Colonel (with grandeur). "No matter, sir, what you thought. When an article appears in my own paper, Mr. Cooley, there is but a single inference to be drawn. When I find myself unable to edit the Argus, I will sell out, sir—I will sell out!"

Cooley (calmly). "Well, but Murphy, your assistant, told me distinctly that he wrote that editorial himself."

Colonel (coming down). "Ah! yes, yes! that is partly true, now I remember. I believe Murphy did scratch off the body of the article, but I overhauled it; it was necessary for me to revise it, to touch it up, to throw it into shape, as it were, before it went into type. Murphy means well, and with a little guidance—just a l-e-e-t-l-e careful training—he will do."

But Murphy did not remain long. One of the colonel's little nephews died, and a man who kept a marble-yard in Wilmington thought he might obtain a gratuitous advertisement by giving to the afflicted uncle a substantial expression of his sympathy. So he got up a gravestone for the departed child. The design, cut upon the stone in bas-relief, represented an angel carrying the little one in his arms and flying away with it, while a woman sat weeping upon the ground. It was executed in a most dreadful manner. The tombstone was sent to the colonel, with a simple request that he would accept it. As he was absent, Mr. Murphy determined to acknowledge the gift, although he had not the slightest idea what it meant. So the next morning he burst out in the Argus with the following remarks:

"ART NEWS.

"We have received from the eminent sculptor, Mr. Felix Mullins of Wilmington, a comic bas-relief designed for an ornamental fireboard. It represents an Irishman in his night-shirt running away with the little god Cupid, while the Irishman's sweetheart demurely hangs her head in the corner. Every true work of art tells its own story; and we understand, as soon as we glance at this, that our Irish friend has been coqueted with by the fair one, and is pretending to transfer his love to other quarters. There is a lurking smile on the Irishman's lips which expresses his mischievous intentions perfectly. We think it would have been better, however, to have clothed him in something else than a night-shirt, and to have smoothed down his hair. We have placed this chef d'œuvre upon a shelf in our office, where it will undoubtedly be admired by our friends when they call. We are glad to encourage such progress in Delaware art."

This was painful. When the colonel returned next day, Mr. Mullins called on him and explained the tombstone to him, and that very night Mr. Murphy retired from the Morning Argus, and began to seek fresh fields for the exercise of his talents.