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The shepherd girl that had delivered France—she, from her dungeon, she, from her baiting at the stake, she, from her duel with fire, as she entered her last dream—saw Domrémy, saw the fountain of Domrémy, saw the pomp of forests in which her childhood had wandered. That Easter festival which man had denied to her languishing heart—that resurrection of springtime, which the darkness of dungeons had intercepted from her, hungering after the glorious liberty of forests—were by God given back into her hands, as jewels that had been stolen from her by robbers. With those, perhaps (for the minutes of dreams can stretch into ages), was given back to her by God the bliss of childhood. By special privilege for her might be created, in this farewell dream, a second childhood, innocent as the first; but not, like that, sad with the gloom of a fearful mission in the rear. This mission had now been fulfilled. The storm was weathered; the skirts even of that mighty storm were drawing off. The blood that she was to reckon for had been exacted; the tears that she was to shed in secret had been paid to the last. The hatred to herself in all eyes had been faced steadily, had been suffered, had been survived. And in her last fight upon the scaffold she had triumphed gloriously; victoriously she had tasted the stings of death. For all, except this comfort from her farewell dream, she had died—died, amidst the tears of ten thousand enemies died, amidst the drums and trumpets of armies—died, amidst peals redoubling upon peals, volleys upon volleys, from the saluting clarions of martyrs.
Bishop of Beauvais! because the guilt-burdened man is in dreams haunted and waylaid by the most frightful of his crimes, and because upon that fluctuating mirror-rising (like the mocking mirrors of mirage in Arabian deserts) from the fens of death—most of all are reflected the sweet countenances which the man has laid in ruins; therefore I know, bishop, that you also, entering your final dream, saw Domrémy. That fountain, of which the witnesses spoke so much, showed itself to your eyes in pure morning dews; but neither dews, nor the holy dawn, could cleanse away the bright spots of innocent blood upon its surface. By the fountain, bishop, you saw a woman seated, that hid her face. But, as you draw near, the woman raises her wasted features. Would Domrémy know them again for the features of her child? Ah, but you know them, bishop, well! Oh, mercy! what a groan was that which the servants, waiting outside the bishop's dream at his bedside, heard from his labouring heart, as at this moment he turned away from the fountain and the woman, seeking rest in the forests afar off. Yet not so to escape the woman, whom once again he must behold before he dies. In the forests to which he prays for pity, will he find a respite? What a tumult, what a gathering of feet is there! In glades where only wild deer should run, armies and nations are assembling. There is the Bishop of Beauvais, clinging to the shelter of thickets. What building is that which hands so rapid are raising? Is it a martyr's scaffold? Will they burn the child of Domrémy a second time? No: it is a tribunal that rises to the clouds. Shall my Lord of Beauvais sit again upon the judgment-seat, and again number the hours for the innocent? Ah no! he is the prisoner at the bar. Already all is waiting: the mighty audience is gathered, the Court is hurrying to their seats, the witnesses are arrayed, the judge is taking his place. My lord, have you no counsel? "Counsel I have none: in heaven above, or on earth beneath, counsellor there is none now that would take a brief from me: all are silent." Is it, indeed, come to this? Alas! the time is short, the tumult is wondrous, the crowd stretches away into infinity, but yet I will search in it for somebody to take your brief; I know of somebody that will be your counsel. Who is this that cometh from Domrémy? Who is she in bloody coronation robes from Rheims? Who is she that cometh with blackened flesh from walking the furnaces of Rouen? This is she, the shepherd girl, counsellor that had none for herself, whom I choose, bishop, for yours. She it is, I engage, that shall take my lord's brief. She it is, bishop, that would plead for you: yes, bishop, SHE—when heaven and earth are silent.
PANCRATIUS
By CARDINAL WISEMAN
Note.—The selection following has been adapted from Fabiola, or The Church of the Catacombs, a tale by Cardinal Wiseman. Pancratius, one of the early Christian martyrs, was a boy of fourteen at the time the story opens and was but little older at his death. At school his nobility incurred the enmity of Corvinus, whose hatred lead to the early denunciation of Pancratius.
When the Roman emperor decided to exterminate the Christians and sought to publish the bloody edict, Pancratius in a perilous attempt succeeded in tearing down and burning the royal proclamation. Corvinus had a narrow escape from the emperor's wrath, and his hatred of Pancratius increased. Unable to secure another victim, Corvinus seized his old schoolmaster and gave him up to torture and death at the hands of his pupils. On his return from this bloody expedition, Corvinus, drunken and reckless, was thrown from his chariot into a canal and would have drowned had not Pancratius rescued him. At that time Pancratius recovered the knife with which he had cut down the edict and which was kept by Corvinus as evidence against the young Christian. Ignorant of his rescuer's name, Corvinus still sought for Pancratius, and this selection shows how he succeeded.
At length they came near one of the chambers which flanked the eastern side of the longer arm of the hall. [Footnote: Corvinus and his, companion are searching among the Christian captives at work on the baths of Diocletian for suitable men to fight the lions in the amphitheater.] In one of them they saw a number of convicts (if we must use the term) resting after their labor. The center of the group was an old man, most venerable in appearance, with a long white beard streaming on his breast, mild in aspect, gentle in word, cheerful in his feeble action. It was the confessor Saturninus, now in his eightieth year, yet loaded with two heavy chains. At each side were the more youthful laborers, Cyriacus and Sisinnius, of whom it is recorded, that in addition to their own task-work, one on each side, they bore up his bonds. Indeed, we are told that their particular delight was, over and above their own assigned portion of toil, to help their weaker brethren, and perform their work for them.
Several other captives lay on the ground about the old man's feet, as he, seated on a block of marble, was talking to them with a sweet gravity, which riveted their attention, and seemed to make them forget their sufferings. What was he saying to them? Was he requiting Cyriacus for his extraordinary charity by telling him that, in commemoration of it, a portion of the immense pile which they were toiling to raise would be dedicated to God under his invocation, become a title, and close its line of titulars by an illustrious name? Or was he recounting another more glorious vision, how this smaller oratory was to be superseded and absorbed by a glorious temple in honour of the Queen of Angels, which should comprise that entire superb hall, with its vestibule, under the directing skill of the mightiest artistic genius that the world should ever see? [Footnote: Michelangelo—The noble and beautiful church of Sta Maria degh Angeli was made by him out of the central hall and circular vestibule. The floor was afterwards raised, and thus the pillars were shortened and the height of the building diminished by several feet.] What more consoling thought could have been vouchsafed to those poor oppressed captives than that they were not so much erecting baths for the luxury of a heathen people, or the prodigality of a wicked emperor, as in truth building up one of the stateliest churches in which the true God is worshiped, and the Virgin Mother, who bore Him incarnate, is affectionately honoured?
From a distance Corvinus saw the group, and pausing, asked the superintendent the names of those who composed it. He enumerated them readily; then added, "You may as well take that old man, if you like; for he is not worth his keep so far as work goes."