Fig. 37.—Greek helmet.
Fig. 38.—Greek helmets of the Bœotian shape.
Fig. 39.—Helm, breastplate, and backplate from Cumæ. (Tower of London.)
The helms all appear with characteristic neck-guards and pendent guards for the face, which were free to move upon simple attachments at the side; the front is shown to be protected by a more or less ornamental visor or nasal. The crest, of which three distinct varieties are shown, assumed many modifications of those varieties, but the general arrangement was to lengthen it so as to extend from the front portion of the helmet to the neck-guard, and the upper portion spreading like a fan. The body of the helm in nearly every instance was made the ground for elaborate decoration. To the crest was added at times one or two plumes, the whole producing a striking military effect (Figs. [36] and [37]). The true Greek war-helm, however, had very little exterior ornamentation, but was in every respect a most serviceable and business-like headpiece. It was known as the Bœotian helm ([Fig. 38]), and the general shape may be gathered from an examination of the Italian “barbuta” of the fourteenth century, its lineal descendant. A fine helmet of this character is preserved in Case 24 at the Tower of London; it is of bronze, and was excavated at Cumæ, an ancient Greek colony near Naples. It is shown in [Fig. 39]. Fitting closely to the head and neck, the lower part reached to the shoulders; in front two openings for the eyes, with a drooping nasal between and a narrow vertical opening opposite the chin and neck, gave a general protection which was most effectual, and only exposed the absolute minimum to chance of injury. Its efficacy was soon recognised, and it was eagerly assumed by the hoplites and the leading Greek warriors. The greaves now appear without straps behind, and were retained in their place solely by the elasticity of the metal; they are represented as adhering closely to the limb, and were probably moulded from casts taken direct from the wearer. About 400 b.c. the heavy bronze cuirass of the Greek soldier, which had been transmitted from the Heroic Period, gave way to a lighter but equally efficacious defence, made of linen crossed many times in folds and glued together, such as we have seen used by the Egyptians, and, in fact, by nearly all Asiatic races. The mounted soldiers wore a shorter cuirass than the hoplites; it was moulded to the figure, and from the lower edge pendent straps of leather were affixed for the protection of the lower part of the body and the thighs. These “lambrequins,” as they were termed, were very numerous, and at times ornamented with metal plaques; they were longer than the Roman lambrequins of a subsequent period by reason of the Greek cuirass terminating at the waist (Figs. [40] and [41]). The javelin or throwing-spear of the light-armed troops was furnished with a strap to aid in propelling it. A pair of Greek greaves are preserved in Case 24, Tower of London, which are probably of the Heroic Age, as they are furnished with rings for the attachment of fastening straps. From the same case we have examples of the bronze cuirass, backplate, and breastplate, with a bronze attachment at one shoulder for fastening the two together. An outline of the chief muscles and prominences upon the human form are crudely imitated in repoussé work, and indications exist upon the backplate of the fastenings by which it was attached to the front ([Fig. 39]). The bronze belt or zone which was worn by many warriors below the cuirass is also exemplified and shown in [Fig. 42]. The fastenings in front show a considerable amount of artistic skill. To this zone were attached the lower defences for body and limbs.