It is impossible to contemplate this once favorite abode of Oriental manners without feeling the early associations of Arabian romance, and almost expecting to see the white arm of some mysterious princess beckoning from the balcony, or some dark eye sparkling through the lattice. The abode of beauty is here, as if it had been inhabited but yesterday—but where are the Zoraydas and Linderaxas!

On the opposite side of the Court of Lions is the hall of the Abencerrages, so called from the gallant cavaliers of that illustrious line, who were here perfidiously massacred. There are some who doubt the whole truth of this story, but our humble attendant, Mateo, pointed out the very wicket of the portal through which they are said to have been introduced, one by one, and the white marble fountain in the center of the hall, where they were beheaded. He showed us also certain broad, ruddy stains in the pavement, traces of their blood, which, according to popular belief, can never be effaced. Finding we listened to him with easy faith, he added that there was often heard at night, in the Court of the Lions, a low, confused sound, resembling the murmurings of a multitude; with now and then a faint tinkling, like the distant clank of chains. These noises are probably produced by the bubbling currents and tinkling falls of water, conducted under the pavement through the pipes and channels to supply the fountains; but according to the legend of the son of the Alhambra, they are made by the spirits of the murdered Abencerrages, who nightly haunt the scene of their suffering, and invoke the vengeance of Heaven on their destroyer.

From the Court of Lions we retraced our steps through the court of the Alberca, or great fish-pool, crossing which, we proceeded to the tower of Comares, so called from the name of the Arabian architect. It is of massive strength and lofty height, domineering over the rest of the edifice and overhanging the steep hillside, which descends abruptly to the banks of the Darro. A Moorish archway admitted us into a vast and lofty hall, which occupies the interior of the tower and was the grand audience chamber of the Moslem monarchs, thence called the hall of Ambassadors. It still bears the traces of past magnificence. The walls are richly stuccoed and decorated with arabesques, the vaulted ceilings of cedar wood, almost lost in obscurity from its height, still gleam with rich gilding and the brilliant tints of the Arabian pencil. On three sides of the saloon are deep windows, cut through the immense thickness of the walls, the balconies of which look down upon the verdant valley of the Darro, the streets and convents of the Albaycin, and command a prospect of the distant Vega. I might go on to describe the other delightful apartments of this side of the palace; the Tocador or toilet of the Queen, an open belvedere on the summit of the tower, where the Moorish sultanas enjoyed the pure breezes from the mountain and the prospect of the surrounding paradise; the secluded little patio or garden of Lindaraxa, with its alabaster fountain, its thickets of roses and myrtles, of citrons and oranges; the cool halls and grottoes of the baths, where the glare and heat of the day are tempered into a self-mysterious light and a pervading freshness.

An abundant supply of water, brought from the mountains by old Moorish aqueducts, circulates throughout the palace, supplying its baths and fish-pools, sparkling in jets within its halls, or murmuring in channels along the marble pavements. When it has paid its tribute to the royal pile, and visited its gardens and pastures, it flows down the long avenue leading to the city, trinkling in rills, gushing in fountains, and maintaining a perpetual verdure in those groves that embower and beautify the whole hill of the Alhambra.

While the city below pants with the noon-tide heat, and the parched Vega trembles to the eye, the delicate airs from the Sierra Nevada play through the lofty halls, bringing with them the sweetness of the surrounding gardens. Everything invites to that indolent repose, the bliss of Southern climes; and while the half-shut eyes look out from shaded balconies upon the glittering landscape, the ear is lulled by the rustling of groves and the murmur of running streams.

The reader has had a sketch of the interior of the Alhambra, and may be desirous of a general idea of its vicinity. The morning is serene and lovely; the sun has not gained sufficient power to destroy the freshness of the night; we will mount to the summit of the tower of Comares, and take a bird’s-eye view of Granada and its environs.

Come, then, worthy reader and comrade, follow my steps into this vestibule ornamented with rich tracery, which opens to the hall of Ambassadors. We will not enter the hall, however, but turn to the left, to this small door, opening in the wall. Have a care! here are steep winding steps and but scanty light. Yet, up this narrow, obscure and winding staircase the proud monarchs of Granada and their queens have often ascended to the battlements of the tower to watch the approach of Christian armies or to gaze on the battles in the Vega. At length we are upon the terraced roof, and may take breath for a moment, while we cast a general eye over the splendid panorama of city and country, of rocky mountain, verdant valley and fertile plain; of castle, cathedral, Moorish towers and Gothic domes, crumbling ruins and blooming groves.