, above a mouth which often stayed half opened, careless in repose, and sometimes withering in its contempt.

Can we wonder if, in the graphic language of the Greek historian, ‘he was hunted by good women, as the hunter hunts his prey’? Ought we to be hard in our judgment on him if, living before the world had yet been taught a higher law, his life was not what we call virtuous? If we do not pardon him, we can make excuses. We cannot but remember the circumstances of his youth and bringing up in the house of Perikles and Aspasia; the licence of affection unsanctioned by the marriage tie, which even severe critics like Sokrates did not condemn. Of all this liberty he took his fill. None so sought after as he, none sooner weary of ordinary easy love. He astonished Athens by his erratic escapades. He had all there at his command. That was not enough. Hearing of renowned beauties far away, the difficulties of the pursuit lent enchantment to the search. At one time we hear of him, in disguise, at Korinth, at another at Abydos in the Hellespont, drawn thither only by rumour of the beauty of Medontis.

So three years went by as in a wanton dream. As Perikles had for his friend the learned and beautiful Aspasia, whose salon was frequented by the wit and genius of Greece, so his pupil formed a strong attachment to Timandra, and felt perhaps the truest love he ever felt for the fair Athenian. She, like Aspasia, was of the class which society at that time something more than tolerated. Doubtless she was fitter to become companion of the life and work of such a man, the confidante of his hopes and aspirations, than were the most part of the high-born Grecian ladies. We shall see how faithfully, through all his ills, she followed him unto the end. But the offspring of such alliances could not become their fathers’ heirs, except by special legislation, so Alkibiades must marry, and marry one of his own caste.

The rich and famous general Hipponikos, whose ancestors were among the most famous mythic heroes of the Greeks, whose family were the hereditary torch-bearers at the celebration of the Eleusinian mysteries, had an only daughter, Hippareté, whom he loved devotedly, and who was to share his wealth. Her hand was eagerly sought for by most of the young men of old descent. The fact that she was coveted by many enhanced her value in the eyes of Alkibiades. She whom so many were anxious to possess was worth pursuing. He found in that pursuit an opportunity to show how he could excel the other youthful heroes of the day in love as well as war.

Her mother had been separated from Hipponikos by the odious law which allowed a wife for little cause to change her husband for another—the bane and fruitful source of evil in the old societies. Released from her first husband, she had married Perikles, and became the mother of some of his children; but growing jealous of Aspasia, she was divorced from Perikles, and joined herself in wedlock to a third. It was the daughter of this woman and Hipponikos that Alkibiades wooed and won—perhaps too easily.


CHAPTER V

‘HYMEN O HYMENAIE’

In the late autumn of 425 B.C., when the keen bright winter was just beginning to give warning that he was coming soon, Alkibiades brought his young bride home to his great house in the heart of Athens. First came the bearer of the marriage torch, which had been lighted by Deinomaché; then the chorus of youths and maidens dancing, and shouting to the shrill reedy music of the double oboes their thrilling and exulting cry, ‘Hymen O Hymenaie!’ then bride and bridegroom on the wedding-car, drawn by four white horses of his breed that was to become so famous.