CHAPTER X.
A Picturesque Church—Some Reflections upon Church Music—Bob Parker in the Choir—Our Undertaker—A Gloomy Man—Our Experience with the Hot-Air Furnaces—A Series of Accidents—Mr. Collamer's Vocalism—An Extraordinary Mistake.
There are but few old villages in the United States that contain ancient churches so picturesque in situation and in appearance as that which stands in the centre of our town, the most conspicuous of its buildings. The churchyard is filled with graves, for the people still cling to that kindly usage which places the sacred dust of the departed in holy ground. And so here, beneath the trees, and close to the shadow of the sanctuary walls, villagers of all ages and generations lie reposing in their final slumber, while from among them the snow-white spire rises heavenward to point the way their souls have gone. There are many of us who were not born here, and who are, as it were, almost strangers in the town, who can wander down the narrow paths of the yard, to out-of-the-way corners, where the headstones are gray with age and sometimes covered with a film of moss, and read in the quaint characters with which the marble is inscribed our own family names. Here lies the mortal part of men and women who were dear to our grandsires; of little children too, sometimes, whose departure brought sorrow to the hearts of those who joined them in Paradise long, long before we began to play our parts in the drama of existence. The lives that ended in this quiet resting-place are full of deepest interest to us; they have a controlling influence upon our destiny, and yet they are very unreal to us. The figures which move by us as we try to summon up the panorama of that past are indistinct and obscure. They are shadows walking in the dusk, and we strive in vain to vest them with a semblance of the personality which once was theirs. They should seem very near to us their kindred, and yet, as we attempt to come closer to them, they appear so remote, so far away in the dead years, that we hardly dare to claim fellowship with them, or to speak of them as of our flesh and blood.
It makes no difference where the empty shell is cast when the spiritual man is gone, but I reverence that human instinct which induces a man to wish to be laid at the last by the side of his ancestors and near to those whom he has loved in life. It is at least a beautiful sentiment which demands that those who are with each other in immortality should not be separated here on earth, but together should await the morning of the resurrection.
I like this old church for its simplicity; not only for the absence of splendor in its adornment, but for the methods of worship of which it approves. The choir, from its station in the organ-loft, never hurls down upon the heads of the saints and sinners beneath any of those surprising sounds which rural choirs so often emit, with a conviction that they are achieving wonderful feats of vocalism, and no profane fingers compel the pipes of the microscopic organ to recall to the mind of the listener the music of the stage and the concert-room. From the instrument come only harmonies round, sweet and full, melting in solemn cadences from key to key and rolling down through the church, bringing the souls of the worshipers into full accord with the spirit of the place and the occasion, or else pouring forth some stately melody on which the voices of the singers are upborne. The choir fulfills its highest purpose by leading the people through the measures of those grand old tunes, simple in construction but sublime in spirit, which give to the language of the spiritual songs of the sanctuary a more eloquent beauty than their own. I would rather hear such music as may be found in "Federal Street," in "Old Hundred," in "Hursley" and in the "Adeste Fideles," sung by an entire assembly of people who are in earnest in their religion, than to listen to the most intricate fugue worked out by a city choir of hired singers, or the most brilliant anthem sung by a congregation of surpliced boys who quarrel with each other and play wicked games during the prayers. Such tunes as these are filled with solemn meaning which is revealed to him whose singing is really an act of worship. There is more genuine religious fervor in "Hursley" than in a library of ordinary oratorios. A church which permits its choir to do all the singing might as well adopt the Chinese fashion of employing a machine to do its praying. A congregation which sits still while a quartette of vocalists overhead utters all the praises, need not hesitate to offer its supplications by turning a brass wheel with a crank. Our people do their singing and their praying for themselves, and the choir merely takes care that the music is of a fitting kind.
